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This book presents the story of a unique collection of 140 manuscripts of ‘learned magic’ that was sold for a fantastic sum within the clandestine channels of the German book trade in the early eighteenth century. The book will interpret this collection from two angles – as an artefact of the early modern book market as well as the longue-durée tradition of Western learned magic –, thus taking a new stance towards scribal texts that are often regarded as eccentric, peripheral, or marginal. The study is structured by the apparent exceptionality, scarcity, and illegality of the collection, and provides chapters on clandestine activities in European book markets, questions of censorship regimes and efficiency, the use of manuscripts in an age of print, and the history of learned magic in early modern Europe. As the collection has survived till this day in Leipzig University Library, the book provides a critical edition of the 1710 selling catalogue, which includes a brief content analysis of all extant manuscripts. The study will be of interest to scholars and students from a variety of fields, such as early modern book history, the history of magic, cultural history, the sociology of religion, or the study of Western esotericism.
Book industries and trade --- History --- Book trade --- Cultural industries --- Manufacturing industries --- Books-History. --- Civilization-History. --- History of the Book. --- Cultural History. --- Books—History. --- Civilization—History. --- Universität Leipzig (1991- ) --- Alma mater Lipsiensis --- Leipzig University --- Karl-Marx-Universität Leipzig
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This book foregrounds the pressures that three transformative technologies in the long sixteenth century—the printing press, gunpowder, and the magnetic compass—placed on long-held literary practices, as well as on cultural and social structures. Sheila J. Nayar disinters the clash between humanist drives and print culture; places the rise of gunpowder warfare beside the equivalent rise in chivalric romance; and illustrates fraught attempts by humanists to hold on to classicist traditions in the face of seismic changes in navigation. Lively and engaging, this study illuminates not only how literature responded to radical technological changes, but also how literature was sometimes forced, through unanticipated destabilizations, to reimagine itself. By tracing the early modern human’s inter-animation with print, powder, and compass, Nayar exposes how these technologies assisted in producing new ways of seeing, knowing, and being in the world.
Europe-History-1492-. --- Technology-History. --- Literature-History and criticism. --- Literature, Modern. --- Books-History. --- History of Early Modern Europe. --- History of Technology. --- Literary History. --- Early Modern/Renaissance Literature. --- History of the Book. --- Modern literature --- Arts, Modern --- Europe—History—1492-. --- Technology—History. --- Literature—History and criticism. --- Books—History.
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This book explores the business practices of the British publishing industry from 1843-1900, discussing the role of creative businesses in society and the close relationship between culture and business in a historical context. Marrisa Joseph develops a strong cultural, social and historical discussion around the developments in copyright law, gender and literary culture from a management perspective; analysing how individuals formed professional associations and contract law to instigate new processes. Drawing on institutional theory and analysing primary and archival sources, this book traces how the practices of literary businesses developed, reproduced and later legitimised. By offering a close analysis of some of publishing’s most influential businesses, it provides an insight into the decision-making processes that shaped an industry and brings to the fore the ‘institutional story’ surrounding literary business and their practices, many of which can still be seen today.
