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Connaissance de soi --- Soi (philosophie) --- Sujet (philosophie)
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1 Meaning, Interpretation, and Picturing 1 Representations and pictures 2 Theories of picturing 3 Intentions and transparency in pictures and photographs 4 Indiscernible counterparts 5 Fine art 2 Art as Expression 1 Overview of expression theories 2 Tolstoy's account of expressive art 3 Collingwood's account of expressive art 4 The expressive persona 5 Expression as arousal 6 Revising the arousal theory 7 Expression as cognitive recognition 3 Meaning and Creativity 1 Plato on creativity 2 Kant on genius 3 Metaphorical exemplification 4 Hegel and Marx 5 Material bases of creativity 6 Feminism and creativity 4 Fakes, Originals, and Ontology 1 Multiples and singularities 2 Abstract objects 3 Problems and implications 4 Fakes and originals 5 Objections and alternatives 5 Authenticity and Cultural Origins 1 Two kinds of contextualism 2 Four kinds of appropriation 3 Moral concerns 4 Culture 5 Authenticity 6 Modernity and authenticity 6 Defining Art 1 Philosophical definition 2 Historical background 3 Functional definitions 4 Institutional definitions 5 Historical definitions 6 The cluster account 7 Aesthetics 1 Aesthetic judgments and properties 2 Supervenience 3 Two complications 4 Aesthetics and nature 5 Formalism and detachment 6 Making special 7 Pleasure and appreciation 8 Beyond the Fine Arts 1 Popular and mass art 2 Standard criticisms of popular art 3 Social consequences of popular culture 4 Gender and race 5 Everyday aesthetics 9 Artistic and aesthetic value 1 Three kinds of value 2 The uniqueness thesis 3 Value empiricism 4 Instrumental value 5 An alternative analysis 6 Appreciation 7 Cognitive value 10 Conclusion
Art --- Philosophy. --- Philosophie --- Aesthetics
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The fourth volume in PAJ's Performance Ideas series, The Sun on the Tongue unfolds in an expanding universe of philosophical reflections on love, art, war, nature, and human existence. Etel Adnan, the internationally renowned Arab American writer and visual artist, crosses genres and continents and centuries in her literary texts, plays, poems, and art. Her plays At A Certain Hour of the Night, Crime of Honor and Tolerance are featured here, along with essays on Pina Bausch and Paul Klee, and an interview on her life and work. Her texts have been performed or adapted for theatre, opera, and radio in the U.S. and Europe. Robert Wilson invited her to write the French section of his multi-country opera, the CIVIL warS: a tree is best measured when it is down, in 1984.
Adnan, Etel --- Philosophie --- Poésie
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Esthétique --- --Représentant de commerce --- --Philosophie --- --Esthétique --- Représentant de commerce --- Philosophie
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Ce parcours à travers quelques-uns des moments de l'histoire du cinéma expérimental lie l'histoire particulière de ce cinéma aux autres pratiques artistiques.
