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Boltanski, Christian --- kunst --- twintigste eeuw --- Frankrijk --- Boltanski Christian --- kunst en politiek --- woord en beeld --- installaties --- Exhibitions
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kunst --- kunsttheorie --- cultuursociologie --- kunst en sociologie --- Kunst en politiek --- kunst en openbare ruimte --- mythes --- 7.01
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Painting --- art history --- easel paintings [paintings by form] --- Bruegel, Pieter [Elder] --- kunsthistorisch onderzoek --- kunst en politiek
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MOUSSA AG ASSARID, BADI, TEWA BARNOSA, SAM BERKSON, SERGE AIMÉ COULIBALY, SOULEYMANE BACHIR DIAGNE, BINTA DIAW, MUSTAFA EL-KATTAB, RAHIMA GAMBO, HINDOU OUMAROU IBRAHIM, MONIQUE ILBOUDO, ASMAA JAMA, MARYAM KAZEEM, BENAOUDA LEBDAI, NISRINE MBARKI, ACHILLE MBEMBE, YARA MEKAWEI, RADOUAN MRIZIGA, DOROTHÉE MUNYANEZA, AMY NIANG, TEMITAYO OGUNBIYI, BEN OKRI, BEYA OTHMANI, FELWINE SARR, ESTHER SEVERI, JONAS STAAL, MOHAMED SULAIMAN, WOLE TALABI
Philosophy and psychology of culture --- Art --- deserts --- kunst en politiek --- Sahara --- Sahel
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installations [visual works] --- art [fine art] --- Iconography --- Art --- Maor, Haim --- anno 1900-1999 --- Israel --- art [discipline] --- kunst en politiek
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Raymond Pettibon counts among his muses Henry James, Mickey Spillane, Marcel Proust, William Blake, and Samuel Beckett, and pours their mutual influence, along with a bucket of West-coast punk rock, into elegant, aggressive watercolor cartoons. This selection includes everything from city streets to alien-on-human sex, captioned, ìit went on for 20 minutes instead of the required 2 because there was a live feed back home. (www.amazon.fr)
Pettibon, Raymond --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- tekenkunst --- kunst en politiek --- Pettibon Raymond --- 741.071 PETTIBON
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The transformation of everyday and urban detritus is one of Chicago-based artist Theaster Gates’ (born 1973) fundamental artistic strategies. It is an approach that the works in this volume, some of which have been especially created for Kunsthaus Bregenz, encompassing sculptures and what are often large-scale installations, also adhere to. For the first time, elements of a collection that Edward J. Williams had assembled over many years and which Gates has titled Negrobilia, will be on public display. Williams’ aim was to remove these objects from the market and thus from any obvious visibility. Gates’ multilayered Black Archive and its critical engagement with political issues are addressed in a contribution by Romi Crawford, while Thomas D. Trummer focuses on expounding Gates’ artistic concept underlying the exhibition in Bregenz. Gates himself also provides a rumination on his own artistic practice.
politics --- Sculpture --- racial discrimination --- identity --- sculpture [visual works] --- installations [visual works] --- Gates, Theaster --- kunst en politiek --- social criticism
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kunst --- Libanon --- Groot-Brittannië --- lichamelijkheid --- kunst en politiek --- installaties --- Palestinië --- 7.071 HATOUM --- Hatoum Mona --- Exhibitions --- Hatoum, Mona
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Castillo Deball, Mariana ; Alves, Maria Thereza ; Hejduk, John ; Accardi, Carla ; La Rocca, Ketty ; Lai, Maria ; Ladik, Katalin ; Bratescu, Geta ; Galindo, Regina José
kunst --- kunst en politiek --- postkolonialisme --- kolonialisme --- Weil Simone --- Bottner Lorenza --- Maori --- Luxemburg Rosa --- 7.039 --- Documenta --- eenentwintigste eeuw --- Special issues
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art education --- kunstonderwijs --- cultuurfilosofie --- kunst --- Groot-Brittannië --- twintigste eeuw --- kunsttheorie --- woord en beeld --- politiek --- kunst en politiek --- 7.01
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