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#KVHA:Documentaire --- #KVHA:Media --- #KVHA:Film --- Documentary films --- History and criticism --- Documentaires --- Histoire et critique --- History and criticism. --- Films documentaires

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Documentary films --- #SBIB:023.AANKOOP --- #SBIB:309H1329 --- History and criticism. --- Films met een informatieve functie (met inbegrip van de documentaire film) --- History and criticism --- Films documentaires --- Histoire et critique

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Now brought completely up to date, the new edition of this classic work on documentary films and filmmaking surveys the history of the genre from 1895 to the present day. With the myriad social upheavals over the past decade, documentaries have enjoyed an international renaissance; here Barnouw considers the medium in the light of an entirely new political and social climate. He examines as well the latest filmmaking technology, and the effects that video cassettes and cable television are having on the production of documentaries. And like the previous editions, Documentary is filled with photographs, many of them rare, collected during the author's travels around the world. Covering the full course of the documentary from Louis Lumiere's first effort to recent landmark productions such as Shoah, this book makes the growing importance of a unique blend of art and reality accessible and understandable to all film lovers.

Documentary films --- History and criticism. --- 791.43(091) --- Film ; documentaires ; geschiedenis --- Filmkunst ; non-fictie --- 791.43.03 --- Filmkunst ; geschiedenis --- Filmstijlen --- 799.5 --- documentaires --- non-fictie --- filmgenres en -motieven, documentaire films --- 791.43.03 Filmstijlen --- Documentaires --- Histoire et critique --- History and criticism --- Films documentaires

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"This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle-a way of not only picturing the world but remaking it."

Nonfiction films --- Feminist films --- kunst --- film --- feminisme --- film en feminisme --- kunst en feminisme --- documentaire --- vrouwen --- activisme --- Ahwesh Peggy --- Akerman Chantal --- 791.43 --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Motion pictures --- Nonstory films --- History and criticism --- Films documentaires --- Cinéma et femmes. --- Femmes vidéastes. --- Réalisatrices de cinéma. --- History and criticism. --- Documentary films --- Women motion picture producers and directors --- Féminisme et cinéma --- Femmes vidéastes --- Catalogues d'exposition --- Féminisme --- Cinéma --- Philosophy and psychology of culture --- Film --- feminism --- documentary films --- documentary filmmakers --- cultuurkritiek --- documentary film --- Movies --- Art history --- Film directors --- Book --- Decolonization --- Documentaries --- Intersectionality --- Feminism and motion pictures. --- Feminist films. --- Femmes au cinéma. --- Femmes dans l'industrie cinématographique. --- Films autres que de fiction --- Films féministes --- Féminisme et cinéma. --- Nonfiction films. --- Productrices et réalisatrices de cinéma. --- SOCIAL SCIENCE / Feminism & Feminist Theory. --- Women in motion pictures. --- Women in the motion picture industry. --- Women motion picture producers and directors. --- filmmakers. --- Histoire et critique.

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What key concerns are reflected in documentaries produced in and about the United States? How have documentaries engaged with competing visions of US history, culture, politics, and national identity? This book examines how documentary films have contributed to the American public sphere - creating a kind of public space, serving as sites for community-building, public expression, and social innovation. Geiger focuses on how documentaries have been significant in forming ideas of the nation, both as an imagined space and a real place. Moving from the dawn of cinema to the present day, this is the first full-length study to focus on the extensive range and history of American non-fiction filmmaking. Combining comprehensive overviews with in-depth case studies, Geiger maps American documentary's intricate histories, examining the impact of pre- and early cinema, travelogues, the avant-garde, 1930s social documentary, propaganda, direct cinema, postmodernism, and 'new' documentary. Offering detailed close analyses and fresh insights, this book provides students and scholars with a stimulating guide to American documentary, reminding us of its important place in cinema history. Key Features * Historical overview of major documentary forms and practices in the USA * Case studies, including Nanook of the North, The Plow that Broke the Plains, Grey Gardens, and Fahrenheit 9/11 * Analysis of critical debates relating to filmic representations of reality

Documentary films --- National characteristics, American --- History. --- In motion pictures. --- United States --- Blacksmith Scene (Film) --- Blacksmith Scene (Motion picture) --- Buffalo Dance (Film) --- Buffalo Dance (Motion picture) --- Caractéristiques nationales américaines dans le cinéma --- Etats-Unis -- Au cinéma --- Etats-Unis au cinéma --- Fahrenheit 9/11 (Film) --- Fahrenheit 9/11 (Motion picture) --- Grey Gardens (Film) --- Grey Gardens (Motion picture) --- Grey gardens (Film) --- Manhatta (Film) --- Manhatta (Motion picture) --- Memphis Belle, The (Film) --- Memphis Belle, The (Motion picture) --- Mess Call (Film) --- Mess Call (Motion picture) --- Mess call (Film) --- Nanook of the North (Film) --- Nanook of the North (Motion picture) --- National characteristics [American ] in motion pictures --- Plow that Broke the Plains, The (Film) --- Plow that Broke the Plains, The (Motion picture) --- Tongues Untied (Film) --- Tongues Untied (Motion picture) --- United States -- In motion pictures --- United States in motion pictures --- Verenigde Staten -- In de film --- Verenigde Staten in de film --- Volkskarakters [Amerikaanse ] in de film --- film --- filmgeschiedenis --- Verenigde Staten --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- documentaire film --- Flaherty Robert --- Maysles Albert --- Maysles David --- film en propaganda --- experimentele film --- Léger Fernand --- Sheeler Charles --- Strand Paul --- Lorentz Pare --- Ivens Joris --- Capra Frank --- Steiner Ralph --- Van Dyke Willard --- Riefenstahl Leni --- Ford John --- Wyler William --- direct cinema --- Leacock Richard --- Pennebaker D.A. --- Wiseman Frederick --- Davis Peter --- Morris Robert --- Riggs Marlon T. --- McElwee Ross --- Moore Michael --- 791.43 --- National characteristics, American, in motion pictures. --- Documentaires --- Caractéristiques nationales américaines dans le cinéma --- History and criticism --- Histoire et critique --- Etats-Unis au cinéma --- National characteristics [American ] in literature --- Film --- National characteristics, American, in motion pictures --- Pennebaker D.A --- Riggs Marlon T --- Motion pictures --- Nonfiction films --- Nonstory films --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Actualities (Motion pictures) --- History and criticism. --- United States of America --- Films documentaires --- Caractère national américain --- Nationalisme --- États-Unis --- Caractère national américain --- États-Unis