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Aesthetics of art --- Buren, Daniel --- Paris --- Kunstesthetica

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Installations (Art) --- Art --- Aesthetics. --- Installation. --- Ästhetik. --- Philosophy. --- kunst --- kunsttheorie --- twintigste eeuw --- 7.01 --- 7.038/039 --- eenentwintigste eeuw --- installaties --- esthetica --- Kunstesthetica --- installaties [kunstwerken] --- Aesthetics of art --- installations [visual works] --- aesthetics

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art criticism --- cultuursociologie --- kunstkritiek --- Aesthetics of art --- Critique d'art --- Kunstkritiek --- Périodiques --- Tijdschriften --- Rubriek serials: kunst en cultuur --- Kunst --- 7.01 --- 008 --- 958 --- 3 --- tijdschriften --- kunst --- C3 --- Kunst (kritiek) --- Cultuur --- Tijdschriften (woord - dans) --- Maatschappijwetenschappen --- Kunst en cultuur --- Periodicals --- Special issues --- Kunstesthetica --- Art criticism --- Art criticism.

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Weaving is an ancient craft with a fascinating history, and one that keeps evolving. Today it is being adopted and reinvented by makers in cities all over the world. From rugs and wall hangings to artistic installations and subversive interventions, contemporary expressions of the craft are as diverse as they are numerous. A feast for the eye, this book celebrates contemporary weaving and its makers, presenting a carefully curated selection of weavers alongside a rare glimpse into their worlds. In six in-depth, thematic essays, design expert and journalist Katie Treggiden explores the craft, its history and the many faces of its current revival.

Weaving --- 779.8 --- weven --- textielontwerpen --- textiel --- textielkunst --- textielkunst, overige --- 746.1 --- Textiel ; weefkunst --- Warping --- Textile industry --- Textielkunst ; weven --- Kunstesthetica --- Toegepaste kunst. Kunstambachten --- textielkunst [beeldmateriaal] --- weefkunst --- Aesthetics of art --- Applied arts. Arts and crafts --- weaving --- textile art [visual works] --- textieldesign --- handwerk, textieldesign - weven

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Writings survey system-based art, from its origins in works from the 1950s to the 1970s to its twenty-first century resurgence in works that draw on cutting-edge science. In the late 1950s, experiments such as the cybernetic sculptures of Nicolas Schöffer or the programmatic music compositions of John Cage and Iannis Xenakis transposed systems theory from the sciences to the arts. By the 1960s, artists as diverse as Roy Ascott, Hans Haacke, Robert Morris, Sonia Sheridan, and Stephen Willats were breaking with accepted aesthetics to embrace open systems that emphasized organism over mechanism, dynamic processes of interaction among elements, and the observer's role as an inextricable part of the system. Jack Burnham's 1968 Artforum essay “Systems Aesthetics” and his 1970 “Software” exhibition marked the high point of systems-based art until its resurgence in the changed conditions of the twenty-first century. Systems traces this radical shift in aesthetics from its roots in mid twentieth-century general systems theory, cybernetics, and artificial intelligence to the cutting-edge science of the present. The collected texts examine the connections between advanced technological systems, our bodies and minds; the relation of musical to spatial and architectural structures; and the ways in which systems-based art projects can create self-generating entities and networks, alter our experience of time, change the configurations of social relations, cross cultural borders, and interact with threatened ecosystems. Artists surveyed include Roy Ascott, Driessens and Verstappen, David Dunn, Brian Eno, Frank Gillette, Michael Joaquin Grey, Hans Haacke, Helen Mayer Harrison, Newton Harrison, Joan Littlewood, Richard Paul Lohse, Laurent Mignonneau, Manfred Mohr, Nam June Paik, Cedric Price, Casey Reas, Ken Rinaldo, Tomás Saraceno, Sonia Sheridan, Christa Sommerer, Ubermorgen, Woody and Steina Vasulka, Peter Weibel, Mitchell Whitelaw, John Whitney, James Whitney, Stephen Willats, Iannis Xenakis.Writers include Gregory Bateson, Mary Catherine Bateson, Pierre Bourdieu, R. Buckminster Fuller, Jack Burnham, Fritjof Capra, Geoff Cox, James P. Crutchfield, Boris Groys, Francis Halsall, Usman Haque, N. Katherine Hayles, Caroline Jones, Stephen Jones, Christian Katti, Bruno Latour, Mary Louise Lobsinger, James Lovelock, Niklas Luhmann, Humberto Maturana, Donella H. Meadows, William J. Mitchell, Gordon Pask, Nick Prior, Francisco Varela, Heinz von Foerster, Michael Weinstock, Norbert Wiener

artificial intelligence --- Aesthetics of art --- hedendaagse kunst --- Philosophy and psychology of culture --- systems [equipment] --- kunstprojecten --- cybernetic art --- Art --- interactive art --- anno 1900-1999 --- Arts, Modern --- System theory. --- Philosophy --- Philosophy. --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- 7.038 --- Kunsttheorie ; systeemtheorie en kunst in de 20ste eeuw --- Kunstgeschiedenis ; 1950 - 2000 --- System theory --- Esthétique --- Technologie --- Technologie et art --- Cybernétique --- Intelligence artificielle --- Cultuurfilosofie. Cultuurpsychologie --- Kunstesthetica --- Kunst --- cybernetische kunst --- kunstmatige intelligentie --- systemen --- interactieve kunst --- systeemtheorie --- cybernetica --- epistemologie --- kennisleer --- mediatheorie --- mediakunde --- information design --- informatiedesign --- informatie --- kunst --- 130.2 --- 7.039 --- 7.038/039 --- cultuurfilosofie --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- KI (kunstmatige intelligentie) --- projects [artistic concepts] --- AI (artificiële intelligentie)