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"New from the Routledge Major Works programme, this landmark title is a four-volume collection of canonical and the very best cutting-edge research on gender. Taking gender to mean both the forms of identity which follow biological definitions of sex (the social identities of male and female, masculine and feminine), as well as the social and intimate relations which are constructed and defined through gender, serious work in the field is inevitably very wide-ranging, and draws on scholarship and insights from across the humanities, the social sciences, and beyond. Much of this literature remains inaccessible, or is highly specialized and compartmentalized, so that it is ever more difficult to gain an informed and comprehensive overview of the current and historical issues and debates. The sheer scale of the growth in research output in gender as well as its breadth makes this collection especially useful and meets the demand for a one-stop 'mini library' of this endlessly fascinating and fundamental subject. The editor (founder of the European Journal of Women's Studies), Mary Evans, is one of the field's leading scholars. She has written new introductions, both to each volume, and to the collection as a whole, which place the collected material in its historical and intellectual context. "Gender" is an essential collection destined to be valued by scholars and students as a vital research source. Available at a special introductory price. This price is applicable until 3 months after publication. For more information, please contact us (reference|routledge.com)."--
Sociology of the family. Sociology of sexuality --- Feminism. --- Feminist theory. --- Gender identity. --- Women's studies.
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Some eighteen film directors from France to the United States, Germany to India, have applied themselves to the task of adapting Madame Bovary to the screen. Why has Flaubert’s 1857 classic novel been so popular with filmmakers? What challenges have they had to meet? What ideologies do their adaptations serve? Madame Bovary at the Movies seeks to answer these questions, avoiding value judgments based on the notion of fidelity to the novel. In-depth analyses are reserved for the studio films of Renoir, Minnelli and Chabrol and the small-screen adaptation of Fywell. As the first book-length examination of the Madame Bovary adaptations, this volume, in addition to its pedagogical applications, will be a useful reference for scholars of literature and film and for those interested in the burgeoning field of adaptation studies.
Bovary, Emma (Fictitious character) --- In motion pictures --- Flaubert, Gustave, --- Flaubert, Gustave, 1821-1880. --- Film --- Flaubert, Gustave --- Emma Bovary (Fictitious character) --- In motion pictures. --- Flaubert, Gustaw, --- Flober, Gi︠u︡stav, --- Fu-lou-pai, --- Fu, Lou-pai, --- Fu-lou-pai, Chü-ssu-tʻa fu, --- Fuloubai, --- Phlōmper, Gkystav, --- Phlōmper, Goustauos, --- Флобер, Гюстав, --- פלאבער, ג. --- פלאבער, גוסטאוו, --- פלובר, גוסטאב --- 福樓拜, --- Flūbir, Gūstāv, --- Flūbir, Gūstāw, --- فلوبر، گوستاو --- Bovary, Emma (Fictitious character) - In motion pictures --- Flaubert, Gustave, - 1821-1880 - Film adaptations --- Flaubert, Gustave, - 1821-1880. - Madame Bovary --- Flaubert, Gustave, - 1821-1880
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Philosophical anthropology --- Philosophy and psychology of culture --- Filosofie --- Maatschappij --- Philosophie --- Société --- 130.1 --- Human beings --- modernisering --- toekomst --- ethiek --- filosofie --- Anthropology, Philosophical --- Man (Philosophy) --- Civilization --- Life --- Ontology --- Humanism --- Persons --- Philosophy of mind --- Homo sapiens --- Human race --- Humanity (Human beings) --- Humankind --- Humans --- Man --- Mankind --- People --- Hominids --- Wijsgerige antropologie:--algemene begrippen en wetmatigheden --- Philosophy --- 130.1 Wijsgerige antropologie:--algemene begrippen en wetmatigheden --- Human beings. --- Philosophical anthropology.
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History of France --- anno 1800-1899 --- French literature --- 19th century --- History and criticism --- Congresses --- Literature and society --- France --- History --- Civilization --- 1830-1900
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Engelsche Letterkunde --- Letterkunde --- Littérature --- Littérature anglaise --- Schoone Kunsten --- 82 (Eliot, G. 3) --- 82-31
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