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Using examples from film, literature and photography, this book analyzes how the Global Financial Crisis is portrayed in contemporary popular culture. In particular, the book explores why particular urban spaces, infrastructures and aesthetics – such as skyline shots in the opening credits of financial crisis films – recur in contemporary crisis narratives. Why are cities and finance connected in the cultural imaginary? Which ideologies do urban crisis imaginaries communicate? And, how do these imaginaries relate to the notion of crisis? To consider these questions, the book reads crisis narratives through the lens of myth. It combines perspectives from cultural, media and communication studies, anthropology, philosophy, geography and political economy to argue that the concept of myth can offer new and nuanced insights into the structure and politics of popular financial crisis imaginaries. In so doing, the book also asks if, how and under what conditions urban crisis imaginaries open up or foreclose systematic and political understandings of the Global Financial Crisis as a symptom of the broader process of financialization. .
Financial crises. --- Sociology, Urban. --- Urban sociology --- Cities and towns --- Crashes, Financial --- Crises, Financial --- Financial crashes --- Financial panics --- Panics (Finance) --- Stock exchange crashes --- Stock market panics --- Crises --- Communication. --- Documentary films. --- Photography. --- Fiction. --- Finance. --- Media and Communication. --- Documentary. --- Journalism. --- Finance, general. --- Funding --- Funds --- Economics --- Currency question --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Communication, Primitive --- Mass communication --- Sociology --- Philosophy --- Writing (Authorship) --- Publicity --- Fake news
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This book aims to develop a philosophy of leadership from the fiction of C.S. Lewis. Using such works as The Chronicle of Narnia, The Space Trilogy, and Till We Have Faces, the author focuses on the benefits of fiction for leadership philosophy, including the use of models for leadership from narrative worlds. Exploring topics such as agency theory, conflict management, gender, authentic leadership, and dark leadership, this book will offer researchers in HRM and leadership studies a fresh perspective of the fictional works of the foremost Christian apologist of the 20th century.
Leadership in literature. --- Lewis, C. S. --- Criticism and interpretation. --- Lewis, Jack, --- Hamilton, Clive, --- Clerk, N. W., --- Lewis, Clive Staples, --- Lʹi︠u︡is, Klaĭv, --- Ruisi, C. S., --- Льюис, Клайв Стейплз, --- Льюис, К. С. --- לואיס, קליב סטפלס --- C. S. ルイス, --- Luvīs, Sī. Is., --- Luwīs, Sī. Is., --- لويس، سى. اس. --- Leadership. --- Business—Religious aspects. --- Literature, Modern—20th century. --- Fiction. --- Business Strategy/Leadership. --- Faith, Spirituality and Business. --- Twentieth-Century Literature. --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Ability --- Command of troops --- Followership --- Philosophy
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