Cinéma --- Critique cinématographique --- Esthétique --- Philosophie --- Cinéma - Esthétique --- Cinéma - Philosophie
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Nursing --- Soins infirmiers --- Philosophy --- Philosophie
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Part One Performance and the Classical Paradigm. 1 The Nature of Artistic Performance. 1 Introduction. 2 What is a Performance? 3 Institutional Theories of Artistic Performance. 4 Aesthetic Theories of Artistic Performance. 5 Artistic Performance and Artistic Regard. 6 Overview. 2 The Classical Paradigm I: The Nature of the Performable Work. 1 Introduction: Berthold and Magda Go to the Symphony. 2 The Multiple Nature of Performable Works. 3 Performable Works as Types. 4 Varieties of Type Theories: Sonicism, Instrumentalism, and Contextualism. 5 Other Theories of the Performable Work. 3 The Classical Paradigm II: Appreciating Performable Works in Performance. 1 Introduction: Talking Appreciatively about Performable Works. 2 Can Performable Works Share Artistic Properties with Their Performances? 3 The Goodman Argument. 4 Answering the Goodman Argument. 4 Authenticity in Musical Performance. 1 Introduction. 2 Authenticity in the Arts. 3 Three Notions of Historically Authentic Performance. 5 Challenges to the Classical Paradigm in Music. 1 Introduction: The Classical Paradigm in the Performing Arts. 2 The Scope of the Paradigm in Classical Music. 3 Jazz, Rock, and the Classical Paradigm. 4 Non-Western Music and the Classical Paradigm. 6 The Scope of the Classical Paradigm: Theater, Dance, and Literature. 1 Introduction: Berthold and Magda Go to the Theater. 2 Theatrical Performances and Performable Works. 3 Challenges to the Classical Paradigm in Theater. 4 Dance and the Classical Paradigm. 5 The Novel as Performable Work? Part Two Performance as Art. 7 Performances as Artworks. 1 Introduction: Spontaneous Performance in the Arts. 2 The Artistic Status of Performances Outside the Classical Paradigm. 3 The Artistic Status of Performances Within the Classical Paradigm. 8 Elements of Performance I: Improvisation and Rehearsal. 1 Introduction. 2 The Nature of Improvisation. 3 Improvisation and Performable Works: Three Models. 4 Improvisation and Recording. 5 The Pl
Aesthetics --- Performing arts --- Philosophy. --- Philosophy --- Art --- Jeu (philosophie) --- Représentation (philosophie) --- Philosophie
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Si nous avons choisi l'"Historische Grammatik der bildenden Künste" pour introduire en France l'œuvre du grand esthéticien autrichien, inexplicablement non traduite encore dans notre pays, c'est que cet ouvrage est une synthèse de la pensée de Riegl dont il constitue l'ouverture méthodologique à la fois la plus concise et la plus explicite. Par l'introduction du concept de "Kunstwollen", Riegl a créé une méthode de réflexion très originale dont lui furent redevables nombre d'esthéticiens du XXe siècle, parmi les plus grands. Par "Kunstwollen" il entend une force de l'esprit humain donnant naissance aux affinités formelles d'une même époque, dans toutes ses manifestations culturelles. Cette volonté artistique et ses variations sont conditionnées par la vision du monde laquelle naît de la religion et de la pensée scientifique fondamentale. Riegl interprète donc l'histoire de l'art comme une histoire de l'esprit (Kunstgeschichte als Geistesgeschichte). Nul n'était mieux qualifié, pour présenter cette œuvre au public français, que le Professeur Otto Pächt, disciple spirituel de Riegl, et éditeur avec le Professeur K. M. Swoboda de cet ouvrage posthume demeuré longtemps inédit.
Philosophie de l'art --- Méthodologie --- Histoire de l'art --- Art --- Esthétique --- Philosophie --- Esthétique. --- Philosophie.
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Spelen met ideeën biedt een methode om systematisch en in dialoog tot de kern van een vraagstuk te komen, een visie te ontwikkelen en deze op een beeldende manier onder woorden te brengen. Jos Kessels ontleent deze methode aan de ideeënleer van Plato en de gesprekken van Socrates. Dit antieke gedachtegoed blijkt nog steeds inzetbaar in situaties waarin een fundamentele, complexe kwestie moet worden geanalyseerd en een visie of missie moet worden bepaald. Centraal in Spelen met ideeën staat het zogenaamde kralenspel. Dit eeuwenoude instrument stelt deelnemers in staat kernachtig hun centrale gedachten op vier niveaus te formuleren: de feiten, de persoon, de denkpolen en de uiteindelijke idee. Aan de hand van concrete voorbeelden beschrijft Spelen met ideeën kernaspecten van ideeën en visieontwikkeling. Aan het eind is een korte handleiding opgenomen.
Theory of knowledge --- Philosophie Filosofie --- Plato --- Socrates
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Sloterdijk, Peter --- Filosofie --- Philosophie --- Sloterdijk, Peter,
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