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Participation is the utopian sweet dream that has turned into a nightmare in contemporary neoliberal societies. Yet can the participatory ideal be discarded or merely replaced with another term, just because it has become disemboweled into a tool of pacification? The gestures of participatory art insists that the concept of participation must be re-imagined and shifted onto other registers. Moving from reflections on institutional critique and impact to concrete analyses of moments of unsolicited, delicate participation and refusal, the book examines a range of artistic practices from India, Sudan, Guatemala and El Salvador, the Lebanon, the Netherlands and Germany. It proposes the concept of the gesture as a way of theorising participatory art, situating it between the visual and the performing arts, as both individual and collective, both internal attitude and social habitude.

Community arts projects. --- Interactive art. --- Art projects, Community --- Arts projects, Community --- Community art projects --- Community-based arts projects --- Neighborhood arts projects --- Neighborhood-based arts projects --- Projects, Community arts --- Arts --- Artists and community --- Participatory art --- Performance art --- Social practice (Art) --- Theatrical science --- interactive art --- audience participation. --- civic participation. --- common-sense assumptions. --- community theatre. --- concept of impact. --- contemporary theatre. --- delicate gestures. --- institutional critique. --- participatory art. --- participatory practices. --- performance art. --- vicarious participation. --- visual arts.

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Wicked Arts Assignments zijn gewaagde, ongebruikelijke, dwarse, grappige, poëtische, inspirerende, sociaal betrokken of anderszins uitdagende kunstopdrachten. Iedereen die kunstlessen geeft, kent ze: zon opdracht die ogenschijnlijk simpel is, maar die deelnemers, studenten en leerlingen maximaal uitdaagt. Veel kunstenaars, musici, theatermakers, dansers en kunstdocenten hebben die ene favoriete, vaak gebruikte opdracht waarin alles samenkomt: artistieke visie, pedagogische aanpak en liefde voor bepaalde technieken of methoden.De bijna honderd hier verzamelde kunstopdrachten sluiten aan bij beeldende kunst, performance, theater, muziek, dans en design, maar belangrijker nog: ze stimuleren interdisciplinariteit. Zij weerspiegelen themas, werkwijzen en concepten uit de hedendaagse kunsten en bieden mogelijkheden om over onszelf, kunst en de wereld anders na te denken. Het eerste deel van dit boek geeft inzicht in kunstopdrachten vanuit historische, artistieke en educatieve perspectieven, aangevuld met interviews met experts in hedendaagse kunst en onderwijs. Het tweede deel vormt de betreffende verzameling kunstopdrachten, voorzien van een toelichting en originele uitwerkingen in beeld. De opdrachten kunnen in verschillende contexten worden uitgevoerd: van basisscholen tot hoger onderwijs, van thuis tot de (online) gemeenschap en van Bogotá tot Istanbul. Ze zijn bedoeld om de verbeeldingskracht van zowel docenten als studenten te prikkelen en aan te sporen tot nieuwe, urgente educatieve en artistieke praktijken.https://www.valiz.nl/publicaties/wicked-arts-assignments?highlight=WyJoZWlqbmVuIiwiZW1pZWwiXQ==

611 --- Naslagwerken muziekpedagogiek en didactiek - algemeen onderzoek --- 373.67.02 --- Onderwijs ; kunst- architectuuronderwijs ; didactiek en methode --- Didactics of the arts --- kunstonderwijs --- creativiteit --- kunstopvoeding --- Art --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art education --- Education, Art --- Art schools --- Technique --- Study and teaching --- Analysis, interpretation, appreciation --- Education --- Kunstonderwijs --- Creativiteit --- Dans --- Muziek --- Performance --- Educatie --- Artistieke vorming --- Muziekpedagogie --- Didactiek --- projects [artistic concepts] --- participatory art

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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson.Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice". Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada ; the Situationist International ; Happenings in Eastern Europe, Argentina and Paris ; the 1970s Community Arts Movement ; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Paweł Althamer and Paul Chan.Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.

hedendaagse kunst --- art theory --- museology --- Iconography --- art appreciation --- Museology --- Art --- performance art --- interactive art --- Contemporary [style of art] --- politieke kunst --- Breton, André --- Althamer, Paweł --- Weiner, Lawrence --- Kaprow, Allan --- Beuys, Joseph --- Bruguera, Tania --- Abramovic, Marina --- Hirschhorn, Thomas --- Deller, Jeremy --- Cage, John --- anno 2000-2099 --- anno 1900-1999 --- 7.01 --- 82:7 --- Kunsttheorie ; interactieve kunstpraktijk --- Beeldende kunst ; participatie van de toeschouwer --- kunst --- kunsttheorie --- kunst en politiek --- activisme --- performances --- socialisme --- sociologie --- kunst en sociologie --- esthetica --- participatorische esthetica --- relationele esthetica --- Kunst ; theorie, filosofie, esthetica --- Literatuur en kunst --- Interactive art. --- Art interactif --- 82:7 Literatuur en kunst --- Interactive art --- Participatory art --- Performance art --- Social practice (Art) --- Art interactif. --- cultuurparticipatie

