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Glassware --- Textile crafts --- Fabric crafts --- Textile arts --- Textile fiber crafts --- Handicraft --- Fancy work --- Fiberwork --- Glass --- House furnishings --- Table setting and decoration --- History&delete& --- Exhibitions --- History

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Phénomène économique et culturel de première importance à Bamako, la teinture à dessins réservés puise ses origines dans une longue tradition. Ces cinquante dernières années, elle s'est redéployée à la faveur de l'importation de tissus industriels et de colorants synthétiques supplantant le coton local tissé en bandes et l'indigo naturel. Mais loin de s'appauvrir, cet artisanat fait preuve d'une grande vitalité, combinant les techniques de réserve ancestrales aux procédés modernes de teinture. La diversité et la complexité des nombreuses étapes nécessaires pour transformer le basin blanc en boubou bien battu sont généralement peu connues. Cet ouvrage met en lumière la grande variété des techniques de réserve, créant au terme de longs et minutieux processus, des décors éclatants, reflets d'une créativité collective incessante. Sous ces étoffes luxueuses, on découvre un monde de femmes et d'hommes travaillant sans relâche dans des conditions sociales difficiles. Pour pénétrer plus intimement cet univers de la teinture, Patricia Gérimont s'est immergée au sein d'une petite teinturerie dont elle dresse le portrait au travers de celui de ses acteurs : attacheurs, teinturières, batteurs... Car ce livre est aussi une histoire d'amitiés et de découvertes mutuelles.

Manufacturing technologies --- cloth --- Bamako --- Dyes and dyeing --- Textile fabrics --- Textile crafts --- Textile design --- Fibres textiles --- Textiles et tissus --- Art textile --- Textile fibers --- Teinture --- Dessins --- Textile-materiel --- Women textile designers --- Women artists --- History --- Themes, motives --- Mali --- 746.02 --- 746(6) --- Textielkunst ; Afica ; Bamoko ; verftechnieken --- Textielkunst ; technieken --- Textielkunst ; Afrika --- Cloth --- Fabrics --- Textile industry and fabrics --- Textiles --- Decorative arts --- Dry-goods --- Weaving --- Decoration and ornament --- Design --- Textile industry --- Fabric crafts --- Textile arts --- Textile fiber crafts --- Handicraft --- Fancy work --- Fiberwork --- Dyeing --- Dyestuffs --- Tinctorial substances --- Color --- Pigments --- Bleaching --- Cleaning and dyeing industry --- Color in the textile industries --- Coloring matter --- Textile designers --- Women designers --- Artists, Women --- Women as artists --- Artists --- Textile fibers&delete& --- Dyes and dyeing - Textile fibers - Mali - Bamako - History --- Women textile designers - Mali - Bamako --- Textile crafts - Mali - Bamako --- Textile fabrics - Mali --- Textile design - Mali - Themes, motives --- Women artists - Mali - Bamako

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In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.

Applied arts. Arts and crafts --- feminism --- textile materials --- textile art [visual works] --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- United States --- Chile --- Fiberwork --- Art --- Homosexuality and art --- Handicraft --- NAMES Project AIDS Memorial Quilt --- Textile crafts --- Feminism and art --- Art, Modern --- kunst --- textiel --- textielkunst --- twintigste eeuw --- activisme --- politiek --- gender studies --- kunst en politiek --- kunst en activisme --- Verenigde Staten --- Chili --- LGBTQIA+ --- AIDS --- feminisme --- 7.038/039 --- 745.52 --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art and feminism --- Fabric crafts --- Textile arts --- Textile fiber crafts --- Fancy work --- AIDS Memorial Quilt --- NAMES Project Quilt --- Memorials --- Quilts --- Crafts (Handicrafts) --- Handcraft --- Occupations --- Decorative arts --- Manual training --- Sloyd --- Art and homosexuality --- Political aspects --- History --- Vicuña, Cecilia. --- Vicuña Ramírez, Cecilia --- Ramírez, Cecilia Vicuña --- Textielkunst ; theorie --- Kunst en politiek --- Kunst en activisme --- 746.01 --- Fiber work --- Fibers in art --- Textielkunst ; theorie, filosofie, esthetica --- cultuurfilosofie --- United States of America