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This is the first book to focus on the relationship between sculpture and the silver screen. It covers a broad range of magical, mystical and phenomenological interactions between the two media, from early film's eroticized tableaux vivants to enigmatic sculptures in modernist cinema. Sculptures are literally brought to life on the silver screen, while living people are turned into, or trapped inside, statuary. The book examines key sculptural motifs and cinematic sculpture in film history through a series of case studies and through an extensive reference gallery of 150 different films. Considering the work of directors like Georges Melies, Jean Cocteau and Alain Resnais, as well as films like House of Wax, Jason and the Argonauts and Clash of the Titans, this is an innovative exploration of two different media, their artistic traditions and their respective theoretical paradigms.
Film --- Iconography --- Motion pictures --- Statues --- History --- History. --- motion pictures --- Cinéma --- Histoire --- Au cinéma --- Histoire. --- Statues in motion pictures. --- History and criticism --- Statuary --- Monuments --- Sculpture --- Cinéma --- Au cinéma
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Adam, Henri-Georges ; Appel, Karel ; Arman ; Arp, Jean ; Bury, Pol ; Calder, Alexander ; Christo ; Couturier, Robert ; Di Teana, Francesco Marino ; Domela, César ; Giacometti, Alberto ; Lardera, Berto ; Laurens, Henri ; Moore, Henry ; Morellet, François ; Serra, Richard ; Soriano, Peter ; Ubac, Raoul ; Venet, Bernar ; Vostell, Wolf ; Zadkine, Osipe
Sculpture --- Graphic arts --- anno 1900-1999 --- Prints --- kunst --- grafiek --- beeldhouwkunst --- twintigste eeuw --- Giacometti Alberto --- Arman --- Serra Richard --- 76.036 --- Sculpture, Primitive --- Stonework, Decorative --- Art --- Bas-relief --- Statues
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Comparative religion --- Sculpture --- Galatea, statue brought to life (Greek mythology) --- Love --- Mythology, Greek. --- Pygmalion (Greek mythology) --- Statues in literature. --- Mythology. --- Ovid, --- Galatea, statue brought to life (Greek mythology). --- Pygmalion (Greek mythology).
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Alors que la peinture suscita la création d'un genre littéraire, l'ekphrasis, et donna naissance à certaines des plus belles pages de la littérature, la sculpture peut laisser penser qu'elle entretient des rapports complexes et plus rares avec l'écriture. Pourtant, lorsque Victor Hugo faisait dire au Jupiter de Phidias : « L' angle de mon sourcil touche à l'axe du monde », il changeait le regard sur l'oeuvre muette. Et David d'Angers, le plus grand sculpteur du début du XIXe siècle, considère son art comme une « écriture monumentale », alors que Bourdelle parle de « petit livre de marbre »...Ainsi les figures nées sous le ciseau des plus habiles sculpteurs ont parfois suscité de belles productions littéraires. De grands écrivains romanciers ou essayistes (Montesquieu, Hippolyte Taine, Stendhal, George Sand, Émile Zola) ; de savoureux poètes (Pierre de Ronsard, Boileau, La Fontaine, Philippe d Arbaud, Philippe de Massa, Alphonse de Lamartine), de remarquables narrateurs (Jérôme de Lalande, Louis Liger, Dezallier d Argenville, comte de Caylus, Charles-Nicolas Cochin) ou critiques (Francesco Milizia, Abbé Dubos, Denis Diderot, Quatremère de Quincy, Winckelmann) et même des artistes eux-mêmes (Benvenutto Cellini, Henry Moore) se sont essayés à faire revivre, sous leur plume, la vibration de la pierre, la qualité peaussière, la vie qui jaillit du bloc. Plus méconnus que ceux consacrés à la peinture, mais non moins passionnant, ce sont ces extraits des plus belles pages de la littérature, consacrées aux plus belles réalisations de la sculpture qui sont ici présentées et réunies pour la première fois.