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Orta's work examines the social bond within communities and the relationships between individuals and their environments. In the early 1990s Orta began a series of works that combined architecture, fashion and social activism. These works took the form of prototype clothing and portable shelters for emergency situations. Orta's work has since grown to incorporate interdisciplinary workshops, contemporary dance and other actions that explore notions of identity, shared space and networking. These projects include collaborations with such marginalized groups as the unemployed, the homeless and immigrants. Orta has staged also solo exhibitions and performances at the Cartier Foundation of Contemporary Art, Paris (1996), the Museum of Contemporary Art, Sydney (1998) and the Wiener Secession, Vienna (1999). She has exhibited in numerous group exhibitions, including the Venice Biennale (1995), the Johannesburg Biennale (1997) and the Museum of Contemporary Art in Tokyo (1998). In addition Orta frequently works outside the usual world of gallery and museum exhibitions. Orta is currently the first Rootstein Hopkins Chair of Fashion at the London College of Fashion, part of the London Institute and heads the new master programme Man and Humanity at the Design Academy in Eindhoven.

Orta, Lucy --- anno 1900-1999 --- Great Britain --- Installations (Art) --- Interactive art --- Performance art --- 7.071 --- design --- kunst --- Lucy Orta --- mode --- 7.071 ORTA --- installaties --- kunst en architectuur --- kunst en maatschappij --- kunst en mode --- Orta Lucy --- performances --- Roberto Pinto, Nicolas Bourriaud, Maia Damianovic --- Spanje --- textiel --- twintigste eeuw --- 7.039 --- 7.07 --- Architectuur ; kleding ; vormgeving ; voor daklozen --- Beeldende kunst ; 1992-2003 ; Lucy Orta --- Kleding ; schuilkleding ; lichaamsarchitectuur --- Kunst en maatschappij --- Lucy Orta (° 1966, Sutton Coldfield, Gr.-Br.) ; leeft en werkt in Parijs en London --- Mixed media --- Omgevingskunst --- Performances --- Thema's in de kunst ; de stad ; isolement --- Participatory art --- Social practice (Art) --- Installation art --- Art, Modern --- Environment (Art) --- kunstenaars --- Kunstgeschiedenis ; 2000 - 2050 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Criticism and interpretation. --- Artists --- Book

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Defining virtual art broadly as art that allows us, through an interface with technology, to immerse ourselves in the image and interact with it, Popper identifies an aesthetic-technological logic of creation that allows artistic expression through integration with technology. After describing artistic forerunners of virtual art from 1918 to 1983 - including art that used light, movement, and electronics - Popper looks at contemporary new media forms and artists. He surveys works that are digital based but materialized, multimedia offline works, interactive digital installations, and multimedia online works (net art) by many artists, among them John Maeda, Jenny Holzer, Brenda Laurel, Agnes Hegedus, Stelarc, and Igor Stromajer. The biographical details included reinforce Popper's idea that technology is humanized by art. Virtual art, he argues, offers a new model for thinking about humanist values in a technological age.

Multimedia (Art) --- Computer art --- Interactive art --- Art and electronics --- 7.039 --- Kunsttheorie over het onstaan van virtuele kunst --- Virtual reality --- Virtuele kunst 20ste en 21ste eeuw --- Kunst en elektronica --- Computerkunst --- Web Art webkunst internetkunst Net Art --- Digitale kunsten vrije --- Kunsttheorie interactieve en experimentele installaties --- Laserkunst holografie --- Communication Art --- Kunst en communicatie --- Elektronische media --- Robots --- Kunst theorie, filosofie, esthetica --- Kunstgeschiedenis 2000 - 2050 --- Kunst nieuwe technieken video, laser, computer, klank, ... --- Interactive art. --- Multimedia (Art). --- 7.01 --- 778.5 --- Digitale kunsten ; vrije --- Kunsttheorie ; interactieve en experimentele installaties --- Kunsttheorie ; over het onstaan van virtuele kunst --- Laserkunst ; holografie --- Multimedia --- Virtuele kunst ; 20ste en 21ste eeuw --- Web Art ; webkunst ; internetkunst ; Net Art --- Multi media (Art) --- Arts --- Participatory art --- Performance art --- Social practice (Art) --- Art, Computer --- Computer craft --- Digital art --- New media art --- Electronics and art --- Electronics --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst nieuwe technieken ; video, laser, computer, klank, .. --- Artificial intelligence. Robotics. Simulation. Graphics --- Art --- Art and electronics. --- Computer art. --- Kunst nieuwe technieken ; video, laser, computer, klank, . --- Kunst nieuwe technieken ; video, laser, computer, klank,