Listing 1 - 10 of 15 | << page >> |
Sort by
|
Choose an application
Choose an application
Margaret Atwood's popular dystopian novel A Handmaid's Tale , engages the reader with a broad range of issues relating to power, gender and religious politics. This guide provides an overview of the key critical debates and interpretations of the novel and encourages you to engage with key questions and readings in your reading of the text. It includes discussion of key themes and concepts including:. - Representation of women's roles, gender, sexuality and power. - Language, style and form. - Dystopias and genre fictions. - Power, control and religious fundamentalism. Combining helpful guidan
820 "19" ATWOOD, MARGARET --- 820 "19" ATWOOD, MARGARET Engelse literatuur--20e eeuw. Periode 1900-1999--ATWOOD, MARGARET --- Engelse literatuur--20e eeuw. Periode 1900-1999--ATWOOD, MARGARET --- Atwood, Margaret, --- Ruders, Poul, --- Tales. --- Folk tales --- Folktales --- Folk literature --- Atwood, Margaret Eleanor --- Atwood, Margaret --- Ėtvud, Margaret, --- Atvuda, Mārgareta, --- Etvuda, Mārgareta,
Choose an application
Margaret Atwood: Feminism and Fiction takes a new look at the complex relationship between Margaret Atwood’s fiction and feminist politics. Examining in detail the concerns and choices of an author who has frequently been termed feminist but has famously rejected the label on many occasions, this book traces the influences of feminism in Atwood’s work and simultaneously plots moments of dissent or debate. Fiona Tolan presents a clear and detailed study of the first eleven novels of one of Canada’s most prominent authors. Each chapter can be read as an individual textual analysis, whilst the chronological structure provides a fascinating insight into the shifting concerns of a popular and influential author over a period of nearly thirty-five years.
Feminism in literature --- Atwood, Margaret, --- Criticism and interpretation --- 820 "19" ATWOOD, MARGARET --- 820 "19" ATWOOD, MARGARET Engelse literatuur--20e eeuw. Periode 1900-1999--ATWOOD, MARGARET --- Engelse literatuur--20e eeuw. Periode 1900-1999--ATWOOD, MARGARET --- Feminism in literature. --- Feminist theory in literature --- Atwood, Margaret Eleanor --- Atwood, Margaret --- Ėtvud, Margaret, --- Atvuda, Mārgareta, --- Etvuda, Mārgareta, --- Atwood, Margaret, - 1939- - Criticism and interpretation --- Atwood, Margaret, - 1939 --- -Feminism in literature.
Choose an application
Margaret Atwood's international celebrity has given a new visibility to Canadian literature in English. This Companion provides a comprehensive critical account of Atwood's writing across the wide range of genres within which she has worked for the past forty years, while paying attention to her Canadian cultural context and the multiple dimensions of her celebrity. The main concern is with Atwood the writer, but there is also Atwood the media star and public performer, cultural critic, environmentalist and human rights spokeswoman, social and political satirist, and mythmaker. This immensely varied profile is addressed in a series of chapters which cover biographical, textual, and contextual issues. The Introduction contains an analysis of dominant trends in Atwood criticism since the 1970s, while the essays by twelve leading international Atwood critics represent the wide range of different perspectives in current Atwood scholarship.
Atwood, Margaret --- Women and literature --- Femmes et littérature --- History --- Histoire --- Atwood, Margaret, --- Critique et interprétation --- Criticism and interpretation --- Atwood, Margaret Eleanor, --- 820 "19" ATWOOD, MARGARET --- #KOHU:CANADIANA --- Engelse literatuur--20e eeuw. Periode 1900-1999--ATWOOD, MARGARET --- 820 "19" ATWOOD, MARGARET Engelse literatuur--20e eeuw. Periode 1900-1999--ATWOOD, MARGARET --- Femmes et littérature --- Canada --- Literature --- Ėtvud, Margaret, --- Atvuda, Mārgareta, --- Etvuda, Mārgareta, --- Atwood, Margaret Eleanor --- English --- English Literature --- Languages & Literatures --- Critique et interprétation. --- Literary criticism --- Writers --- Book
Choose an application
Authorship --- Fiction --- -#KOHU:CANADIANA 2001 --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Authoring (Authorship) --- Writing (Authorship) --- Philosophy --- Atwood, Margaret Eleanor --- -Views on authorship --- Authorship. --- -Atwood, Margaret Eleanor --- Views on authorship --- #KOHU:CANADIANA 2001 --- Fiction writing --- Writing, Fiction --- Atwood, Margaret, --- Atwood, Margaret Eleanor, --- Ėtvud, Margaret, --- Atvuda, Mārgareta, --- Etvuda, Mārgareta, --- Atwood, Margaret
Choose an application
Choose an application
In a book that compares Virginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862-1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One's Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins's work.Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf's modernist novels. In Woolf's Ambiguities, she argues that the greatest formal innovation in Woolf's fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf's narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-novel" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments.