beeldhouwkunst --- literatuur --- poëzie --- kunstbeschouwing --- Histoire de la sculpture --- Ecrit d'artiste --- Ecrit théorique --- Sculpture --- Sculptors --- Stonework, Decorative --- Bronze sculptors --- Art --- Bas-relief --- Statues --- Artists --- Sculpture, Primitive --- sculptuur. --- literatuur. --- poëzie. --- kunstbeschouwing. --- sculptuur
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#gsdbA --- #gsdb8 --- Monuments --- -Temples --- -Architecture --- Church architecture --- Religious institutions --- Historical monuments --- Architecture --- Sculpture --- Historic sites --- Memorials --- Public sculpture --- Statues --- Conservation and restoration --- -Conservation and restoration --- -Egypt --- Antiquities. --- Temples --- Egypt --- Physical geography --- archaeology --- archeologie --- 932 --- Egypte oudheid --- oudheid --- antiquité --- Religious architecture
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Aesthetics --- Art --- Sculpture --- Stonework, Decorative --- Bas-relief --- Statues --- Beautiful, The --- Beauty --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Analysis, interpretation, appreciation --- Psychology --- Sculpture, Primitive --- Radio broadcasting Aesthetics
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Decoding Dictatorial Statues is a collection of images and texts revolving around the different statues behave in public space. How can we decode statues the agency of their sculptured body language and their sociopolitical role as relational objects and media icons?Coupling a designer's perspective with an analytical approach, Ted Hyunhak Yoon explores the cliched poses of dictatorial statues. In his image analysis, he lays out a choreography of these sculptures and uncovers the non-verbal rhetorics that shaped them. In the visual framing opened up by Hyunhak Yoon's image research, readers can zoom in and out of the various narratives on offer.In addition to these visual narratives, the authors - acting as a group of decoders - contribute a wide range of perspectives on the subject. It's statues from different eras, located in different parts of the world, that form, the starting point for these precise dissections. For instance, what links an outbreak of cultural vandalism against a 200 year old Vietnamese devotional subject with the toppling of Saddam Hussein's statue in 2011? Why would a recently liberated African country opt for a North Korean compagny to tell its history? How can we define historical value in regards to the removal of colonial monuments in South-Africa, The Netherlands and the United States?Responding to current debates on the representation of the historical canon, these expert's perspectives and Ted Hyunhak Yoon's vbisual framework address urgent concerns about the depiction and representation of heritage and our future leaders. By asking us to consider the visual language of the statues itself, this project offers a living understanding of a supposedley long-gone symbolic order and a pathway to a more cross-cultural and historic comprehension.
Sculpture --- sculpture [visual works] --- statues --- politics --- dictators --- hands [animal components] --- human figures [visual works] --- Public sculpture --- Dictators in art. --- Philosophy. --- Political aspects. --- Sculpture publique --- Dictateurs dans l'art --- Philosophie --- Aspect politique --- Ted, Hyunhak Yoon
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Summary: Publié à l'occasion de l'exposition présentée du 15 octobre 2011 au 28 janvier 2012 au musée de Flandre à Cassel. Les principaux domaines d'expression de l'art flamand que sont la peinture, l'architecture et la sculpture, vivent, au moment de la Contre-Réforme, une véritable explosion, effective tant sur le plan du style et de la technique que sur celui des commandes qui affluent de toutes parts. Que ce soient pour les confessionnaux, les chaires ou les jubés, le talent est mis au service de l'exaltation de la foi avec des résultats tout à fait inédits. Avec une soixantaine de sculptures, une quinzaine de dessins et six tableaux provenant de musées et d'églises français ici rassemblés, l'exposition dont le présent catalogue rend compte offre un parcours initiatique à travers le baroque flamand.
Sculpture --- anno 1600-1699 --- Flanders --- Sculpture, Baroque --- Sculpture, Flemish --- Sculpture baroque --- Sculpture flamande --- Exhibitions --- Expositions --- barok --- beeldhouwkunst --- verzamelingen --- 17de eeuw --- 18de eeuw --- Zuidelijke Nederlanden --- Frankrijk --- Catalogs --- Stonework, Decorative --- Art --- Bas-relief --- Statues --- Flemish sculpture --- Baroque sculpture --- Sculpture, Primitive --- Sculpture, Flemish - France - Catalogs --- barok. --- sculptuur. --- verzamelingen. --- 17de eeuw. --- 18de eeuw. --- Zuidelijke Nederlanden. --- Frankrijk. --- collecting, France --- beeldhouwkunst, barok --- beeldhouwkunst, Nederlanden --- sculptuur
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Sculpture, German --- Sculpture, Medieval --- Sculpture --- Stonework, Decorative --- German sculpture --- Hessisches Landesmuseum (Darmstadt, Germany) --- Darmstadt. --- Hesse (Germany). --- Hessisches Landesmuseum Darmstadt --- Musée de Darmstadt --- Musée du Land de Hesse (Darmstadt, Germany) --- Hessisches Landesmuseum [Darmstadt] --- Art --- Bas-relief --- Statues --- Grossherzogl. Hessisches Landesmuseum (Darmstadt, Germany) --- Sculpture, Primitive
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Talbot, William Henry Fox ; Hill, David Octavius ; Adamson, Robert ; Price, William Lake ; Rejlander, Oscar Gustav ; Robinson, Henry Peach ; Carroll, Lewis ; Prout, Victor ; Hawarden, Clementina ; Melville, Ronald Leslie ; Wynfield, David Wilkie ; Cameron, Julia Margaret
Photography --- Photography, Artistic --- Art, Victorian --- Photographie --- Photographie artistique --- Art victorien --- History --- Exhibitions --- Histoire --- Expositions --- tableaux vivants --- fotografie --- Victoriaans tijdperk --- 1840 - 1880 --- 19de eeuw --- CDL --- 77.035 --- Tableaux --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Victorian art --- Living models --- Living pictures --- Living statues --- Model artists --- Poses plastiques --- Tableaux vivants --- Themes, motives --- Aesthetics --- Art --- Art, Modern --- Amateur plays --- Amusements --- tableaux vivants. --- Victoriaans tijdperk. --- 1840 - 1880. --- 19de eeuw.
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