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Léger, Fernand --- Corbusier, Le --- Cahn, Marcelle --- Baumeister, Willi --- Seuphor, Michel --- Gleizes, Albert --- Picasso, Pablo --- Cézanne, Paul --- Ozenfant, Amédée --- Arp, Hans --- Miró, Joan --- Hélion, Jean --- Delaunay, Robert --- Mondriaan, Piet --- Corbusier, le

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Berard, Christian ; Cézanne, Paul ; Dali, Salvador ; Degas, Edgar ; Delaunay, Robert ; Delaunay, Sonia ; Derain, André ; Despiau, Charles ; van Dongen, Kees ; Dufy, Raoul ; de Forbin, Auguste ; Giacometti, Alberto ; Girard, André ; Guino, Richard ; Hackert, Philipp J. ; Hubert, Ernest ; Koch, John ; Fresnaye, Roger de la ; Lamotte, Bernard ; Lurçat, Jean ; Manet, Edouard ; Masson, Andre ; Matisse, Henri ; Modigliani, Amedeo ; Ozenfant, Amédée ; Peyrissac, Jean ; Picabia, Francis ; Picasso, Pablo ; Renoir, Auguste ; Rodin, Auguste ; Rouault, Georges ; Rousseau, Henri ; Sicard, Pierre ; Soutine, Chaim ; Utrillo, Maurice

Ethnology. Cultural anthropology --- ethnography --- Drawing --- Painting --- Art --- painting [image-making] --- drawing [image-making] --- private collections --- Fresnaye, de la, Roger Noël François --- Rouault, Georges --- Manet, Edouard --- Soutine, Chaïm --- Modigliani, Amedeo --- Dufy, Raoul --- Lamotte, Bernard --- Picasso, Pablo --- Cézanne, Paul --- Giacometti, Alberto --- Guino, Richard --- Utrillo, Maurice --- Peyrissac, Jean --- Picabia, Francis --- Koch, John --- Rodin, Auguste --- Delaunay, Sonia --- Dongen, van, Kees --- Lurçat, Jean --- Dalí, Salvador --- Derain, André --- Delaunay, Robert --- Bérard, Christian --- Despiau, Charles --- Matisse, Henri --- Masson, André --- Girard, André --- Hubert, Ernest --- Degas, Edgar --- Renoir, Auguste --- Ozenfant, Amédée --- Rousseau, Henri --- Sicard, Pierre --- Keller, Georges F. --- Museum of Fine Arts [Berne] --- anno 1900-1999 --- Africa --- Kunstmuseum Bern --- moderne kunst --- verzameling Georges F. Keller (Bern) --- Painting [Modern ] --- 19th century --- Switzerland --- 20th century --- Art collections --- verzameling Georges F Keller (Bern) --- private collections [object groupings]

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Modernist --- Dada --- Surrealist --- modernisme --- Futurist --- De Stijl --- Constructivist --- kunstenaarsgeschriften --- art [fine art] --- Stuckist --- Art styles --- Fluxus --- Art --- kunststijlen --- manifesten --- Gutai --- Maciunas, Georg --- Tzara, Tristan --- Gabo, Naum --- Vostell, Wolf --- Vasarely, Victor --- Arp, Hans --- Oldenburg, Claes --- Tinguely, Jean --- Marc, Franz --- Fontana, Lucio --- Pevsner, Antoine --- Newman, Barnett --- Boccioni, Umberto --- Marinetti, Filippo Tommaso --- Gilbert and George --- Koolhaas, Rem --- Baselitz, Georg --- Ball, Hugo --- Kandinsky, Vasili Vassileevich --- anno 2000-2099 --- anno 1900-1999 --- Art movements --- Art, Modern --- History --- Themes, motives. --- Political aspects. --- 7.01 --- 72.01 --- Kunsttheorie ; bewegingen ; manifesten ; 20ste eeuw --- Culturele en artistieke manifesten --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- futurisme --- Marinetti Filippo Tommaso --- Boccioni Umberto --- Kotaro Takamura --- Apollinaire Guillaume --- de Saint-Point Valentine --- Blaue Reiter --- Kandinsky Wassily --- Marc Franz --- Larionov Mikhail --- Goncharova Natalia --- rayonisme --- Carrà Carlo --- Balla Giacomo --- Loy Mina --- Canudo Ricciotto --- Nevinson C.R.W. --- Lewis Wyndham --- Sant'Elia Antonio --- Mayakovsky Vladimir --- Malevich Kazimir --- suprematisme --- dadaïsme --- Ball Hugo --- Rozanova Olga --- kubisme --- Tzara Tristan --- Huelsenbeck Richard --- Ozenfant Amédée --- Jeanneret Charles-Edouard --- purisme --- Rodchenko Alexander --- Gropius Walter --- Picabia Francis --- Gabo Naum --- Pevzner Anton --- Popova Liubov --- Maples Arce Manuel --- Vertov Dziga --- film --- van Doesburg Theo --- Huidobro Vicente --- Le Corbusier --- Murayama Omoshoi --- Alfara Siquieros David --- Mexico --- surrealisme --- Breton André --- Mariategui José Carlos --- Dakli Salvador --- de Andrade Oswald --- John Reed Club of New York --- Sironi Mario --- Sirato Karoly --- Sirato Charles --- dimensionisme --- Rivera Diego --- Trotsky Leon --- Arp Jean --- Arp Hans --- concrete kunst --- Fontana Lucio --- Bayley Edgar --- Constant --- Nieuwenhuys Constant --- Cobra --- Newman Barnett --- Vasarely Victor --- Yoshihara Jiro --- Tinguely Jean --- Gullar Ferreira --- Metzger Gustav --- Debord Guy --- situationisme --- Oldenburg Claes --- Baselitz Georg --- Montanez Ortiz Rafael --- Maciunas George --- Vostell Wolf --- Brakhage Stan --- Brouwn Stanley --- Jarman Derek --- architectuur --- Venturi Roberto --- Laderman Ukeles Mierle --- Neagu Paul --- Davis Douglas --- Dib Maroin --- Koolhaas Rem --- Coop Himmelb(l)au --- Kitaj R.B. --- diasporisme --- Woods Lebbeus --- Dogme 95 --- Betancourt Michael --- Jencks Charles --- Herzog Werner --- Childish Billy --- Thomson Charles --- stuckisme --- Murakami Takashi --- Williams Austin --- Johnstone Edgeworth --- Li Shelley --- 7.071 AAAA --- Kunst ; theorie, filosofie, esthetica --- Architectuur ; theorie, filosofie, esthetica --- Nevinson C.R.W --- Kitaj R.B --- manifestoes --- artists' statements --- art [discipline] --- Mouvements artistiques --- Art et politique --- 20e siècle --- Kandinsky, Wassily

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« L'Action restreinte » est une relecture de l'histoire de l'art moderne selon Stéphane Mallarmé (1842-1898). Auteur du Coup de dés, mais aussi de fameux Sonnets, de textes en prose recueillis dans les Divagations, d'un vaste ensemble de notes - inédites jusqu'en 1957 -, projetant un Livre idéal qui serait un équivalent du monde, Mallarmé a élaboré une poétique complexe et particulièrement ouverte, qui a constitué une matrice pour de nombreuses recherches poétiques et plastiques tout au long du XXe siècle. En étudiant notamment les origines de l'abstraction, de nombreux historiens d'art ont travaillé sur l'arrière-plan symboliste du modernisme. L'oeuvre de Mallarmé apparaît centrale dans cette reconstitution. Déjà dans les années 1910, de nombreux acteurs ou observateurs de l'art d'avant-garde