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The French new wave : an artistic school
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ISBN: 0631226575 Year: 2003 Publisher: Oxford Blackwell


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The French new wave : critical landmarks.
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ISBN: 9781844572830 1844572838 184457282X 9781844572823 Year: 2009 Publisher: London Palgrave Macmillan

Principles of vibration and sound
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ISBN: 0387943048 0387943366 3540943048 3540943366 1461225027 9783540943365 Year: 1995 Publisher: New York (N.Y.): Springer,

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Sonic experience
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ISBN: 1282867350 9786612867354 0773576916 9780773576919 9781282867352 0773525483 9780773525481 077352942X 9780773529427 0773580662 Year: 2006 Publisher: Montreal [Que.] McGill-Queen's University Press

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In a multidisciplinary work spanning musicology, electro-acoustic composition, architecture, urban studies, communication, phenomenology, social theory, physics, and psychology, Jean-François Augoyard, Henry Torgue, and their associates at the Centre for Research on Sonic Space and the Urban Environment (CRESSON) in Grenoble, France, provide an alphabetical sourcebook of eighty sonic/auditory effects. Their accounts of sonic effects such as echo, anticipation, vibrato, and wha-wha integrate information about the objective physical spaces in which sounds occur with cultural contexts and individual auditory experience. Sonic Experience attempts to rehabilitate general acoustic awareness, combining accessible definitions and literary examples with more in-depth technical information for specialists.

Acoustics and psychoacoustics
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ISBN: 0240516095 Year: 2001 Publisher: Oxford ; Boston : Focal Press,


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Mastering audio : the art and the science
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ISBN: 9780240818962 0240818962 Year: 2015 Publisher: Burlington Focal Press

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"In an easy-to-grasp, holistic manner Mastering Audio: The Art and the Science, Third Edition unravels the technical mysteries that regularly challenge audio engineers. Including practical tips and real world experiences, Bob Katz explains the technical detail of the subject in his informative and humorous style. Completely reorganized to focus on workflow, this third edition details mastering by providing a step-by-step approach to the process. First covering practical techniques and basic theory, this industry classic also addresses advanced theory and practice. The book's new approach is especially suitable to accompany a one- or two-term course in audio and mastering. Completely rewritten and organized to address changes that will continue to influence the audio world, this third edition includes several new chapters addressing the influence of loudness measurement and assessment and provides explanation of how mastering engineers must integrate loudness measurement and PLR assessment in their mastering techniques. Mastering Audio: The Art and the Science, Third Edition also includes the newest approaches to equalization, monitor response measurement and correction, the psychoacoustics of clipping, an extended discussion of restoration and noise reduction techniques, an extended set of listening examples, and an updated chapter on surround mastering including coverage of Pure Audio BluRay".

A history of the French new wave cinema
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ISBN: 0299181642 029918160X 9780299217044 0299217043 9786612594717 0299217035 1282594710 9780299217037 9781282594715 6612594713 Year: 2007 Publisher: Madison, Wis. University of Wisconsin Press


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Pour une écriture du son
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ISBN: 9782252035658 225203565X Year: 2006 Publisher: Paris: Klincksieck,

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Ceux qui pratiquent l'enregistrement croient transcrire fidèlement le réel. Pourtant, on n'enregistre pas le rock comme la musique classique, et la bande-son d'un film ressemble peu à celle d'une pièce de théâtre. En fait, le son est loin d'avoir acquis son autonomie, il n'a même pas le privilège de la photographie qui permet à une prise de vue de se situer à la fois du côté du reportage et de celui de l'expression artistique. Le son de reportage ne s'expose pas dans les galeries alors qu'il est, à l'instar de la photographie, " regard " sur le monde ! Ce livre interroge les raisons d'une telle situation ; " livre manifeste ", il propose de nouvelles pratiques du sonore : mêler les écritures, inventer des " techniques mixtes " sont quelques-unes des méthodes nécessaires à une pratique du son plus ouverte. Que la prise de son ose de nouvelles règles, joue du mouvement, du déplacement de l'observateur et de l'ellipse, comme le cinéma nous l'a enseigné. La réflexion esthétique qui en émane est née du terrain. Pas de théories a priori, tout est tiré des diverses réalisations de l'auteur - films, spectacles de danse et surtout créations théâtrales.

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