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Uit deze dichterlijke fascinatie voor het doek ontstond dit schitterende geschenkboek, waarin meer dan 80 schilderijen een plaats vinden naast ruim 120 gedichten. Om oeverloos te genieten van poëzie en schilderkunst. Angelico, Fra ; Appel, Karel ; Bacon, Francis ; Balthus ; Blake, William ; Bosch, Hieronymus ; Bouts, Dirk ; De Braekeleer, Henri ; Broodthaers, Marcel ; Burssens, Jan ; Chagall, Marc ; Clouet, François ; Cranach, Lucas ; Delvaux, Paul ; Duchamp, Marcel ; Dürer, Albrecht ; Ensor, James ; Ernst, Max ; Gauguin, Paul ; Gericault, Théodore ; Giacometti, Alberto ; Goes, Hugo Van der ; van Gogh, Vincent ; Goya ; De Hooch, Pieter ; Hopper, Edward ; Jespers, Floris ; Khnopff, Fernand ; Klee, Paul ; Klimt, Gustav ; Koch, Pyke ; Magritte, René ; Mara, Pol ; Marc, Franz ; Matisse, Henri ; Miro, Joan ; Mondriaan, Piet ; Monet, Claude ; Munch, Edvard ; Peire, Luc ; Permeke, Constant ; Picasso, Pablo ; Pourbus, Pieter ; Renoir, Auguste ; Rossetti, Dante Gabriel ; Rousseau, Henri ; van Ruisdael, Jacob ; Van Rysselberghe, Theo ; Saenredam, Pieter ; Schiele, Egon ; Slabbinck, Rik ; Spilliaert, Léon ; Stuck, Franz von ; Velázquez, Diego ; Leonardo

Painting --- Dutch literature --- paintings [visual works] --- poems --- Peinture --- Schilderkunst --- Art and literature --- Art, European --- Dutch poetry --- -Themes, motives --- poëzie --- literatuur --- Art, European. --- Art and literature. --- Themes, motives. --- Dutch poetry - 20th century - Themes, motives.

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All his life, the Belgian literary genius Hugo Claus was also a passionate and prolific painter and draughtsman, and a member of the Cobra group. He destroyed many of his drawings and paintings, but some three hundred works spanning a period of fifty years have survived. Many of them are illustrated in this sumptuous catalogue with essays by Jef Lambrecht, Rudi Fuchs and Remco Campert to accompany the major retrospective of this consummate artist in Muzee, Ostend. Exhibition: Muzee, Ostend, Belgium (21 Sept., 2013-5 Jan., 2014)

Drawing --- Painting --- Claus, Hugo --- Claus, Hugo, --- Exhibitions --- Painting [Belgian ] --- 20th century --- Art and literature --- Claus, Hugo, - 1929-2008 --- Claus, Hugo, - 1929-2008 - Exhibitions

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South African artist William Kentridge draws on varied sources in his work, including philosophy, literature, early cinema, theatre and opera. This publication began life as a film constructed from a succession of drawings made in 2013 on the pages of old books; a second-hand reading in which books are translated into a filming of books, articulating the relationship between drawing, photography and film-making. It is both a narrative and an acknowledgement of the necessity of repetition, inconsistency and the illogical. Kentridge has made many flip books, but at 800 pages this is his most ambitious. He has also been making animated films for two decades.0.

Kentridge, William --- Art and literature. --- 7.07 --- 741.07 --- 75.07 --- 741.039 --- Tekeningen in een oude encyclopedie ; 2014 ; W. Kentridge --- Kunst en tekst --- Beeld en woord ; beeld en tekst --- Kunstenaarsboeken --- Livres d'artistes --- Artists Books --- Kentridge, William °1955 (°Johannesburg, Zuid-Afrika) --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Tekenkunst ; tekenkunstenaars A - Z --- Schilderkunst ; schilders --- Tekenkunst ; 2000 - 2050 --- Kentridge, William, --- Art and literature

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Traditionally, texts and images have been discussed together on the assumption that they are 'sister arts', but in Reading Iconotexts Peter Wagner pushes beyond the word-image opposition in a radical attempt to break down the barriers between literature and art. He sets out here the new approach he has identified for dealing with the 'iconotext' - a genre in which neither image nor text is free from the other. Examples include Swift's Gulliver's Travels, a number of William Hogarth's best-known engravings, and a sample of the so-called 'obscene' propaganda prints that were published during the French Revolution. Throughout, the author argues for the importance of seeing text and image as mutually interdependent in the ways they establish meaning. It becomes clear in the course of Wagner's exposition that one cannot study prints without taking into account their accompanying inscriptions; whilst illustrated books contain two kinds of 'text' - one verbal, one visual - that are invariably at odds with one another. Drawing on theories of intertextuality and semiotics as developed by Barthes and Kristeva, as well as post-structuralist studies by Derrida, Foucault and others, Reading Iconotexts treats pictures as encoded visual discourse and illustrations in books as counter-discourse. The author's persuasively argued polemic in favour of recognising the 'iconotext' as a viable advance in methodology is an important contribution to current debates on word and image.

Art and literature. --- Iconografie. --- Tekstinterpretatie. --- Prenten. --- Illustration --- Semantik --- Geschichte 1726-1790. --- Bildergeschichte --- Literatur --- Geschichte 1700-1789. --- Ironie (rhétorique) --- Dessin --- Gravure --- Illustration des livres --- Dans la littérature. --- Dans l'art. --- Hogarth, William --- Hogarth, William, --- Englisch --- Illustration. --- Semantik. --- Bildergeschichte. --- Literatur. --- Hogarth, William. --- Englisch.

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Art and literature --- Conceptual art --- Surrealism --- Surrealist artists --- Art et littérature --- Art conceptuel --- Surréalisme --- Surréalistes --- Exhibitions --- Expositions --- Réseaux sociaux --- Magritte, René, --- Broodthaers, Marcel --- Magritte, René --- Art et littérature --- Surréalisme --- Surréalistes --- Réseaux sociaux --- Magritte, René, --- Exhibitions. --- Magritte, René