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De positie van de toeschouwer is binnen het academische discours telkens weer anders geconcipieerd. Vergeleken met andere aspecten van het theaterwezen is het publiek grotendeels over het hoofd gezien binnen de theaterwetenschappen. Daar is pas recentelijk verandering in gebracht. Deze verzameling essays werpt een licht op hedendaagse ontwikkelingen binnen de filosofie, theater en performance studies met betrekking tot de positie van de toeschouwer.
Arts du spectacle --- Performing arts --- Podiumkunsten --- Theatrical science --- Spectators. --- Audiences. --- Communication --- Management
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Sociology of leisure --- Europe --- #VCV monografie 1999 --- Soccer fans --- Soccer --- Geografie --- Social aspects --- Economische geografie --- Toerisme Sport Recreatie. --- Football fans --- Association football --- English football --- European football --- Football (Soccer) --- Soccer spectators --- Fans --- Football --- Sports spectators
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Music appreciation --- Music --- Spectators --- Social aspects --- Social life and customs. --- Social conditions. --- Musique --- Salles de spectacle --- Représentations --- Publics --- Histoire.
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Soccer fans --- Soccer hooliganism --- Psychology --- Sociology of sport --- Social problems --- 316.7:796 --- 343.9 --- 619.19 --- Hooliganisme --- #SMV:112000 --- #SMV:sociologie --- #SMV:universeel --- #SMV:voetbal --- Hooliganism, Soccer --- Disorderly conduct --- Soccer --- Soccer spectators --- Sports spectators --- Voetbal - Rugby; Overige onderwerpen --- Social aspects --- Fans --- Arbeidsmarkt --- Personeelsmanagement --- Oudere werknemers --- Arbeidsherverdeling --- Beleid --- Analyse --- Evaluatie
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Scapeland: Writing the Landscape from Diderot’s Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot’s eighteenth-century French Salons , through art criticism by Baudelaire and Breton, to Jean-François Lyotard’s postmodern exhibition Les Immatériaux . In the Salons , an exploration of the painted landscape becomes an encounter with both the limits of representation and the infinite possibilities of fiction. Baudelaire and Breton explore similar limits in their work, set against the backdrop of the modern city. For them, as for Diderot, the attempt to render visual objects in narrative language leads to the development of new literary forms and concerns. Lyotard’s concept of the “postmodern museum” frames the sublime encounter, once again, in terms that expressly evoke Diderot’s verbal rendering of painted spaces as a personal promenade . According to Lyotard, Diderot “ouvre, par écrit, les surfaces des tableaux comme les portes d’une exposition.. . . [il] abolit . . . l’opposition de la nature et de la culture, de la réalité de l’image, du volume et de la surface.” Reading the literary production of these four writers alongside their art criticism, Scapeland considers narrative responses to art as imaginative assertions of human presence against the impersonal world of objects.
Sublime, The, in literature --- Spectators in literature --- Landscapes in literature --- French literature --- History and criticism --- Sublime, The, in literature. --- Spectators in literature. --- Landscapes in literature. --- French literature. --- Landscape in literature --- History and criticism. --- French literature - History and criticism --- Sublime, The --- History
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Het Jules Ottenstadion in Gentbrugge is al bijna even oud als de club AA Gent zelf: al 92 jaar is het een veilige thuishaven van de supporters van de Gantoise. Door de ambities van de ploeg, die snakt naar aansluiting met de top, komt er volgend seizoen een nieuw stadion, het Arteveldestadion. Deze groei en ambitie luiden de herlocatie in van een van de oudste ploegen van het land. Maar dat heeft ook een keerzijde: het achterlaten van haar stadion en haar plaatsgebonden verleden.0Vier Gentse fotografen (Jelle Vermeersch, Wouter Van Vaerenbergh, Jimmy Kets en Sarah Eechaut) volgden maandenlang de supporters van AA Gent: hun rituelen, hun tribunes, hun ontmoetingsplaatsen, hun Ottenstadion.
Sociology of sport --- Ghent --- Jules Ottenstadion (Gentbrugge, België) --- Ottenstadion (Gentbrugge, Belgique) --- Ottenstadion (Gentbrugge, Belgium) --- Ottenstadion (Gentbrugge, België) --- Stade Jules Otten (Gentbrugge, Belgique) --- Jules Ottenstadion --- Sports spectators --- Stadiums --- Belgium --- Ghent (Belgium) --- Pictorial works
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Mass media and sports --- Violence in sports --- Sports --- Sociological aspects --- Sports and state --- Sports spectators --- Competition (Psychology) --- Sports violence --- Sociology of sports --- Sociology --- College sports --- Competitive behavior --- Competitiveness (Psychology) --- Conflict (Psychology) --- Interpersonal relations --- Motivation (Psychology) --- Philosophy --- Violence
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vandalisme --- Criminology. Victimology --- Sociology of sport --- Social problems --- hooliganisme --- geweld --- Sociology of policy --- Criminal law. Criminal procedure --- Criminologie --- Maatschappij --- Société --- Sport --- Sports --- Soccer --- Hoodlums --- Football --- Voyous --- Social aspects --- Aspect social --- Soccer fans --- Spectator control --- Hoodlums. --- Soccer hooliganism --- #SMV:België --- 316.7:796 --- Academic collection --- #SMV:voetbal --- #SMV:sociologie --- #SMV:112000 --- 351.738 --- Sociologie van de sport --- 316.7:796 Sociologie van de sport --- Crowd control --- Association football --- English football --- European football --- Football (Soccer) --- Hooliganism, Soccer --- Disorderly conduct --- Soccer spectators --- Sports spectators --- Hoods (Hoodlums) --- Hooligans --- Thugs (Hoodlums) --- Criminals --- Gangs --- Fans --- Soccer fans - Belgium. --- Soccer - Social aspects - Belgium. --- Spectator control - Belgium. --- Soccer hooliganism - Belgium.
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