avaient rattaché la poétique mallarméenne aux formes les plus avancées de l'art post-cézannien, et en particulier du cubisme. Durant les années 1960, la tendance a été plutôt d'extraire Mallarmé du symbolisme en montrant que sa pensée excédait largement l'esthétique ou l'idéologie du mouvement littéraire et artistique mis en place dans les années 1880. Jean-François Chevrier, revenant sur ces assimilations, explique ici en quoi l'extraordinaire ouverture de la poétique mallarméenne excède largement la seule théorie moderniste ou le mythe de la « poésie pure »,voire en quoi elle s'oppose à la pensée utopique. Au moyen de clefs d'analyse comme la tension entre l'idée et l'actualité, le statut du vers comme seul recours contre le fond obscur des virtualités, la poésie concrète, la dissolution des mythes au profit d'une action restreinte à la scène de l'écriture, le rythme comme alternative au style pour préserver la diversité des libertés individuelles, cette étude interroge les textes et les oeuvres d'une centaine d'artistes et poètes ou écrivains, des années 1850 à la fin des années 1960. Quelques figures incontournables, parmi d'autres : Odilon Redon, Jules Laforgue, James Ensor, Guillaume Apollinaire, Loïe Fuller, Edward Gordon Craig, Pablo Picasso, Georges Braque, Érik Satie, Umberto Boccioni, Buster Keaton, Marcel Duchamp, Vélimir Khlebnikov, Alexandra Exter, Kurt Schwitters, Raoul Hausmann, Hans Arp et Sophie Taeuber, André Breton, Max Ernst, Walker Evans, James Joyce, Antonin Artaud, Francis Ponge, Henri Michaux, Roberto Rossellini, Joseph Cornell, John Cage, Yvonne Rainer, Alighiero e Boetti, Marcel Broodthaers...(synopsis : http://www.editions-hazan.fr/)

Cubist --- Art styles --- avant-garde --- Bresdin, Rodolphe --- Tzara, Tristan --- Man Ray --- Bourliouk, Vladimir --- Hugnet, Georges --- Macke, August --- Vantongerloo, Georges --- Léger, Fernand --- Jacob, Max --- Picabia, Francis --- Kupka, Frantz --- Villeglé, Jacques --- Matta, Roberto --- Reverdy, Pierre --- Seurat, Georges --- Hains, Raymond --- Bonnard, Pierre --- Hamilton, Richard --- Hantaï, Simon --- Vaché, Jacques --- Appia, Adolphe --- Cornell, Joseph --- Ozenfant, Amédée --- Balla, Giacomo --- Brancusi, Constantin --- Zaugg, Remy --- Levitt, Helen --- Denis, Maurice --- Andre, Carl --- Artaud, Antonin --- Laurens, Henri --- Gheerbrant, Alain --- Picasso, Pablo --- Brecht, George --- Filliou, Robert --- Smith, Tony --- Albert-Birot, Pierre --- Höch, Hannah --- Moholy-Nagy, László --- Boccioni, Umberto --- Marinetti, Filippo Tommaso --- Dufrêne, François --- Kamenski, Vassily --- Nemours, Aurélie --- Hausmann, Raoul --- Delacroix, Eugène --- Michaux, Henri --- Brown, Trisha --- Chintreuil, Antoine --- Manzoni, Piero --- Flaherty, Robert J. --- Braque, Georges --- Matiouchine, Mikhaël --- Gego --- Matisse, Henri --- Kandinsky, Vasili Vassileevich --- Metzinger, Jean --- Roth, Dieter --- Druet, Eugène --- Nauman, Bruce --- Baudelaire, Charles --- Manet, Edouard --- Gabo, Naum --- Rauschenberg, Robert --- Albers, Josef --- Gris, Juan --- Forti, Simone --- Arp, Hans --- Fontana, Lucio --- Feininger, Lyonel --- Kelly, Ellsworth --- Cangiullo, Francesco --- Granovski, Haim Naum --- Schönberg, Arnold --- Munch, Edvard --- Apollinaire, Guillaume --- Delaunay, Sonia --- Miró, Joan --- Broodthaers, Marcel --- Szcekacz, Samuel --- Vuillard, Edouard --- Redon, Odile --- Carrà, Carlo --- Leck, van der, Bart --- Satie, Erik --- Severini, Gino --- Craig, Edward Gordon --- Mansouroff, Pavel --- Duchamp, Marcel --- Puni, Ivan Albertovich --- Sérusier, Paul --- Cage, John --- Rainer, Yvonne --- Taeuber-Arp, Sophie Henriette Gertrud --- Fahlstrom, Öyvind --- Rinke, Klaus --- Villon, Jacques --- Courbet, Gustave --- Boetti, Alighiero --- Soffici, Ardengo --- Bourliouk, David --- Marc, Franz --- Chirico, de, Giorgio --- Evans, Walker --- Bryen, Camille --- González, Julio --- Meyerhold, Vsevolod Emilevich --- Mallarmé, Stéphane --- Ernst, Max --- Lissitzky, Eliezer --- Maiakovsky, Vladimir --- Gauguin, Paul --- Janco, Marcel --- Doré, Gustave --- Klee, Paul --- Wols, Alfred --- Ensor, James --- Jarry, Alfred --- Wolman, Gil Joseph --- Malevitsj, Kasimir --- Cendrars, Blaise --- Kahnweiler, Daniel-Henry --- Punin, Nikolai Nikolayevich --- Schwitters, Kurt --- Roussel, Ker-Xavier --- Monet, Claude --- Hodler, Ferdinand --- Russolo, Luigi --- anno 1900-1999 --- anno 1900-1909 --- anno 1910-1919 --- Art --- Redon, Odilon --- Art, Modern --- Art criticism --- Critique d'art --- Exhibitions --- History --- Expositions --- Histoire --- Mallarmé, Stéphane, --- surrealisme --- kubisme --- moderne kunst --- Histoire de l'art --- Théorie de l'art --- Ecrivain --- Histoire de la peinture --- Histoire de la photographie --- Histoire de la sculpture --- Poète --- Surréalisme --- Mallarme, Etienne, Dit Stéphane --- 20e siècle --- Années 1910 --- Années 1920 --- Années 1930 --- Années 1940 --- Années 1950 --- Années 1960 --- France --- kunst --- kunst en literatuur --- twintigste eeuw --- kunst en poëzie --- symbolisme --- Mallarmé Stéphane --- Albers Josef --- Andre Carl --- Apollinaire Guillaume --- Appia Adolphe --- Arp Hans --- Arp Jean --- Artaud Antonin --- Ball Hugo --- Balla Giacomo --- Beckett Samuel --- Bergman Ingmar --- Boccioni Umberto --- Boetti Alighiero --- Bourliouk David --- Brancusi Constantin --- Braque Georges --- Brecht George --- Bresdin Rodolphe --- Breton André --- Broodthaers MArcel --- Brown Trisha --- Bryen Camille --- Burroughs William --- Cage John --- Cangiullo Francesco --- Carrà Carlo --- Cendrars Blaise --- Chintreuil Antoine --- Cornell Joseph --- Corot Jean Baptiste Camille --- Courbet Gustave --- Craig Edward Gordon --- Cros Charles --- Cunningham Merce --- Debussy Claude --- de Chirico Giorgio --- Delacroix Eugène --- Delaunay Robert --- Delaunay Sonia --- Denis Maurice --- Doré Gustave --- Dovjenko Alexandre --- Duchamp Marcel --- Dufrêne François --- Ensor James --- Ernst Max --- Evans Walker --- Fabro Luciano --- Fahlström Öyvind --- Fautrier Jean --- Feininger Lyonel --- Feldman Morton --- Filliou Robert --- Flaherty Robert --- Fontana Lucio --- Forti Simone --- Fuller Loïe --- Gabo Naum --- Gatti Armand --- Gauguin Paul --- negentiende eeuw --- Gide André --- Godard Jean-Luc --- Gonzalez Julio --- Graham Dan --- Gris Juan --- Hains Raymond --- Hamilton Richard --- Hantaï Simon --- Hausmann Raoul --- Höch Hannah --- Hodler Ferdinand --- Huelsenbeck Richard --- Hugo Victor --- Illiazd --- Zdanevitch Ilia --- Jacob Max --- Jarry Alfred --- Jeanneret Charles-Edouard --- Joyce James --- Kamensky Vasilii --- Kamensky Vladimir --- Kandinsky Wassily --- Keaton Buster --- Kelly Ellsworth --- Khlebnikov Velimir --- Klee Paul --- Kupka Frantisek --- Lang Fritz --- Laurens Henri --- Léger Fernand --- Levitt Helen --- LeWitt Sol --- Lissitzky El --- Macke August --- Magritte René --- Majakovski Vladimir --- Malevich kazimir --- Manet Edouard --- Mansurov Paul --- Manzoni Piero --- Marinetti Filippo Tommaso --- Marker Chris --- Matiushin Mikhail Vasilievich --- Matisse Henri --- Matta Roberto --- Metzinger Jean --- Meyerhold Vsevolod --- Michaux Henri --- Miro Joan --- Moholy-Nagy Laszlo --- Monet Claude --- Morris Robert --- Munch Edvard --- Murnau Friedrich Wilhelm --- Nauman Bruce --- Nemours Aurélie --- Oteiza Jorge --- Ozenfant Amédée --- Pasolini Pier Paolo --- Picabia Francis --- Picasso Pablo --- Ponge Francis --- Puni Ivan --- Rainer Yvonne --- Rauschenberg Robert --- Ray Man --- MAn Ray --- Redon Odilon --- Renoir Jean --- Reverdy Pierre --- Richter Hans --- Rinke Klaus --- Rossellini Roberto --- Roth Dieter --- Roussel Ker-Xavier --- Satie Eric --- muziek --- Schönberg Arnold --- Schwitters Kurt --- Sérusier Paul --- Seurat Georges --- Severini Gino --- Sima Josef --- Sjöstrom Victor --- Smith Tony --- Soffici Ardengo --- Straub Jean-Marie --- Huillet Danièle --- Strzeminski Wladyslaw --- Szczekacz Samuel --- Taeuber-Arp Sophie --- Tarkovski Andrej --- Tzara Tristan --- Vaché Jacques --- Vanderbeek Stan --- van der Leck Bart --- Vantongerloo Georges --- Vigo Jean --- film --- Villeglé Jacques --- Villon Jacques --- Vuillard Edouard --- Wolman Gil Joseph --- Wols --- Schulze Afrred Otto --- Zaugg Rémy --- 7.035/036 --- 7.036 --- Mallarmé, Stéphane, --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- Influence --- Mallarmé, Stephane --- Knowledge --- 19th century --- Mallarmé, Stéphane --- Majakovskij, Vladimir V. --- Burliuk, David Davidovich --- Mallarmé, Etienne, Dit Stéphane --- Matyushin, Mikhail Vasilievich --- Lissitzky, El --- Meyerhold, Vsevolod E. --- Art, Modern - 20th century - Exhibitions --- surrealisme. --- kubisme. --- moderne kunst. --- avant-garde. --- Mallarmé, Stéphane. --- Redon, Odilon. --- Artaud, Antonin. --- Kandinsky, Wassily

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Deze omvangrijke uitgave biedt een overzicht van de belangrijkste teksten over architectuur uit de twintigste eeuw - voor het eerst in één standaardwerk toegankelijk voor de Nederlandstalige lezer. Geselecteerde auteurs: architecten als Sullivan, Loos, Le Corbusier, Mies van der Rohe, Rossi, Tschumi, Eisenman en Koolhaas, Mauclair en Mordvinov. Dichters: Marinetti en Valéry. Kunstenaars : Lissitzky en Malevich, en theoretici als Rykwert, Mumford, Banham en Tafuri. Filosofen : Adorno, Benjamin, Bataille en Heidegger.

