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Pallets are a universal symbol of the globalized world. The properties of this transport platform--standardization, stability, simplicity and internationality--are carried over into the work of architects and designers who use pallets as the material for their own creations. This book shows the variety of possibilities that can emerge from the creative interaction with an inconspicuous everyday article. The aspects of their simple design can be expressed by stacking pallets or contradicted in fragile structures. All around the world furniture items and interior design systems are created along with entire buildings based on the predetermined proportions of pallets. Sometimes the mass product is also demolished and only used in parts: for example, when bisected pallets serve as sideboards or individual boards are recycled as facade cladding.

Woodwork --- Pallets (Shipping, storage, etc.) --- Salvage (Waste, etc.) in interior decoration --- Salvage (Waste, etc.) --- Travail du bois --- Palettes (Manutention) --- Récupération (Déchets, etc.) en décoration intérieure --- Récupération (Déchets, etc.) --- Remodeling for other use --- Reconversion --- Récupération (Déchets, etc.) en décoration intérieure --- Récupération (Déchets, etc.) --- Travail du bois (architecture) --- Palettes (manutention) --- Remplois (architecture) --- Meubles --- Récupération (déchets, etc.) --- Architecture d'intérieur et mobilier --- Design

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Présentation de l'oeuvre de Jean-Sylvain Bieth qui est basé sur un travail de collecte: objets anodins rassemblés; collections de matériau qui subissent des transformations et qui sont mises en situation

Collection --- Installation-art --- Matériau --- Matériau de récupération --- Objet de récupération --- Installations (Art) --- Conceptual art --- Bieth, Jean-Sylvain --- Bieth, Jean-Sylvain, --- Installations (Art) - France - Exhibitions --- Conceptual art - France - Exhibitions --- Bieth, Jean-Sylvain, - 1955- - Exhibitions --- Bieth, Jean-Sylvain, - 1955 --- -Collection --- -Bieth, Jean-Sylvain

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"In Mechanisms, Matthew Kirschenbaum examines new media and electronic writing against the textual and technological primitives that govern writing, inscription, and textual transmission in all media: erasure, variability, repeatability, and survivability. Mechanisms is the first book in its field to devote significant attention to storage--the hard drive in particular--arguing that understanding the affordances of storage devices is essential to understanding new media. Drawing a distinction between 'forensic materiality' and 'formal materiality,' Kirschenbaum uses applied computer forensics techniques in his study of new media works. Just as the humanities discipline of textual studies examines books as physical objects and traces different variants of texts, computer forensics encourage us to perceive new media in terms of specific versions, platforms, systems, and devices. Kirschenbaum demonstrates these techniques in media-specific readings of three landmark works of new media and electronic literature, all from the formative era of personal computing: the interactive fiction game Mystery House, Michael Joyce's Afternoon: A Story, and William Gibson's electronic poem 'Agrippa'"--Provider website.

Mass media --- Mass media and language. --- Discourse analysis --- Computer storage devices. --- Data recovery (Computer science) --- Médias --- Médias et langage --- Analyse du discours --- Ordinateurs --- Récupération des données (Informatique) --- Technological innovations. --- Data processing. --- Innovations --- Informatique --- Mémoires --- Gibson, William, --- Joyce, Michael, --- Mass media and language --- Computer storage devices --- Technological innovations --- Data processing --- Data recovery (Computer science). --- Médias --- Médias et langage --- Récupération des données (Informatique) --- Mémoires --- Data reconstruction (Computer science) --- Reconstruction, Data (Computer science) --- Recovery, Data (Computer science) --- Electronic data processing --- Computer memory systems --- Computers --- Electronic digital computers --- Storage devices, Computer --- Computer input-output equipment --- Memory management (Computer science) --- Language and mass media --- Language and languages --- Memory systems --- Storage devices --- Mass media - Technological innovations --- Discourse analysis - Data processing --- Gibson, William, - 1948- - Agrippa --- Joyce, Michael, - 1945- - Afternoon --- DIGITAL HUMANITIES & NEW MEDIA/New Media Theory --- SCIENCE, TECHNOLOGY & SOCIETY/General --- SOCIAL SCIENCES/Media Studies

