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Catalog accompanying the first part of a diptych exhibition in S.M.A.K., Ghent, spread over two years, curated by Martin Germann with Tanja Boon and Steven Humblet. The exhibition comprises new and existing work by artists and photographers including Lewis Baltz, Tina Barney, Mohamed Bourouissa, Moyra Davey, Marc De Blieck, Sara Deraedt, Patrick Faigenbaum, Peter Fraser, Alair Gomes, Jitka Hanzlová, Roni Horn, Stephanie Kiwitt, Aglaia Konrad, Jochen Lempert, Zoe Leonard, Jean-Luc Moulène, Zanele Muholi, Jean-Luc Mylayne, Trevor Paglen, Doug Rickard, Torbjørn Rødland, Michael Schmidt, Arne Schmitt, Allan Sekula, Ahlam Shibli, Malick Sidibé, Dayanita Singh, Wolfgang Tillmans, Marc Trivier and Tobias Zielony. The selection, ranging from the 1960s to the present, demonstrates a lively interest in the power of the still image as a means of examining the world. It concentrates on indefinable images with an open view, whose multi-layering requires slow reading. 00Exhibition: S.M.A.K., Ghent, Belgium (07.10.2017-07.01.2018).
fotografie --- eenentwintigste eeuw --- 77.039 --- Exhibitions --- Photography
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kunst --- beeldverhaal --- stripverhaal --- eenentwintigste eeuw --- België --- Lambé Eric --- 741.5
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kunst --- kunstonderwijs --- kunstpedagogie --- eenentwintigste eeuw --- Duitsland --- Frankfurt --- 373.67
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This photographic series by Daniela Comani, is an excursus into perception as it relates to the media. With painstaking precision she probes that ever-present device for the reproduction of moving images, the television set, but in off mode: turned off, TV sets seem dead, they become cold objects ? and yet concomitantly they serve as surfaces for viewers to project their own fantasies and fears on. Even when the picture is extinguished, the TV is still not bereft of content, for the dark screen reflects the room and the people and objects in it.
fotografie --- eenentwintigste eeuw --- Comani Daniela --- 77.071 COMANI --- Comani, Daniela
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filosofie --- cultuurfilosofie --- sociologie --- twintigste eeuw --- eenentwintigste eeuw --- 130.2
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Ishiyama, Osamu ; Kishi, Waro ; Saito, Yutaka ; Kitagawara, Atsushi ; Aoki, Jun ; Endoh, Masaki + Ikeda, Masahiro ; Yoneda, Akira + Ikeda, Masahiro ; Nakahigashi, Hisakazu ; Suzuki, Ryoji ; Irie, Kei'ichi + Ikeda, Masahiro ; Ban, Shigeru ; Tokyo Institute of Technology Tsukamoto lab. + Atelier Bow-Wow ; Arima, Hiroyuki ; Sambuichi, Hiroshi ; Maeda, Norisada ; Abe, Ryo ; Ando, Tadao ; Okada, Satoshi ; Endo, Shuhei ; Komada, Takeshi + Komada, Yuka ; Suga, Shotaro ; Nagayama, Yuko ; Miyamoto,; Katsuhiro ; Nishizawa, Ryue ; Tominaga, Hiroko ; Yamashita, Yasuhiro ; Takasago, Masahiro ; Fujimori, Terunobu + Kawakami, Keiichi ; Shiina, Eizo + Umezawa, Ryozo ; Takei, Makoto + Chie Nabeshima/TNA ; Maeda, Keisuke ; Kuma, Kengo ; Seijma, Kazuyo ; Fujimoto, Sou ; Kidosaki, Hirotaka ; Kubota, Katsufumi ; Ichikawa, Sota ; Fuse, Shigeru ; Tanijiri, Makoto + Yoshida, Ai ; Matsuoka, Satoshi + Tamura, Yuki ; Nakagawa, Erika ; Hirata, Akihisa ; Nakayama, Hideyuki ; Shimada, Yo ; Yokogawa, Ken ; Aoki, Koji ; Onishi, Maki + Hyakuda, Yuki ; o+h ; Yamada, Suzuko ; Takeguchi, Kentaro + Yamamoto, Aasako/Alphaville ; Hata, Tomohiro
72.037 --- 728 --- 728.037 --- Japan --- 21ste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur) --- Huizen (architectuur) --- Woningbouw (architectuur) --- Woningen (architectuur) --- Woonhuizen (architectuur) --- Eénentwintigste eeuw (woningbouw)
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Product strategy --- productontwikkeling --- innovatiemanagement --- design --- productdesign --- technieken --- ontwerptechnieken --- eenentwintigste eeuw --- materialen --- 745.02 --- departement Onderzoek 09
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Mannaers, Werner --- kunst --- schilderkunst --- tekenkunst --- België --- eenentwintigste eeuw --- Mannaers Werner --- 75.071 MANNAERS --- Exhibitions --- Art --- Catalogs
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Born in 1976, the Belgian artist Ante Timmermans, based in Ghent and Zurich, is one of the most active figures of the contemporary drawing scene. Using very simple techniques for his drawings, which are almost entirely black and white, and obsolete technology in his installations (record players, overhead projectors, etc.), he serves as an accurate eyewitness of our modern times. He notably focuses on issues surrounding the nature/culture debate, and the representation of the modern city as a ghost city, a landscape of numerous skyscrapers, a no-man's land. Both poetically ironic and disenchanted, his work is also a meditation on the pregnancy of language and words in our lives
Art --- Timmermans, Ante --- kunst --- eenentwintigste eeuw --- België --- 741.071 TIMMERMANS --- Timmermans Ante --- tekenkunst --- Exhibitions
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Kempenaers, Jan --- fotografie --- onderzoek in de kunsten --- eenentwintigste eeuw --- België --- Kempenaers Jan --- landschapsfotografie --- 77.071 KEMPENAERS
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