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The process of translating works of literature to the silver screen is a rich field of study for both students and scholars of literature and cinema. The fourteen essays collected in this 2007 volume provide a survey of the important films based on, or inspired by, nineteenth-century American fiction, from James Fenimore Cooper's The Last of the Mohicans to Owen Wister's The Virginian. Many of the major works of the American canon are included, including The Scarlet Letter, Moby Dick and Sister Carrie. The starting point of each essay is the literary text itself, moving on to describe specific aspects of the adaptation process, including details of production and reception. Written in a lively and accessible style, the book includes production stills and full filmographies. Together with its companion volume on twentieth-century fiction, the volume offers a comprehensive account of the rich tradition of American literature on screen.
Film adaptations --- History and criticism --- American fiction --- 19th century --- Film and video adaptations --- American literature --- History and criticism. --- Film adaptations. --- Arts and Humanities --- Literature
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Think about some commercially successful film masterpieces--The Manchurian Candidate. Seven Days in May. Seconds. Then consider some lesser known, yet equally compelling cinematic achievements--The Fixer. The Gypsy Moths. Path to War. These triumphs are the work of the best known and most highly regarded Hollywood director to emerge from live TV drama in the 1950s--five-time Emmy-award-winner John Frankenheimer. Although Frankenheimer was a pioneer in the genre of political thrillers who embraced the antimodernist critique of contemporary society, some of his later films did not receive the attention they deserved. Many claimed that at a midpoint in his career he had lost his touch. World-renowned film scholars put this myth to rest in A Little Solitaire, which offers the only multidisciplinary critical account of Frankenheimer's oeuvre. Especially emphasized is his deep and passionate engagement with national politics and the irrepressible need of human beings to assert their rights and individuality in the face of organizations that would reduce them to silence and anonymity.
PERFORMING ARTS / General. --- Frankenheimer, John, --- Criticism and interpretation. --- Motion pictures --- Motion picture industry --- Biography --- Employees --- Frankenheimer, John --- Criticism and interpretation
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Biopics—films that chronicle the lives of famous and notorious figures from our national history—have long been one of Hollywood's most popular and important genres, offering viewers various understandings of American national identity. Invented Lives, Imagined Communities provides the first full-length examination of US biopics, focusing on key releases in American cinema while treating recent developments in three fields: cinema studies, particularly the history of Hollywood; national identity studies dealing with the American experience; and scholarship devoted to modernity and postmodernity. Films discussed include Houdini, Patton, The Great White Hope, Bound for Glory, Ed Wood, Basquiat, Pollock, Sylvia, Kinsey, Fur, Milk, J. Edgar, and Lincoln, and the book pays special attention to the crucial generic plot along which biopics traverse and showcase American lives, even as they modify the various notions of the national character.
Biographical films --- National characteristics, American, in motion pictures. --- Motion pictures --- Bio-pics --- Biographical videos --- Biopics --- Film biographies --- Screen biographies --- Biography --- History and criticism. --- United States --- In motion pictures. --- History and criticism --- National characteristics [American ] in literature --- United States in motion pictures
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Independent films --- United States --- History and criticism --- Independent filmmakers --- Motion picture industry --- History --- 20th century --- Film --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019 --- United States of America
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