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La nouvelle directive « Services de médias audiovisuels » devait être transposée par les Etats membres de l’Union européenne pour le 18 décembre 2009. A cette occasion, l’UCL et le CSA ont organisé un colloque pour faire le point sur ce texte majeur qui redessine le cadre juridique de l’audiovisuel européen. Cet ouvrage en rassemble les actes. Outre les processus d’adoption et de transposition, les auteurs analysent les changements importants apportés par la nouvelle directive, et notamment le concept de service de média audiovisuel, les problèmes de compétence respective des Etats membres, la nouvelle réglementation de la publicité ou l’articulation entre la régulation, la corégulation et l’autorégulation. Parmi les autres questions également abordées : les quotas et la politique de production, la protection des mineurs, les relations avec les publics ou la coopération dans l’application de la directive.
Mass media --- Audio-visual materials --- Médias --- Audiovisuel --- Law and legislation --- Congresses --- Droit --- Congrès --- Ebooks --- Médias --- Congrès --- Congresses. --- Broadcasting --- European Union countries --- Broadcasting policy --- E-books --- Communication audiovisuelle --- Enfants --- Exception culturelle --- Multiculturalisme --- Europe --- Protection, assistance, etc.
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In Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization.Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema.
Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- History --- Film --- France --- Industrie du cinéma --- Exception culturelle. --- Cinéma et mondialisation --- Cinéma --- Aspect économique --- Industrie du cinéma --- Cinéma et mondialisation --- Cinéma --- Aspect économique
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