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Brill's Companion to the Reception of Euripides provides a comprehensive account of the influence and appropriation of all extant Euripidean plays since their inception: from antiquity to modernity, across cultures and civilizations, from multiple perspectives and within a broad range of human experience and cultural trends, namely literature, intellectual history, visual arts, music, opera and dance, stage and cinematography. A concerted work by an international team of specialists in the field, the volume is addressed to a wide and multidisciplinary readership of classical reception studies, from experts to non-experts. Contributors engage in a vividly and lively interactive dialogue with the Ancient and the Modern which, while illuminating aspects of ancient drama and highlighting their ever-lasting relevance, offers a thoughtful and layered guide of the human condition.
Comparative literature --- Euripides --- Appreciation --- Criticism and interpretation --- Influence --- Criticism and interpretation. --- Appreciation. --- Influence.
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"Brill's Companion to the Reception of Sophocles offers a comprehensive account of the influence, reception and appropriation of all extant Sophoclean plays, as well as the fragmentary Satyr play The Trackers, from Antiquity to Modernity, across cultures and civilizations, encompassing multiple perspectives and within a broad range of cultural trends and manifestations: literature, intellectual history, visual arts, music, opera and dance, stage and cinematography. A concerted work by an international team of specialists in the field, the volume is addressed to a wide and multidisciplinary readership of classical reception studies, from experts to non-experts. Contributors engage in a vividly and lively interactive dialogue with the Ancient and the Modern, which, while illuminating aspects of ancient drama and highlighting their ever-lasting relevance, offers a thoughtful and layered guide of the human condition. Contributors are: Simone Beta, Eric Dugdale, Patrick Finglass, Rosanna Lauriola, Enrico Magnelli, Sophie Mills, Elizabeth Scharffenberger, Maria De Fátima Silva and Martina Treu."--
Sophocles --- Appreciation --- Criticism and interpretation --- Influence --- Appreciation. --- Criticism and interpretation. --- Influence. --- Greek drama (Tragedy) --- Tragédie grecque --- History and criticism. --- Histoire et critique --- Tragédie grecque --- Art appreciation. --- Influence (Literary, artistic, etc.) --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Appreciation of art --- Art criticism --- Analysis, interpretation, appreciation --- Sophocles. --- Sofocle --- Sófocles --- Sofokl --- Sofokles --- Sofoklis --- Sofokŭl --- Sophocle --- Sophokles --- Sūfūklīs --- Sūtmūklīs --- סופוקלס --- سوفوكليس --- Σοφοκλῆς --- Sophoclis --- Sophocles - Appreciation --- Sophocles - Criticism and interpretation --- Sophocles - Influence
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The first ever guide to the manifold uses and reinterpretations of the classical tradition in Mussolini’s Italy and Hitler’s Germany, Brill’s Companion to the Classics, Fascist Italy and Nazi Germany explores how political propaganda manipulated and reinvented the legacy of ancient Greece and Rome in order to create consensus and historical legitimation for the Fascist and National Socialist dictatorships. The memory of the past is a powerful tool to justify policy and create consensus, and, under the Fascist and Nazi regimes, the legacy of classical antiquity was often evoked to promote thorough transformations of Italian and German culture, society, and even landscape. At the same time, the classical past was constantly recreated to fit the ideology of each regime.
History of civilization --- History of Germany and Austria --- History of Italy --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949
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