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Theory of knowledge --- Sociology of the family. Sociology of sexuality --- Colonisation. Decolonisation --- Power --- Black feminism --- Book --- Decolonization --- Epistemology
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Kara Walker began this sketchbook in Munich in 1999, when she was 29 years old. Like most sketchbooks it served as a portal between the real world and the realm of her imagination. Although it was never intended to be shared, nevertheless quite a bit of work came out of this particular book, including the installation ?Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On)?, which is in the collection of the Guggenheim Museum. However, that is an exception to the rule. For the most part the pages in this sketchbook reflect uneasy, unrefined, unfinished thoughts and anxieties, written and drawn with no objectives, no ulterior motives, and no filters.
African Americans --- African American women --- 741.07 --- Afro-American women --- Women, African American --- Women, Negro --- Tekenkunst ; tekenkunstenaars A - Z --- Walker, Kara Elizabeth --- Women --- Walker, Kara --- Drawing --- sketchbooks --- Black Feminism --- Vrouwelijke kunstenaars --- Walker, Kara °1969 (°Stockton, California, Verenigde Staten) --- Black Art
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Barnette, Sadie ; Bartana, Yael ; Basquiat, Jean-Michel ; Böttcher, Jürgen (Strawalde) ; Calle, Sophie ; Delat, Chto ; Contemporary And ; Edwards, Melvin ; Ferreira, Angela ; Franke, Bernhard ; Fusco, Coco ; Gallagher, Ellen ; Martinez Garay, Claudia ; Abum Hamdan, Lawrence ; Jafa, Arthur ; Jemison, Steffani ; Hicks, Justin ; Mikrokosmos ; Kensmil, Iris ; Khan, Hassan ; Kiwanga, Kapwani ; Lubinetzki, Raja ; Schramm, Petra ; Mehretu, Julie ; Moosdorf, Heinz-Detlef ; Nengudi, Senga ; Ögut, Ahmet ; Phillips, Julia ; Martinis Roe, Alex ; Rosenfeld, Elske ; Sala, Anri ; Sitte, Willi ; Slavs and Tatars ; Smith, Cauleen ; Spero, Nancy ; Stötzer, Gabriele ; Tur, Nasan ; Watts, Lewis ; Weems, Carrie Mae ; Wetzel, Christoph ; White, Charles ; Wodzicka, Heinz
Art, Modern --- Women revolutionaries --- kunst --- 7.038/039 --- eenentwinitgste eeuw --- twinitgste eeuw --- Verenigde Staten --- kunst en politiek --- racisme --- Afro-Amerikaanse kunst --- feminisme --- Women revolutionists --- Revolutionaries --- Davis, Angela Y. --- Davis, Angela, --- Dėvis, Andzhela, --- Exhibitions --- Community organization --- Davis, Angela --- Germany (GDR) --- Black feminism --- Book
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The work's of New York based artist Kara Walker (b. 1969) have been featured prominently in exhibitions around the world since the mid-1990s. Walker is renowned for her candid explorations of race, gender, sexuality and violence, from drawings, prints, murals, shadow puppets, cut-paper silhouettes, and projections to large-scale sculptural installations, often referencing the history of slavery and the antebellum American South. Now, Walker is creating the latest Hyundai Commission in Tate Modern's Turbine Hall. Documenting the work's creation, this book includes images of the work in process as well as the final installation. Walker introduces a personal selection of archival images and artworks that have influenced her during the genesis of this work. Essays by curator Clara Kim and a specially commissioned piece by the celebrated writer Zadie Smith offer fresh and intriguing insights into Walker's life and career.https://www.copyrightbookshop.be/shop/kara-walker-fons-americanus-hyundai-commission/
Western ArtUnited States;Installation Art;SculptureAfrican-American;Women ArtistsWalker, Kara --- Art --- sculpture [visual works] --- statues --- racial discrimination --- slavery --- fountains --- site-specific works --- African diaspora --- Walker, Kara --- Sculpture, American --- Women sculptors --- Social aspects. --- Attitudes. --- Walker, Kara Elizabeth. --- #breakthecanon --- Beeldhouwkunst --- Silhouet --- Schilderkunst --- African American sculpture --- 7.07 --- Walker, Kara °1969 (°Stockton, California, Verenigde Staten) --- Vrouwelijke kunstenaars --- Black Art --- Black Feminism --- Afro-American sculpture --- Sculpture, African American --- African American art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Walker, Kara Elizabeth --- Slavernij --- Interbellum
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"A landmark collection spanning three centuries and four waves of feminist activism and writing, Burn It Down! is a testament to what is possible when women are driven to the edge. The manifesto--raging, demanding, quarreling and provocative--has always been central to feminism, and it's the angry, brash feminism we need now. Collecting over seventy-five manifestos from around the world, Burn It Down! is a rallying cry and a call to action. Among this confrontational sisterhood, you'll find the Dyke Manifesto by the Lesbian Avengers, The Ax Tampax Poem Feministo by the Bloodsisters Project, the Manifesto of Apocalyptic Witchcraft by Peter Grey, Simone de Beauvoir's pro-abortion Manifesto of the 343, Double Jeopardy: To Be Black and Female by Frances M. Beal, The Futurist Manifesto of Lust by Valentine de Saint-Point, the Riot Grrrl Manifesto by Bikini Kill, and many more. Feminist academic and writer Breanne Fahs argues that we need manifestos in all their urgent rawness--their insistence that we have to act now, that we must face this, and that the bleeding edge of rage and defiance is where new ideas are born"--