architectural theory --- architectuur --- Architecture --- architectuurtheorie --- architecture [discipline] --- anno 1900-1999 --- 72.01 --- 72.036 --- -Architecture, Modern --- -Academic collection --- Architectuurtheorie ; 20ste eeuw ; sleutelteksten ; naslagwerken --- Architectuurtheorie ; 20ste eeuw ; manifesten ; programma's --- OSA ; Onderzoeksgroep Stedelijkheid en Architectuur (KU Leuven) --- Architectuur ; statements van architecten --- twintigste eeuw --- Loos Adolf --- Sullivan Louis --- Muthesius Hermann --- Guadet Julien --- Wright Frank Lloyd --- van de Velde Henry --- Wagner Otto --- Unwin Raymond --- stedenbouw --- Berlage Hendrik Petrus --- Sant'Elia Antonio --- Marinetti Filippo Tommaso --- futurisme --- Scheerbart Paul --- Mendelsohn Erich --- Le Corbusier --- Ozenfant Amédée --- Oud J.J.P --- Behne Adolf --- Gropius Walter --- Tessenow Heinrich --- Valéry Paul --- Lissitzky El --- Vesnin Alexander --- Pont Henri Maclaine --- Mies van der Rohe Ludwig --- van Doesburg Theo --- Ginzburg Moisei --- Taut Bruno --- Schultze-Naumburg Paul --- Bauhaus --- De Stijl --- May Ernst --- Jeanneret Pierre --- Malevich Kazimir --- Mondriaan Piet --- Giedion Sigfried --- Mayer Hannes --- Bataille Georges --- Moholy-Nagy László --- Stam Mart --- Mordvinov Arkadii --- Poelzig Hans --- Hitchcock Henry-Russell --- Johnson Philip --- Rosenberg Alfred --- Roux-Spitz Michel --- Benjamin Walter --- Kaufmann Emil --- Mauclair Camille --- Schmitthenner Paul --- Bauer Catherine --- Bloch Ernst --- Alabian Karo --- Sert Josep Lluis --- Léger Fernand --- Jorn Asger --- van Eyck Aldo --- Sedlmayr Hans --- Heidegger Martin --- Bodiansky Vladimir --- Ecochard Michel --- Ivain Gilles --- Smithson Alison --- Smithson Peter --- Banham Reyner --- Bachelard Gaston --- Moholy-Nagy Sibyl --- Summerson John --- Friedman Yona --- Haskell Douglas --- Kahn Louis --- CIAM --- Levinas Emmanuel --- Mumford Lewis --- Cook Peter --- Norberg-Schulz Christian --- Alexander Christopher --- Adorno Theodor W --- Gregotti Vittorio --- Rossi Aldo --- Venturi Robert --- Foucault Michel --- Superstudio --- Eco Umberto --- Hollein Hans --- Turner John --- Scott Brown Denise --- de Carlo Giancarlo --- Habraken John --- Kurokawa Kisho --- Rapoport Amos --- Bekaert Geert --- Archizoom --- Boudon Philippe --- Baudrillard Jean --- Broadbent Geoffrey --- Lefebvre Henri --- architectuur en politiek --- Rykwert Joseph --- Tafuri Manfredo --- Colquhoun Alan --- Grassi Giorgio --- Tschumi Bernard --- Tzonis Alexander --- Lefaivre Liane --- Jencks Charles --- Koolhaas Rem --- Krier Leon --- Rowe Colin --- Koetter Fred --- Panerai Philippe --- Castex Jean --- Porphyrios Demetri --- Cross Nigel --- Frampton Kenneth --- Eisenman Peter --- Virilio Paul --- Kostof Spiro --- Müller Michael --- Colomina Beatriz --- Lyotard Jean-François --- de Solà-Morales Ignasi --- Davis Mike --- Harvey David --- Ghirardo Diane --- Augé Marc --- Sorkin Michael --- Taylor Mark C --- Vidler Anthony --- Cacciari Massimo --- Kollhoff Hans --- Magnago Lampugnani Vittorio --- Verschaffel Bart --- Wigley Mark --- Hays Michael --- McLeod Mary --- verstedelijking --- urbanisme --- functionalisme --- gender studies --- utopie --- ergonomie --- architectuurgeschiedenis --- unheimliche --- Nieuwe Bouwen --- organische architectuur --- kubisme --- utopische architectuur --- bouw --- Mondrian Piet --- CDL --- architectuur 20e eeuw --- architecten --- 72 --- Modern architecture --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Philosophy --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- Architectuurtheorie --- Architectuur (theorie) --- Architectuuresthetica --- Architectuurkritiek --- Architectuur (kritiek) --- Architectuur (esthetica) --- Architectuur ; theorie, filosofie, esthetica --- architectuur algemeen, architectuurtheorie, wonen --- Design and construction --- architectural criticism --- Architecture, Modern --- Academic collection --- History --- Architectuur --- 72 Architectuur. Bouwkunst --- 72 Architecture --- Architectuur. Bouwkunst --- architectuurfilosofie --- kunstenaarsgeschriften --- Philosophy. --- Philosophie --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- ARCHITECTURE --- ECRITS D'ARCHITECTES --- 20e SIECLE