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Book
Li Gang : A tranquil order
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ISBN: 9783952376713 Year: 2011 Publisher: Beijing : Galerie Urs Meile,

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Book
Li Gang : lateral edge
Authors: ---
ISBN: 9783952406403 Year: 2013 Publisher: Beijing ; Lucerne : Galerie Urs Meile,

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Book
Li Gang : Salt Road.
Authors: ---
ISBN: 9783952406496 Year: 2014 Publisher: Lucerne : Galerie Urs Meile,

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Li, Gang


Book
5 one man shows.
Author:
Year: 2011 Publisher: Beijing-Lucerne : Galerie Urs Meile,

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Book
Creative Harvest in the Negev : Ron Gang - Gideon Ezekial - Chaim Kahane - Yonina Lamdan - Rena Swartzberg.
Year: 1994 Publisher: Jerusalem : Tzurim Art Gallery,

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Book
MAK : Austrian museum of applied arts Vienna.
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ISBN: 3791313258 Year: 1993 Publisher: Munich Prestel

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Book
Lijfspraak : Wat houding en gebaren van anderen ons vertellen
Authors: ---
ISBN: 9020249606 Year: 1998 Publisher: Deventer Uitgeverij Ankh-Hermes


Book
Zur Vorstellung des Terrors : die RAF-Ausstellung.
Authors: --- --- --- --- --- et al.
ISBN: 386521102X Year: 2005 Publisher: Göttingen Steidl

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MAK Austrian Museum of Applied Arts Vienna.

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Gerhard Richter : October 18, 1977
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ISBN: 0870700235 9780870700231 Year: 2000 Publisher: New York The Museum of Modern Art

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Destined to rank among the most eloquent and thorough examinations of a major suite of paintings, Gerhard Richter: October 18, 1977 combines a lean, persuasively argued text with an elegantly sober design suited to the subject matter. Richter's 15 black-and-white paintings commemorate the day two leaders of the radical German Baader-Meinhof group, disillusioned men and women in their 30s and early 40s whose loyalty to the dogma of the Red Army Faction had led them to commit numerous terrorist acts, were found dead in their prison cells. Gudrun Ensslin appeared to have hung herself. Andreas Baader had been fatally shot. Jan-Carl Raspe was near death from a bullet wound. Two other members of the group had died in prison earlier in the '70s: Holger Meins after a hunger strike; Ulrike Menihof, by hanging. On the Left, there was widespread suspicion the dead had been murdered. Photographs of the Baader-Meinhof members were ubiquitous in newspapers of the day; their images were as familiar to Germans as machine gun-toting Patty "Tania" Hearst was to Americans. Using photographs as models, Richter painted the dead with a subtle technique--a blurring of certain details and an elegiac use of gray--that calls into question the murkiness of historical "knowledge" and emphasizes the uneasy mixture of compassion and horror evoked by the group's fate. Yet, even though Richter waited until 1988 to paint the series, he was denounced either for glorifying a bunch of killers or for using his international fame to exploit the Left. Author Robert Storr, a curator at MoMA, which now owns the series, answers these arguments by looking systematically at postwar German politics, the tradition of history painting, and the dilemmas and decisions of a leading contemporary painter. --(Cathy Curtis).

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