Social change --- Goldman, Emma --- Dworkin, Andrea --- Solanas, Valerie --- Truth, Sojourner --- Haraway, Donna Jeanne --- Holzer, Jenny --- Beauvoir, de, Simone --- Feminism --- Feminism. --- Feminismus. --- Femmes --- Frauenbewegung. --- Féminisme --- Manifest. --- Manifestes (Politique). --- Political manifestos. --- Women's Rights. --- Women's rights. --- manifestoes. --- History --- Droits. --- Histoire --- 1900-2099. --- Essays --- Philosophy --- Transgender --- Witches --- Fourth feminist wave --- Queer --- Anarchism --- Points of view --- Second feminist wave --- Black feminism --- Book --- Courses --- Cyber-feminism --- Third feminist wave --- Political philosophy --- First feminist wave --- manifestoes --- feminism
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What does diversity do? What are we doing when we use the language of diversity? Sara Ahmed offers an account of the diversity world based on interviews with diversity practitioners in higher education, as well as her own experience of doing diversity work. Diversity is an ordinary, even unremarkable, feature of institutional life. Yet diversity practitioners often experience institutions as resistant to their work, as captured through their use of the metaphor of the "brick wall." On Being Included offers an explanation of this apparent paradox. It explores the gap between symbolic commitments to diversity and the experience of those who embody diversity. Commitments to diversity are understood as "non-performatives" that do not bring about what they name. The book provides an account of institutional whiteness and shows how racism can be obscured by the institutionalization of diversity. Diversity is used as evidence that institutions do not have a problem with racism. On Being Included offers a critique of what happens when diversity is offered as a solution. It also shows how diversity workers generate knowledge of institutions in attempting to transform them.--
Minorities in higher education. --- Racism in higher education. --- Education, Higher --- Cultural pluralism. --- Universities and colleges --- #SBIB:316.8H16 --- Cultural diversity --- Diversity, Cultural --- Diversity, Religious --- Ethnic diversity --- Pluralism (Social sciences) --- Pluralism, Cultural --- Religious diversity --- Culture --- Cultural fusion --- Ethnicity --- Multiculturalism --- Social aspects. --- Sociological aspects. --- Welzijns- en sociale problemen: migranten, rassenrelaties --- Sociology of minorities --- Higher education --- Cultural pluralism --- Minorities in higher education --- Racism in higher education --- Social aspects --- Sociological aspects --- Sociologie van de minderheden --- Hoger onderwijs. Universitair onderwijs --- United Kingdom --- Australia --- Cultural Diversity --- Cultural Pluralism --- Pluralism --- Cultural Diversities --- Diversities, Cultural --- Multiculturalisms --- Pluralisms --- Ethical Relativism --- Cultural Diversity. --- Race --- Racism --- Black feminism --- Book
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In the period of radical change that was 1963-1983, young black artists at the beginning of their careers in the USA confronted key questions and pressures. How could they make art that would stand as innovative, original, formally and materially complex, while also making work that reflected their concerns and experience as black Americans? This significant new publication, accompanying an exhibition at Tate Modern, surveys this crucial period in American art history, bringing to light previously neglected histories of twentieth-century black artists, including Sam Gilliam, Melvin Edwards, Jack Whitten, William T. Williams and Frank Bowling. This book features substantial essays from co-curators Mark Godfrey and Zoe Whitley, writing on abstraction and figuration respectively. It will also explore the art historical and social contexts with subjects including black feminism; AfriCOBRA and other artist-run groups; the role of museums in the debates of the period; and where visual art sat in relation to the Black Arts Movement.
Afro-Amerikaanse kunst --- vrouwelijke kunstenaars --- discriminatie --- geschiedenis --- burgerrechten --- politiek --- Black Arts Movement (New York, 1965-1975) --- 20ste eeuw --- Amerika --- 7.038(73) --- Exhibitions --- Beeldende kunst ; Africaans America ; 2de helft 20ste eeuw --- Civil Rights Movement --- Black Power --- Black Feminism --- Black Art Movements --- Spiral --- FESTAC --- Kunstgeschiedenis ; 1900 - 1950 ; Verenigde Staten --- Beeldende kunst ; Afrikaans America ; 2de helft 20ste eeuw --- African American art --- African American artists --- Art and society --- Black power --- Black Arts movement --- Photography, Artistic --- Art and Design. --- African American art. --- Art and society. --- Black power. --- History --- 1900-1999 --- United States. --- Afro-Amerikaanse kunst. --- vrouwelijke kunstenaars. --- discriminatie. --- geschiedenis. --- burgerrechten. --- politiek. --- Black Arts Movement (New York, 1965-1975). --- 20ste eeuw. --- Amerika.
