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Aballi, Ignasi ; Kassen, A ; Beier, Nina ; E Boetti, Alighiero ; Bostwick, Sarah ; Collis, Susan ; De Boeck, Lieven ; Dijkman, Marjolijn ; Everaet, Patrick ; Fridfinnsson, Hreinn et al.

Site-specific art --- Oeuvres in situ --- Exhibitions --- Expositions --- Perec, Georges,

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Lodewijks, Bart --- kunst --- tekenkunst --- Nederland --- eenentwintigste eeuw --- Lodewijks Bart --- site-specific art --- 7.071 LODEWIJKS --- 741.071 LODEWIJKS --- Exhibitions

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Site-specific art --- Oeuvres in situ --- Exhibitions --- Expositions --- Samyn, Fabrice --- Interviews --- Aballi, Ignasi --- Bostwick, Sarah --- Farrell, Seamus --- Fridfinnsson, Hrein --- Parmiggiani, Claudio --- Rousse, Georges

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Gonzalez-Foerster, Dominique --- kunst --- eenentwintigste eeuw --- Frankrijk --- Gonzalez-Foerster Dominique --- film --- installaties --- sciencefiction --- 7.071 GONZALEZ-FOERSTER --- Exhibitions --- Site-specific installations (Art) --- Installations (Art) --- Site-specific art --- Gonzalez-Foerster, Dominique,

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A critical history of site-specific art since the late 1960s.Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.

Site-specific art. --- Art, Modern --- ARCHITECTURE/Architectural History/General --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Site art --- Site-specific arts --- Arts, Modern --- 7.01 --- 7.039 --- Kunst ; in en op openbare plaatsen --- Urban Art --- Environments ; installaties ; in de stad ; 20ste en 21ste eeuw --- Environmental art --- Community Art --- Public Art --- Kunst in de stad --- Omgevingskunst in de stad --- Beelden buiten --- kunst --- kunsttheorie --- site-specific art --- twintigste eeuw --- Ahearn John --- Dion mark --- Fraser Andrea --- Judd Donald --- Green Renée --- Lacy Suzanne --- Manglano-Ovalle Iñigo --- Serra Richard --- Ladermann Ukeles Mierle --- Wilson Fred --- kunst en openbare ruimte --- 7.038 --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 2000 - 2050 --- Art --- anno 1900-1999 --- Landart