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This study interrogates press caricatures and cartoons, popular song, staged revue and opera parodies to discover the role they play within the Parisian theatrical, social, and wider cultural context and economy in the second half of the nineteenth century. From the beginnings of Wagner reception in Paris, through the heyday of 'opéra bouffe' in the hands of that comic genius Hervé, to the international operatic repertoire played on Parisian stages in the 1890s - including works by Massenet and Saint-Saëns performed during an increasingly tense nationalist climate - this book examines the workings of parody which draw on opera for their subject material and the ways in which this satirical mode of critique works, and for whom. While at face value, much parodical treatment criticises the hypotext, in analysing a wide range of intertextual 'texts', parody is revealed as a process which bolsters cultural norms, neutralises alterity or innovation of all forms and invariably throws the satirical and critical commentary back onto internal and local cultural products and debates. 'Opera and Parody in Paris, 1860-1900' uncovers a huge amount of primary and hitherto unpublished sources - libretti, scores, caricatures - in an analysis of intermedial materials that may be read as reception documents, as ?autonomous? artistic products, and more broadly as highly appealing cultural phenomena.

Parodie (musique) --- Opéra --- Presse satirique --- Parodies et pastiches. --- Caricatures et dessins humoristiques. --- Histoire et critique. --- Opéra --- Opera --- Parody in music --- Musical parodies --- Social aspects --- History --- History and criticism --- Paris (France) --- In opera --- Parodie (muziek) --- Opera's --- Satirische pers --- Karikaturen en tekenfilms --- Opera - France - Paris - History - 19th century --- Parody in music - History and criticism --- Paris (France) - In opera - History and criticism

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Présentation des différents aspects du travail de Emilio Lopez-Menchero. Diplômé de l'Institut supérieur d'architecture de la Cambre, il mène depuis une vingtaine d'années une pratique artistique alimentée par son savoir architectural. Avec un sens de la dérision revendiqué, il interroge les rapports à l'environnement, à l'architecture et aux arts.

Performance art --- Drawing, Belgian --- Self-portraits, Belgian --- Parody in art --- Art de performance --- Dessin belge --- Autoportraits belges --- Parodie dans l'art --- History --- Histoire --- Lopez Menchero, Emilio --- installatiekunst --- Lopez-Menchero, Emilio --- beroemde persoon --- public spaces --- Guevara, Ernesto --- Balzac, de, Honoré --- Disguise in art --- Déguisement dans l'art --- Architectes --- Installation-art --- Lopez-menchero, Emilio --- López-Menchero, Emilio, --- López-Menchero, Emilio --- Ingrepen in de architecturale en stedenbouwkundige ruimte --- Lopez-Menchero, Emilio °1960 (°Mol, België) --- 7.071 LOPEZ-MENCHERO --- performances --- kunst en architectuur --- Lopez-Menchero Emilio --- Spanje --- Déguisement dans l'art --- López-Menchero, Emilio, --- Architecture --- 72.07 --- 7.07 --- Kunst en maatschappij --- Belgische kunstenaars --- videokunst --- kunst en politiek --- video --- installaties --- fotografie --- schilderkunst --- Brussel --- België --- eenentwintigste eeuw --- twintigste eeuw --- kunst --- Architecten. Stedenbouwkundigen A - Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- architectuur --- architecture [discipline] --- Art --- performance art --- Iconography --- art [fine art] --- humor --- Belgium --- Architecte --- Architects --- Artists --- Artistes --- Architecture -- 1990-.... --- art [discipline] --- Guevara, Che