English literature --- Thematology --- anno 1900-1999 --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Verhaal (Retoriek) --- English fiction --- Feminism and literature --- Women authors --- History and criticism. --- History --- History and criticism --- 20th century --- Rhys, Jean --- Technique --- Lessing, Doris May --- Walker, Alice --- Atwood, Margaret Eleanor --- Atwood, Margaret, --- Lessing, Doris, --- Walker, Alice, --- Technique. --- Williams, Ella Gwendolen Rees --- Rees Williams, Ella Gwendolen --- Literature: history & criticism
Choose an application
This book focuses on the way in which second-wave feminism has been represented in American popular culture, and on the effects that these representations have had on feminism as a political movement.
Droits des femmes dans la littérature --- Feminism in literature --- Feminisme in de literatuur --- Féminisme dans la littérature --- Rôle selon le sexe dans la littérature --- Seksuele rolpatronen in de literatuur --- Sex role in literature --- Updike, John, 1932-2009. Witches of Eastwick --- Vrouwenrechten in de literatuur --- Women's rights in literature --- Social policy --- Fiction --- Thematology --- Sociology of the family. Sociology of sexuality --- Atwood, Margaret --- French, Marilyn --- United States --- Canada --- American fiction --- 20th century --- History and criticism --- Feminism and literature --- History --- Atwood, Margaret Eleanor --- Feminist fiction [American ] --- Irving, John --- Feminism and motion pictures --- Best sellers --- Feminist fiction, American --- Women's rights in literature. --- Feminism in literature. --- Sex role in literature. --- History and criticism. --- Atwood, Margaret, --- Irving, John, --- French, Marilyn, --- Updike, John. --- Bestsellers --- Books --- Books and reading --- Feminist theory in literature --- Motion pictures and feminism --- Motion pictures --- Ruders, Poul, --- United States of America --- Feminism --- Equal opportunities --- Gender roles --- Literature --- Writers --- Women's literature --- Book
Choose an application
Authors [American ] --- 20th century --- Interviews --- Albee, Edward --- Amis, Martin --- Atwood, Margaret Eleanor --- Baldwin, James --- Ballard, James Graham --- Carey, Peter --- DeLillo, Don --- Heller, Joseph --- Irving, John --- Lessing, Doris May --- Mailer, Norman --- Morrison, Toni --- Oates, Joyce Carol --- Rushdie, Salman --- Soyinka, Wole --- Updike, John --- Vonnegut, Kurt --- Walcott, Derek Alton --- Wilson, August
Choose an application
Michael analyzes the intersections between feminist politics and postmodern aesthetics as demonstrated in recent Anglo-American fiction. While much has been written on various aspects of postmodernism and postmodern fiction and of feminism and feminist fiction, very little attention has been given to the postmodern aesthetic strategies that surface in post-World War II feminist fiction. Feminism and the Postmodern Impulse examines ways in which many widely read and acclaimed novels with feminist impulses engage and transform subversive aesthetic strategies usually associated with postmodern fiction to strengthen their feminist political edge. The author discusses many examples of recent feminist-postmodern fiction, and explores in greater depth Doris Lessing's The Golden Notebook, Marge Piercy's Woman on the Edge of Time, Margaret Atwood's The Handmaid's Tale, and Angela Carter's Nights at the Circus. She shows that feminist-postmodern fiction's emphasis on the material historical situation--the link to activist politics and commitment to enacting concrete changes in the world, and thus the need to reach a large reading public--often results in a blending and transformation of postmodern and realist aesthetic forms. Moreover, feminist fiction uses deconstructive strategies not only to disrupt the status quo but also to create a space for reconstruction, particularly of recreating new forms of female subjectivities and feminist aesthetics.
Feminism and literature --- Feminisme en literatuur --- Femmes et littérature --- Féminisme et littérature --- Post-modernisme (Littérature) --- Postmodernism (Literature) --- Postmodernisme (Literatuur) --- Postmodernisme (Littérature) --- Vrouwen en literatuur --- Women and literature --- English fiction --- American fiction --- Feminist fiction --- Women authors --- History and criticism --- History --- Lessing, Doris May, --- Piercy, Marge. --- Atwood, Margaret Eleanor, --- Carter, Angela, --- History and criticism. --- Postmodernism (Literature). --- Great Britain --- 20th century --- Piercy, Marge, --- English fiction - Women authors - History and criticism --- Feminism and literature - Great Britain - History - 20th century --- Women and literature - English-speaking countries - History - 20th century --- American fiction - Women authors - History and criticism --- American fiction - 20th century - History and criticism --- English fiction - 20th century - History and criticism --- Feminist fiction - History and criticism --- Feminism and literature - English-speaking countries - History - 20th century --- Lessing, Doris May, - 1919-2013 - Golden notebook --- Piercy, Marge, - 1936- - Woman on the edge of time --- Atwood, Margaret Eleanor, - 1939- - Handmaid's tale --- Carter, Angela, - 1940-1992 - Nights at the circus
Listing 1 - 10 of 15 | << page >> |
Sort by
|