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For centuries books have contained and presented the written words that have allowed humankind to study and interpret the world. As texts have become readily available through different media, contemporary artists have been increasingly exploring the interplay between the function, structure, and format of books. Book Art is a stunning documentation of current art, installation, and design created with and from books. The fascinating range of examples, which is as diverse as books themselves, offers eloquent proof that—despite or because of digital media’s inroads as sources of text information—the book’s legacy as a carrier of ideas and communication is being expanded today.

sculpting --- boekkunst --- hedendaagse kunst --- Graphic arts --- Contemporary [style of art] --- beeldhouwkunst --- Sculpture --- Installations (Art) --- Objets trouvés (Art) --- Livres transformés --- Livres dans l'art --- Installation-art --- Objet de récupération --- Traitement de l'objet --- Altered books --- Books in art --- Sculpture, Modern --- Found objects (Art) --- 82:7 "2000-" --- 7.05 --- Boekdesign ; het boek als interactieve papieren-sculptuur --- Design ; meubels ; gebruiksvoorwerpen --- Materialen ; papier ; boeken --- Sculpturale objecten ; installaties ; gemaakt van boeken en papier --- 7.039 --- Allen Thomas --- Andersen Line --- Andersen Martin --- Barer Cara --- Bean Kyle --- Beube Doug --- Bing Xu --- Bom Michael --- Boyd Jonathan --- Cahill Laura --- Callan Jonathan --- Dale Nicola --- De Rabago J Ignacio Diaz --- Dettmer Brian --- Eliasson Olafur --- Epstein Gene --- Galanin Nicholas --- Hawkins Yvette --- Hay Graham --- Haynes Nicci --- Huang Samantha --- Hybschmann Johan --- Ishiguro Takeshi --- Jokhova Evguenia --- Jones Nicholas --- Kapoor Anish --- Kihara Yoshimi --- Koelewijn Job --- Kokin Lisa --- Krén Matej --- Laramée Guy --- Martin Alicia --- McPherson Steve --- Nendo --- Nobody & Co --- Papuli Daniele --- Porteous Susan --- Rixon Ros --- Rosenau Jim --- Ruff Donna --- Rush lee Jacqueline --- Russell Georgia --- South Twelve --- Stilkey Mike --- Syvänoja Janna --- The Robert --- Wentworth Richard --- boeken --- design --- eenentwintigste eeuw --- installaties --- kunst --- twintigste eeuw --- 684.93 --- Allen, Thomas --- Andersen M --- Barer, Cara --- Bean, Kyle --- Beube, Doug --- Bing, Xu --- Bom, Michael --- Boyd, Jonathan --- Cahill, Laura --- Callan, Jonathan --- Dale, Nicola --- De Rabago, J Ignacio Diaz --- Dettmer, Brian --- Eliasson, Olafur --- Epstein, Gene --- Galanin, Nicholas --- Hawkins, Yvette --- Hay, Graham --- Haynes, Nicci --- Huang, Samantha --- Hybschmann, Johan --- Ishiguro, Takeshi --- Jokhova, Evguenia --- Jones, Nicholas --- Kapoor, Anish --- Kihara, Yoshimi --- Koelewijn, Job --- Kokin, Lisa --- Krén, Matej --- Laramée, Guy --- Martin, Alicia --- McPherson, Steve --- Nobody&Co --- Papuli, Daniele --- Porteous, Susan --- Rixon, Ros --- Rosenau, Jim --- Ruff, Donna --- Rush Lee, Jacqueline --- Russell, Georgia --- Stilkey, Mike --- Syvänoja, Janna --- The, Robert --- Twelve south --- Wentworth, Richard --- conceptuele kunst --- productdesign --- Literatuur en kunst--"2000-"--Vanaf het jaar 2000. Toekomst--(variabel) --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- het boek, boekkunst --- Installation art --- Art, Modern --- Environment (Art) --- Found art --- Objects, Found (Art) --- Ready-mades (Art) --- Readymades (Art) --- Altered book art --- Books --- Collage --- Sculpture - 21e siècle --- Sculpture, Modern - 20th century