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History, Modern --- -World politics --- -#A9511A --- Colonialism --- Global politics --- International politics --- Political history --- Political science --- World history --- Eastern question --- Geopolitics --- International organization --- International relations --- Modern history --- World history, Modern --- Civilization [Modern ] --- 20th century --- World politics --- #A9511A
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"The first major biography for our time of René Magritte, from the celebrated biographer of Braque and Cézanne. In this stimulating life of René Magritte (1898-1967), Alex Danchev makes a case for the artist as the single most significant purveyor of images to the modern world. His surreal sensibility, his deadpan melodrama, and his fine-tuned outrageousness have all become inescapably part of our times through legendary works such as The Treachery of Images (we know it as Ceci n'est pas une pipe), and through his iterations of the man in a bowler hat, raining down in multiples from the sky, or with an apple where his face should be. These pathbreaking subversions all came from a middle-class Belgian gent, who kept a modest house in a Brussels suburb; who led a small, brilliant band of Belgian surrealists, and famously clashed with André Breton; whose first one-man show, in the style he famously dubbed "Vache" ("Cow"), sold absolutely nothing. In 1965 a major retrospective traveling throughout the United States gave birth to his international reputation. Using thirty-two pages of color inserts and black-and-white illustrations throughout the text, Danchev explores the path of this highly unconventional artist who posed profound questions about the relationship between image and reality and the very nature of authenticity. Danchev delves into a deep examination of Magritte's artistic development, surveys his intimate friendships, and plumbs the mystery of an iconoclast whose influence can be seen in everyone from Jasper Johns to Beyoncé"--
Painters --- Magritte, René, --- Painting, Belgian --- Surrealism
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A major new study of the portraiture of one of the most important artists of the nineteenth century. Paul Cezanne (1839-1906) may be best known for his landscapes, but he also painted some 160 portraits throughout his exceptional career. This major work establishes portraiture as an essential practice for Cezanne, from his earliest self-portraits in the 1860s; to his famous depictions of figures including his wife Hortense Fiquet, the writer Emile Zola, and the art dealer Ambrose Vollard; and concluding with a poignant series of portraits of his gardener Vallier, made shortly before Cezanne's death. Featured essays by leading experts explore the special pictorial and thematic characteristics of Cezanne's portraits. The authors address the artist's creation of complementary pairs and multiple versions of the same subject, as well as the role of self-portraiture for Cezanne. They investigate the chronological evolution of his portrait work, with an examination of the changes that occurred within his artistic style and method, and in his understanding of resemblance and identity. They also consider the extent to which particular sitters influenced the characteristics and development of Cezanne's practice.
Cézanne, Paul --- Themes, motives --- Exhibitions --- Portrait painting --- France --- 19th century
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