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Hanson, Duane --- Exhibitions --- Sculpture, American --- Human figure in art --- Photo-realism

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Morris, Robert --- Rabinowitch, David --- Serra, Richard --- Trakas, George --- Environment (Art) --- Sculpture, American

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Gac, Jean Le --- 7.071 LE GAC --- CDL --- Exhibitions --- Painting, American --- Sculpture, American --- Art, Abstract --- Color-field painting

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Tom Wesselmann's series Sunset Nudes (2002-2004) recalls the highly provocative blondes of the earlier series. Monumental in size, the series is rooted in the magazine and billboard imagery of the sixties out of which Wesselmann's practice emerged. Wesselmann was greatly influenced by Matisse and continued the legacy of both the reclining female and the drawn line in a unique visual language that is strong and immediately identifiable.

Wesselmann, Tom --- Quinn, Nathaniel Mary --- Sculpture, American --- Shechet, Arlene --- Painting, American --- Women in art. --- Female nude in art --- Nu féminin --- Wesselmann, Tom,

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Seldom has the artistic output of one country had so far-reaching and immediate an impact as American art during the twentieth century. With ever-increasing momentum, painting and sculpture in the United States departed from the poetic realism of the nineteenth century, incorporated Impressionism and assimilated Cubist experimentation, paused briefly to explore social realism in the Depression decades, and then plunged into Abstract Expressionism with such vitality and innovation that American influence now dominates modern art.In this critical history of American painting and sculpture since 1900, the artists, movements and events that led up to America's emergence as a leading force in the world of art are covered in depth. "The Eight", the 1913 Armory Show (America's dramatic and controversial introduction to modern art), the painters associated with photographer and dealer Alfred Stieglitz (Marin, Dove, Demuth, Weber, Hartley and O'Keeffe), and the traditional modernists such as Stuart Davis and Alexander Calder, are just a few of the many fascinating men and movements described. More than half of this volume is devoted to art in the United States since 1945, and includes careful analyses of such styles as Action Painting, Hard Edge Painting, Pop Art, Mini- malism, Assemblage, Happenings, Earthworks, Kineticism, Conceptual Art and Bodyworks. These discussions are accompanied by rich accounts of such contemporary masters as Pollock, De Kooning, Rothko, Johns, Lichtenstein, Stella, Noland, Morris, Judd, Smithson and many others.

Art, American --- Art américain --- 20ste eeuw --- U.S.A. --- Verenigde Staten --- Art américain --- Action painting --- Pop [fine arts styles] --- Minimal --- Rosenthal, Bernard --- Art [American ] --- Kunst [Amerikaanse ] --- Painting, American. --- Sculpture, American --- Sculpture, American. --- earthworks [sculpture] --- Abstract [fine arts style] --- art [fine art] --- Art --- anno 1900-1999 --- United States --- History. --- Art [Modern ] --- 20th century --- art [discipline] --- Abstract [modern European style] --- United States of America