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Piano music --- Piano --- Music publishing --- Pianists --- Piano, Musique de --- Musique --- Pianistes --- History and criticism --- Performance --- Analysis, appreciation --- Exécution --- Analyse et appréciation --- Edition --- pianospel --- pianomuziek --- piano's --- Music --- anno 1800-1899 --- Paris --- Music publishers --- France --- Paris (France) --- 19th century --- Congresses --- Virtuosity in musical performance --- Europe --- Study and teaching --- History

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This volume investigates Luigi Cherubini with the aim of providing a picture of the various faces that a composer and his output could present to European society at the turn of the nineteenth century; a society in which the composer, no longer tied to a patron or a court, tried to integrate himself as a participant in the labor market by finding new, coexisting forms of subsistence, thereby becoming a pre-eminent figure in the industrial and commercial world of the time. Additionally, the volume aims to deepen understanding of the composer?s output in light of the political and social upheavals that took place during his long life, from the French Revolution to the threshold of the Springtime of the People.

Composers --- Cherubini, Luigi, --- Cherubini, Luigi --- Chérurini --- Cherubini, Maria Luigi Carlo Zenobio Salvatore --- Criticism and interpretation. --- Cherubini, Maria Luigi, --- Kerubini, L., --- Cherubini, Luigui, --- Cherubini, L. --- Kerubini, Luidzhi, --- Cherubini, Ludovico, --- Cherubini, Luigi, i.e., Maria Luigi Carlo Zenobio Salvatore, --- Cherubini, Maria Luigi Carlo Zenobio Salvatore, --- Cherubini --- Cherubini, Maria Luigi --- Kerubini, L. --- Cherubini, Luigui --- Kerubini, Luidzhi --- Cherubini, Ludovico --- Cherubini, Luigi, i.e., Maria Luigi Carlo Zenobio Salvatore

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The volume aims to investigate the genesis and the role of Vincenzo Manfredini's Regole armoniche in the light of theoretical concepts and debates within eighteenth-century musical spheres. A composer of, amongst other things, operas, ballets, symphonies, string quartets and harpsichord sonatas, Vincenzo Manfredini eventually turned to writing about music. His Regole armoniche is an important source of information on eighteenth-century performing practices. In this work he summarizes all of the rules surrounding accompaniment illustrating them with written-out realizations. He is, quite possibly, the only Italian author of an accompaniment treatise to take this approach. His comments on singing sparked controversial exchanges between the Italian castrato Giovanni Battista Mancini and Esteban de Arteaga.

Music theory --- Théorie musicale --- Early works to 1800 --- History --- Sources --- Ouvrages avant 1800 --- Histoire --- Théorie musicale --- Harmony --- 18th century