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This book delves into the world of Chinese Francophone literature, exploring how Chinese authors who write in French navigate and blend their dual cultural identities. The text examines the development of Chinese Francophone literature and the artistic practices of these authors, who often engage in multiple forms of art including literary and visual arts. The author, Weiwei Xiang, who is a lecturer in Francophone literatures at the University of Shanghai, aims to provide insights into the dual cultural expressions and artistic practices of Chinese Francophone writers. The book is intended for scholars and students of literature, particularly those interested in Francophone studies and cross-cultural literary practices.
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Est-ce qu'on naît entrepreneur ou est-ce qu'on apprend à le devenir? « Merci de nous avoir choisis » cherche à répondre à cette fameuse question en examinant l'histoire fascinante des magnats des affaires Arthur Irving et K.C. Irving, et celle d'Irving Oil.
Businessmen --- Irving, K. C. --- Irving, Arthur. --- Irving Oil Limited --- History. --- French literature --- History and criticism.
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L'étude, très riche, porte sur les acteurs du monde juridique, la scène où l?on pratique le droit, le répertoire mis à la disposition des acteurs, la place des affaires judiciaires dans la littérature, le réalisme, le burlesque, les invraisemblances...
Legal theory and methods. Philosophy of law --- French language --- French literature --- Law and literature --- Law in literature --- Droit et littérature --- Droit dans la littérature --- E-books --- Droit et littérature. --- Droit. --- Dans la littérature
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What is work? Why do we do it? Since time immemorial the answer to these questions, from both the left and the right, has been that work is both a natural necessity and, barring exploitation, a social good. One might criticise its management, its compensation and who benefits from it the most, but never work itself, never work as such. In this book, Alastair Hemmens seeks to challenge these received ideas. Drawing on the new ‘critique-of-value’ school of Marxian critical theory, Hemmens demonstrates that capitalism and its final crisis cannot be properly understood except in terms of the historically specific and socially destructive character of labour. It is from this radical perspective that Hemmens turns to an innovative critical analysis of the rich history of radical French thinkers who, over the past two centuries, have challenged the labour form head on: from the utopian-socialist Charles Fourier, who called for the abolition of the separation between work and play, and Marx’s wayward son-in-law, Paul Lafargue, who demanded The Right to Laziness (1880), to the father of Surrealism, André Breton, who inaugurated a ‘war on work’, and, of course, the French Situationist, Guy Debord, author of the famous graffito, ‘never work’. Ultimately, Hemmens considers normative changes in attitudes to work since the 1960s and the future of anti-capitalist social movements today. This book will be a crucial point of reference for contemporary debates about labour and the anti-work tradition in France.
French literature --- Study and teaching. --- Literature-Philosophy. --- Literature-History and criticism. --- Literature, Modern-19th century. --- European literature. --- Literary Theory. --- Literary History. --- Nineteenth-Century Literature. --- European Literature. --- European literature --- Literature—Philosophy. --- Literature—History and criticism. --- Literature, Modern—19th century. --- Literature --- Literature, Modern --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Literature and philosophy --- Philosophy and literature --- Philosophy. --- History and criticism. --- 19th century. --- Appraisal --- Evaluation --- Theory
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[This book] explores how authors and readers are represented in printed editions of the works of three major literary figures: Jean Lemaire de Belges, Clement Marot, and François Rabelais. Print culture is marked by an anxiety of reception that became much more pronounced with increasingly anonymous and unpredictable readerships in the sixteenth century. To allay this anxiety, authors, as well as editors and printers, turned to self-fashioning in order to sell not only their books but also particular ways of reading. They advertised correct modes of reading as transformative experiences offered by selfless authors that would help the actual reader attain the image of the ideal reader held up by the text and paratext. Thus, authorial personae were constructed around the self-fashioning offered to readers, creating an interdependent relationship that anticipated modern advertising. -- Back cover.
French literature. --- Advertising. --- Advertising in literature. --- French literature --- Advertising --- History and criticism. --- History --- Rabelais, François --- Marot, Jean --- Lemaire de Belges, Jean --- Rabelais, François, --- Marot, Clement, --- Lemaire de Belges, Jean, --- Criticism and interpretation. --- 1500-1899 --- France. --- Ads --- Advertisements --- Advertising, Consumer --- Advertising, Retail --- Advertising, Store --- Commercial speech --- Consumer advertising --- Retail advertising --- Speech, Commercial --- Store advertising --- Business --- Communication in marketing --- Industrial publicity --- Retail trade --- Advertisers --- Branding (Marketing) --- Propaganda --- Public relations --- Publicity --- Sales promotion --- Selling --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Marot, Clément, --- Belges, Jean Lemaire de, --- De Belges, Jean Lemaire --- Le Maire le Belgeois, Jehan --- Le Maistre, Jehan --- Lemaire de Belges, Jehan --- Lemaire, Jean --- Maire de Belges, Jean Le --- Maistre, Jehan Le --- Alcofribas, --- Alcofribas Nasier, --- Alcofrybas, --- Alcofrybas Nasier, --- Nasier, Alcofribas, --- Rabelais, Francis, --- Rabelais, Frants, --- Rabelais, Franz, --- Rable, Fransua, --- Rampelai, Phransoua, --- Рабле, Франсуа, --- ראבלע, פ. --- Рабле, Франсоа, --- Rable, Fransoa, --- Rable, Pʻransua, --- Marot, Clément --- Advertising in literature --- History and criticism
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