Publishers and publishing --- History --- Industries. --- Books—History. --- Entrepreneurship. --- Economic history. --- Great Britain—History. --- History of the Book. --- Economic History. --- History of Britain and Ireland. --- Industrial production --- Industry --- Economics --- Economic conditions --- History, Economic --- Entrepreneur --- Intrapreneur --- Capitalism --- Business incubators --- Industries, Primitive --- Books --- History. --- Great Britain
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“This collection exemplifies the advances in the intellectual domain of book history in recent decades. There are new insights here for scholars and students not only of book history but also for other cultural, social and economic historians.” —John Feather, Loughborough University “This highly engaging and multifaceted collection of essays addresses in exciting new ways British regional histories of printing and bookselling in the hand press period from the mid-fifteenth to the early nineteenth century. By focusing on the agency of place in writing, production and distribution, contributors vividly illuminate the interactions between trades and communities and the legislative and institutional structures governing them, but also how those involved in regional printing and book trades created particular and often widely influential narratives about their regions. This welcome re-evaluation of regional print production challenges and reinvigorates the whole history of print in Britain across more than four centuries.” —James Raven FBA, Fellow of Magdalene College, University of Cambridge Print Culture, Agency, and Regionality in the Hand Press Period illuminates the diverse ways that people in the British regional print trades exerted their agency through interventions in regional and national politics as well as their civic, commercial, and cultural contributions. Works printed in regional communities were a crucial part of developing narratives of local industrial, technological, and ideological progression. By moving away from understanding of print cultures outside of London as ‘provincial’, however, this book argues for a new understanding of ‘region’ as part of a network of places, emphasising opportunities for collaboration and creation that demonstrate the key role of regions within larger communities extending from the nation to the emerging sense of globality in this period. Through investigations of the men and women of the print trades outside of London, this collection casts new light on the strategies of self-representation evident in the work of regional print cultures, as well as their contributions to individual regional identities and national narratives. Rachel Stenner is Senior Lecturer in English Literature in the School of Media, Arts, and Humanities, University of Sussex, UK. She is the author of The Typographic Imaginary in Early Modern English Literature (2018) and co-editor of the collection of essays Rereading Chaucer and Spenser: Dan Geffrey with the New Poete (2019). Kaley Kramer is Deputy Head of English at Sheffield Hallam University, UK. She is the co-editor of Women During the English Reformations (Palgrave 2014) and Time, the City, and the Literary Imagination (Palgrave 2020). Adam James Smith is Senior Lecturer in Eighteenth-Century Literature at York St John University, UK. He works on cheap eighteenth-century political print, with a particular interest in works of protest and satire. Smith has published on Joseph Addison, James Montgomery and Eliza Haywood.
Printers --- Printing --- History. --- Economics and literature. --- European literature. --- Printing. --- Publishers and publishing. --- Books --- Literature Business. --- European Literature. --- Printing and Publishing. --- History of the Book. --- Book publishing --- Book industries and trade --- Booksellers and bookselling --- Printing, Practical --- Typography --- Graphic arts --- European literature --- Literature --- Literature and economics --- Publishing --- Economic aspects
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This book explores the significance of the international book town movement and its impact on contemporary society. It examines how book towns have emerged and how their culture and unique characteristics help to explain a steadily growing phenomenon that has enabled peripheral communities around the world to reclaim their economic futures and impact on the cultural sphere as increasingly powerful sites and sources of creativity. Regenerating Regional Culture assesses why, at a time when the book industry is experiencing a profound transformation, book towns are proliferating in Europe and across the globe. It acknowledges the role of the book as a catalyst for this significant cultural activity and development. The book is shown to be a unique and pivotal item of cultural consumption, a remarkable artefact and, more than ever before, a springboard for contemporary cultural debate. This work investigates how the reanimation of these ‘down-on-their-luck’ towns is attracting, through a combination of nostalgia, history and cultural heritage, a growing middle class cohort who seek both intellectual stimulation and opportunities for serious leisure and wellbeing. This book will prove to be a useful resource for understanding the impacts of book towns on art, culture and society while also offering insightful research for those involved in existing or future development of book towns and other community cultural projects.
Booksellers and bookselling. --- Independent bookstores. --- Bookstores --- Book sales --- Book industries and trade --- Publishers and publishing --- Sociology, Urban. --- Sports-Sociological aspects. --- Books-History. --- Sociology of Culture. --- Urban Studies/Sociology. --- Cultural Management. --- Sociology of Sport and Leisure. --- History of the Book. --- Urban sociology --- Cities and towns --- Culture. --- Management. --- Sports—Sociological aspects. --- Books—History. --- Administration --- Industrial relations --- Organization --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Social aspects
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