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Body, Human (Philosophy) --- Subject (Philosophy) --- Perception (Philosophy)
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Current philosophies of art remain sadly dominated by visions of its end and lamentations of decline. Defining the very notions of art and the aesthetic as special products of Western modernity, they suggest that postmodern challenges to traditional high culture pose a devastating danger to art's future. Richard Shusterman's new book cuts through the seductive confusions of these views by tracing the earthy roots of aesthetic experience and showing how the recent flourishing of aesthetic forms outside modernity's sacralized realm of fine art evince the persistent presence of an artistic impulse far deeper and more durable than the modernist moment. Performing Live defends the abiding power of aesthetic experience by exploring its diverse roles, methods, and meanings, especially in fields marginal to traditional aesthetics but now most vibrantly alive in today's culture and new media. Ranging from rap, techno, and country music to cinema, cyberspace and urban design, Shusterman develops his radical theory of "somaesthetics," charting the complex network of bodily arts so prominent in contemporary life and self-styling. By blending concrete aesthetic analysis with insightful social critique, Shusterman, a well-known pragmatist philosopher, provides a rich menu and critical guide for today's pursuit of the art of living.
Aesthetics. --- Popular culture. --- Body, Human. --- Conduct of life. --- Human body.
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Elder examines how artists such as Brakhage, Artaud, Schneemann, Cohen and others have tried to recognize and to convey primordial forms of experiences. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.
Body, Human, in motion pictures. --- Experimental films --- Body, Human, in literature. --- History and criticism. --- Body, Human, in literature --- Human figure in literature --- Body, Human, in motion pictures --- Human body in literature. --- Human body in motion pictures. --- Motion pictures --- Body [Human ] in motion pictures --- History and criticism --- Body [Human ] in literature --- Human body in literature
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Political philosophy. Social philosophy --- Ethnology. Cultural anthropology --- #gsdbF --- 304 --- 316.1 --- Maatschappijvisies : antropologie --- Body, Human --- Symbolism --- Ritual --- Mythology --- Religious aspects --- Symbolism. --- Ritual. --- Mythology. --- Religious aspects.
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Cognitive psychology --- Human body (Philosophy) --- Mind and body --- Corps humain (Philosophie) --- Esprit et corps --- History --- Histoire --- Body, Human (Philosophy) --- Body image --- Body, Human (Philosophy) - History - 20th century. --- Body image - History - 20th century. --- Mind and body - History - 20th century. --- Corps humain --- Corps (philosophie) --- 20e siècle
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Body, Human --- Body, Human. --- Human body --- Human body. --- Human physiology. --- Medical anthropology. --- Physical anthropology. --- Social aspects. --- #SBIB:39A9 --- #SBIB:39A5 --- Medical care --- Medicine --- Anthropology --- Biological anthropology --- Somatology --- Human biology --- Medical sciences --- Physiology --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Medische antropologie / gezondheid / handicaps --- Kunst, habitat, materiële cultuur en ontspanning --- Anthropological aspects --- Medical anthropology --- Physical anthropology --- Social aspects
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Women explode out of chimneys and melt when sprayed with soda water. Feminist activists play practical jokes to lobby for voting rights, while overworked kitchen maids dismember their limbs to finish their chores on time. In early slapstick films with titles such as Saucy Sue, Mary Jane's Mishap, Jane on Strike, and The Consequences of Feminism, comediennes exhibit the tensions between joyful laughter and gendered violence. Slapstick comedy often celebrates the exaggeration of make-believe injury. Unlike male clowns, however, these comic actresses use slapstick antics as forms of feminist protest. They spontaneously combust while doing housework, disappear and reappear when sexually assaulted, or transform into men by eating magic seeds-and their absurd metamorphoses evoke the real-life predicaments of female identity in a changing modern world.Specters of Slapstick and Silent Film Comediennes reveals the gender politics of comedy and the comedic potentials of feminism through close consideration of hundreds of silent films. As Maggie Hennefeld argues, comedienne catastrophes provide disturbing but suggestive images for comprehending gendered social upheavals in the early twentieth century. At the same time, slapstick comediennes were crucial to the emergence of film language. Women's flexible physicality offered filmmakers blank slates for experimenting with the visual and social potentials of cinema. Specters of Slapstick and Silent Film Comediennes poses major challenges to the foundations of our ideas about slapstick comedy and film history, showing how this combustible genre blows open age-old debates about laughter, society, and gender politics.
Comedy films --- Silent films --- Women comedians. --- Women in motion pictures. --- Human body in motion pictures. --- Sex role in motion pictures. --- Motion pictures --- Body, Human, in motion pictures --- Comediennes --- Actresses --- Comedians --- History and criticism. --- Silent films. --- History and criticism
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"In Closer, Susan Kozel draws on live performance practice, digital technologies, and the philosophical approach of phenomenology. Trained in dance and philosophy, Kozel places the human body at the center of explorations of interactive interfaces, responsive systems, and affective computing, asking what can be discovered as we become closer to our computers - as they become extensions of our ways of thinking, moving, and touching." "Performance, Kozel argues, can act as a catalyst for understanding wider social and cultural uses of digital technology. Taking this one step further, performative acts of sharing the body through our digital devices foster a collaborative construction of new physical states, levels of conscious awareness, and even ethics. We reencounter ourselves and others through our interactive computer systems. What we need now are conceptual and methodological frameworks to reflect this."--Jacket.
Philosophical anthropology --- Artificial intelligence. Robotics. Simulation. Graphics --- Theatrical science --- Theory of knowledge --- Act (Philosophy). --- Body, Human (Philosophy) --- Human body (Philosophy). --- Human-computer interaction. --- Phenomenology. --- Electronic books. -- local. --- Phenomenology --- Human-computer interaction --- Human body (Philosophy) --- Act (Philosophy) --- Philosophy & Religion --- Philosophy --- Body, Human (Philosophy). --- #SBIB:309H1720 --- Action (Philosophy) --- Agent (Philosophy) --- Computer-human interaction --- Human factors in computing systems --- Interaction, Human-computer --- Human engineering --- User-centered system design --- User interfaces (Computer systems) --- Philosophy, Modern --- Informatiekunde, informatie management
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Applied arts. Arts and crafts --- Sociology of culture --- Fashion --- -Costume --- -Body, Human --- -#SBIB:011.AANKOOP --- #SBIB:309H53 --- #SBIB:309H040 --- #SBIB:316.7C140 --- Body, Human --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theater --- Theatrical costume --- Decorative arts --- Clothing and dress --- Style in dress --- Social aspects --- Niet-verbale communicatie --- Populaire cultuur algemeen --- Cultuursociologie: cultuur en globale samenlevingen --- Costume --- Human body --- Social aspects. --- #SBIB:011.AANKOOP --- Society and clothing --- Gender --- History --- Identity --- Body --- Sexuality --- Theory --- Book
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Film --- 82:791.43 --- Literatuur en film --- Human body in motion pictures. --- Motion picture audiences --- Motion pictures --- Psychology. --- Psychological aspects. --- 82:791.43 Literatuur en film --- Human body in motion pictures --- Body, Human, in motion pictures --- Psychology --- Psychological aspects --- film --- erotiek --- 791.41 --- tastzin --- psychologie --- lichamelijkheid --- receptie-esthetica --- fenomenologie --- filmtheorie
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