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The tradition of constructivism
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ISBN: 0500600104 050061010X Year: 1974 Publisher: London : Thames and Hudson,

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Contents: I. Constructivism in Russia: 1920-23 ; II. Toward International Constructivism: 1921-22 ; III. Constructivism and the Little Magazines: 1923-24 ; IV. Extension of Constructivist Principles: 1923-28 ; V. Retrospect, Theory, and Prognosis: 1928-32 ; VI. The Constructive Idea in Europe: 1930-42 ; VII. The Constructive Idea in the Postwar World: 1923-24 Lissitzky, El ; Gabo, Naum ; Tatlin, Vladimir ; van Doesburg, Theo ; etc.


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Constructive concepts: a history of Constructive Art from Cubism to the present
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ISBN: 3855041164 Year: 1988 Publisher: Zurich ABC

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Adams, Robert ; Agam, Yaacov ; Albers, Josef ; Alfano, Carlo ; Alkema, Wobbe ; Annenkow, Jurii ; Anuszkiewicz, Richard ; Arakawa, Shusaku ; Arp, Hans ; Baertling, Olle ; Baljeu, Joost ; Balla, Giacomo ; Balth, Carel ; Barr, David ; Bartlett, Jennifer ; Baumeister, Willi ; Baumgarten, Bodo ; etc.

Black and white : a suprematist composition of 1915 by Kazimir Malevich
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ISBN: 9783865212993 3865212999 9789171008138 Year: 2009 Publisher: Gottingen: Steidl,

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The extraordinary suprematist painting Black and White, A Suprematist Composition of 1915 by Kazimir Malevich was one of the most radical paintings of its day: a geometric abstraction without reference to external reality. It was donated to Moderna Museet in February 2004 and to celebrate its fiftieth anniversary the museum commissioned the renowned Malevich scholar, Dr. Andrei Nakov, to produce this study devoted entirely to this significant addition to its collection. Kazimir Malevich (1878-1935) was a Russian avant-garde painter and art theoretician. A pioneer of geometric abstract art, he was the founder and leading artist of the Suprematist movement. Dr. Andrei Nakov, born 1941 in Sofia, Bulgaria, lives and works in Paris. The author of numerous works on Malevich, including Malevitch écrits (1975) and Kazimir Malewicz: Catalogue raisonné (2002), he has also published numerous monographs and exhibition catalogues on Russian non-objective art, Dada and Constructivism and many works on Western modern art.


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El Lissitzky : para além da abstracção. Fotografica, design, cooperação
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ISBN: 972739065X Year: 1999 Publisher: [Munich] : Porto : Schirmer Mosel ; Fundação de Serralves,

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Gustav Klucis : Retrospektive
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ISBN: 3775703276 Year: 1991 Publisher: Stuttgart : G. Hatje,

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Russian constructivism and suprematism, 1914-1930
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ISBN: 187028027X Year: 1991 Publisher: London : Annely Juda Fine Art,

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Chashnik, Ilya ; Ermilov, Vassily ; Exter, Alexandra ; Gabo, Naum ; Kliun, Ivan ; Lissitzky, El ; Malevich, Kasimir ; Mansurov, Pavel ; Matiushin, Mikhail ; Popova, Liubov ; Rodchenko, Alexander ; Rozanova, Olga ; Senkin, Sergei ; Suetin, Nikolay ; Tatlin, Vladimir


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De vijfde lijn
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ISBN: 9789044634204 9044634208 Year: 2017 Publisher: Amsterdam Prometheus

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Weergave van dertien gesprekken met de Nederlandse abstract-geometrische kunstenaar Steven Aalders (1959) over aspecten van zijn werk, dat van collega's en voorgangers.


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Constructivisme et avant-garde russe : une exposition
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ISBN: 2551047684 Year: 1982 Publisher: Montréal : Le Musée,

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Berlewi, Henryk ; Chashnik, Ilya ; Exter, Alexandra ; Klucis, Gustav ; Kozlinsky, Vladimir ; Kulagina, Valentina ; Lebedev, Vladimir ; Lissitzky, El ; Majakovskij, Vladimir ; Malevich, Kasimir ; Moholy-Nagy, Laszlo ; Péri, László ; Pevsner, Antoine ; Popova, Liubov ; Rodchenko, Alexander ; Rozanova, Olga ; Stazewski, Henryk ; Stenberg, Vladimir ; Tatlin, Vladimir ; Udaltsova, Nadezhda


Book
Le ballet des beaux-arts
Authors: ---
ISBN: 907219117X Year: 1990 Volume: vol *13 Publisher: Gent Imschoot

El Lissitzky : beyond the abstract cabinet : photography, design, collaboration
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ISBN: 0300081707 9780300081701 Year: 1999 Publisher: New Haven ; London : Yale University Press,

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Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and aesthetic aspects of Lissitzky's late multimedia work from his designs for the Abstract cabinet to his death in 1941. The author and the two contributors give special attention to Lissitzky's intense collaboration first with German and then with Soviet photographers, designers, and filmmakers, and they discuss how his various personal friendships and acquaintances influenced the directions he took in photography and design. The book presents photographic works by Lissitzky's and these other artists as well as some of Lissitzky's early non-objective art that foreshadows his experiments in figurative art. It also includes Lissitzky's correspondence with his Western colleagues and his wife Sophie Kueppers.

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