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Every voice raised against racism chips away at its power. We can't afford to stay silent. This book is an attempt to speak'The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I'm No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today.THE NO.1 SUNDAY TIMES BESTSELLERWINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018FOYLES NON-FICTION BOOK OF THE YEARBLACKWELL'S NON-FICTION BOOK OF THE YEARWINNER OF THE JHALAK PRIZELONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTIONLONGLISTED FOR THE ORWELL PRIZESHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARDhttps://www.standaardboekhandel.be/p/why-im-no-longer-talking-to-white-people-about-race-9781408870587
Racism --- Political aspects --- Social aspects --- Rassenvraagstuk --- Racisme --- Groot-Brittannië --- Sociology of minorities --- United Kingdom --- Race discrimination --- Social classes --- Race relations --- sociologie --- cultuursociologie --- maatschappijkritiek --- racisme --- eenentwintigste eeuw --- 130.2 --- Bias, Racial --- Race bias --- Race prejudice --- Racial bias --- Prejudices --- Anti-racism --- Critical race theory --- Class distinction --- Classes, Social --- Rank --- Caste --- Estates (Social orders) --- Social status --- Class consciousness --- Classism --- Social stratification --- History --- Blogs --- Eddo-Lodge, Reni --- Lodge, Reni Eddo --- -Blogs --- Racism - Great Britain --- Racism - Political aspects - Great Britain --- Racism - Social aspects - Great Britain --- Great Britain --- Race relations. --- Social class --- Black feminism --- Book --- Decolonization --- History. --- Diversity
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America's foremost novelist reflects on the themes that preoccupy her work and increasingly dominate national and world politics: race, fear, borders, the mass movement of peoples, the desire for belonging. What is race and why does it matter? What motivates the human tendency to construct Others? Why does the presence of Others make us so afraid? Drawing on her Norton Lectures, Toni Morrison takes up these and other vital questions bearing on identity in The Origin of Others. In her search for answers, the novelist considers her own memories as well as history, politics, and especially literature. Harriet Beecher Stowe, Ernest Hemingway, William Faulkner, Flannery O'Connor, and Camara Laye are among the authors she examines. Readers of Morrison's fiction will welcome her discussions of some of her most celebrated books--Beloved, Paradise, and A Mercy. If we learn racism by example, then literature plays an important part in the history of race in America, both negatively and positively. Morrison writes about nineteenth-century literary efforts to romance slavery, contrasting them with the scientific racism of Samuel Cartwright and the banal diaries of the plantation overseer and slaveholder Thomas Thistlewood. She looks at configurations of blackness, notions of racial purity, and the ways in which literature employs skin color to reveal character or drive narrative. Expanding the scope of her concern, she also addresses globalization and the mass movement of peoples in this century. National Book Award winner Ta-Nehisi Coates provides a foreword to Morrison's most personal work of nonfiction to date.
African Americans in literature. --- Blacks in literature. --- Race in literature. --- Literature, Modern --- History and criticism. --- Racism in literature. --- Authorship. --- Identity (Psychology) --- Belonging (Social psychology) --- Population transfers. --- Globalization. --- Morrison, Toni. --- United States --- Race relations --- History. --- Global cities --- Globalisation --- Internationalization --- Cleansing, Ethnic --- Ethnic cleansing --- Ethnic purification --- Exchange of population --- Exchanges, Population --- Interchange of population --- Interchanges, Population --- Population exchanges --- Population interchanges --- Purification, Ethnic --- Transfer of population --- Transfers, Population --- Belongingness (Social psychology) --- Connectedness (Social psychology) --- Social belonging --- Social connectedness --- Personal identity --- Authoring (Authorship) --- Writing (Authorship) --- Negroes in literature --- Afro-Americans in literature --- Wofford, Chloe Anthony --- Morrisonová, Toni --- מוריסון, טוני --- African Americans in literature --- Blacks in literature --- Race in literature --- Racism in literature --- Authorship --- Population transfers --- Globalization --- History and criticism --- International relations --- Anti-globalization movement --- Emigration and immigration --- Minorities --- Literature --- Social psychology --- Social integration --- Personality --- Self --- Ego (Psychology) --- Individuality --- Morrison, Toni --- Political philosophy. Social philosophy --- Sociology of minorities --- Sociology of the family. Sociology of sexuality --- American literature --- Black people in literature. --- United States of America --- Racism --- Theory --- Black feminism --- Book
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