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Painting --- Film --- Sémiotique et cinéma --- Art et cinéma --- Peinture et cinéma --- Cinéma --- Esthétique

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The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years' worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with the movement known as American Independent Cinema. This volume includes the first critical essay on Marcel Duchamp's film Anemic Cinema, the first investigation into Joseph Cornell's filmic practices, and the first major explorations of Michael Snow. It offers an important essay on Maya Deren, whose work was central to that era of renewal and reinvention, seminal critiques of Stan Brakhage, Hollis Frampton, and Harry Smith, and overviews of Independent Cinema. Gathered here for the first time, these texts demonstrate Michelson's pervasive influence as a writer and thinker and her role in the establishment of cinema studies as an academic field. The postwar generation of Independents worked to develop radically new terms, techniques, and strategies of production and distribution. Michelson shows that the fresh new forms they created from the legacy of Modernism became the basis of new forms of spectatorship and cinematic pleasure.

Motion pictures. --- Art and motion pictures. --- Cinéma --- Art et cinéma --- film --- filmtheorie --- filmgeschiedenis --- Verenigde Staten --- experimentele film --- Duchamp Marcel --- Cornell Joseph --- Snow Michael --- Brakhage Stan --- Frampton Hollis --- Smith Harry --- 791.41 --- Motion pictures --- Cinéma --- Art et cinéma --- Film --- Art and motion pictures --- Cinéma. --- Art et cinéma.

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In this thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space―a screen of vital cultural memory―has come to shape our visual culture. Taking on the central topic of museum culture, Bruno leads the reader on a series of architectural promenades from modernity to our times. Through these "museum walks," she demonstrates how artistic collection has become a culture of recollection, and examines the public space of the pavilion as reinvented in the moving-image art installation of Turner Prize nominees Jane and Louise Wilson. Investigating the intersection of science and art, Bruno looks at our cultural obsession with techniques of imaging and its effect on the privacy of bodies and space. She finds in the work of artist Rebecca Horn a notable combination of the artistic and the scientific that creates an architecture of public intimacy. Considering the role of architecture in contemporary art that refashions our "lived space"―and the work of contemporary artists including Rachel Whiteread, Mona Hatoum, and Guillermo Kuitca―Bruno argues that architecture is used to define the frame of memory, the border of public and private space, and the permeability of exterior and interior space. Architecture, Bruno contends, is not merely a matter of space, but an art of time.

architectuur --- film [performing arts] --- Film --- art [fine art] --- film --- Architecture --- kunst --- architecture [discipline] --- Art and architecture. --- Art and motion pictures. --- Art et architecture --- Art et cinéma --- Art et cinéma --- Art and architecture --- Art and motion pictures --- Art and moving-pictures --- Motion pictures and art --- Motion pictures --- Architecture and art --- Art --- art [discipline] --- film [discipline]

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Sculpture --- Broodthaers, Marcel --- motion pictures [visual works] --- Film --- art [fine art] --- Art --- anno 1900-1999 --- Belgium --- Motion pictures --- Art and motion pictures --- Cinéma --- Art et cinéma --- Exhibitions. --- Expositions --- Artiste --- 20e siècle --- Marcel Broodthaers 1924-1976 (°Brussel) --- Beeldende kunst ; filmkunst ; 2de h. 20ste eeuw ; Marcel Broodthaers --- Catalogues raisonnés* --- Belgische kunstenaars --- 7.07 --- (069) --- 791.43.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties) --- Filmregisseurs, acteurs, filmografen --- Cinéma --- Art et cinéma --- art [discipline]

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Aujourd'hui, alors que le cinéma, porté par la révolution numérique, migre des salles de cinéma vers les espaces d'exposition, il devient possible, sinon nécessaire, de reconsidérer son histoire d'un point de vue élargi (et de renouer ainsi avec sa préhistoire), dans ses interactions et ses prolongements avec l'ensemble des arts visuels et plastiques - c'est-à-dire de repenser le cinéma du point de vue de l'histoire de l'art et dans le cadre histoire générale des représentations, et non plus simplement du point de vue restreint de l'histoire du cinéma. Extrait du site "http://www.centrepompidou.fr/Pompidou"

Art, Modern --- Video art --- Motion pictures --- Art and motion pictures --- Art --- Art vidéo --- Cinéma --- Art et cinéma --- Exhibitions --- Exhibitions. --- Expositions --- Musée national d'art moderne/Centre de création industrielle (France) --- Sémiologie de l'image --- Traitement de l'image --- Musée national d'art moderne/Centre de création industrielle (France) --- [commissaire de l'exposition Philippe-Alain Michaud] --- kunst --- film --- installaties --- kunst en film --- cinema --- experimentele film --- beweging --- projecties --- fotografie --- schilderkunst --- collages --- montage --- twintigste eeuw --- Nauman Bruce --- 7.036 --- 791.43 --- Art vidéo --- Cinéma --- Art et cinéma --- Art and moving-pictures --- Motion pictures and art --- France. --- MNAM-CCI --- Kokuritsu Kindai Bijutsukan/Sangyō Sōzō Sentā (France) --- Centre Georges Pompidou. --- Musée national d'art moderne (France) --- Centre de création industrielle --- 7.048.3 --- Iconografie ; licht, beweging, kleur --- Kunst en beweging --- Art, Modern - 20th century - Exhibitions --- Video art - Exhibitions --- Motion pictures - Exhibitions --- Art and motion pictures - Exhibitions --- Mouvement --- Cinéma expérimental --- Art cinétique --- Dans l'art --- 1990-....