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Dance's galvanizing and transformative presence in art and theory over the last decade becomes part of a broader investigation of its dialogue with modernism's legacies. This collection surveys the choreographic turn in the artistic imagination from the 1950s onwards, and in doing so outlines the philosophies of movement instrumental to the development of experimental dance. By introducing and discussing the concepts of embodiment and corporeality, choreopolitics, and the notion of dance in an expanded field, Dance establishes the aesthetics and politics of dance as a major impetus in contemporary culture. It offers testimonies and writings by influential visual artists whose work has taken inspiration from dance and choreography. Dance because of its ephemerality, corporeality, precariousness, scoring, and performativity is arguably the art form that most clearly engages the politics of aesthetics in contemporary culture. Dance's ephemerality suggests the possibility of an escape from the regimes of commodification and fetishization in the arts. Its corporeality can embody critiques of representation inscribed in bodies and subjects. Its precariousness underlines the fragility of contemporary states of being. Scoring links it with conceptual art, as language becomes the articulator for possible as well as impossible modes of action. Finally, because dance always establishes a contract, or promise, between its choreographic planning and its actualization in movement, it reveals an essential performativity in its aesthetic project—a central concern for both art and critical thought in our time.

Art --- choreography --- art theory --- art [fine art] --- dances [performance events] --- Rainer, Yvonne --- Stuart, Meg --- Butcher, Rosemary --- Sehgal, Tino --- Jones, Bill T. --- Forti, Simone --- Oiticica, Hélio --- Cunningham, Merce --- Pape, Lygia --- La Ribot --- Jonas, Joan --- Halprin, Anna --- Hijikata, Tatsumi --- Fabre, Jan --- Piper, Adrian --- Plisková, Nadezda --- Paxton, Steve --- Abramovic, Marina --- Brown, Trisha --- Bausch, Pina --- Forsythe, William --- Charmatz, Boris --- Lemon, Ralph --- Le Roy, Xavier --- Cage, John --- anno 2000-2009 --- anno 1900-1999 --- Art and dance. --- Dance. --- Modern dance. --- Choreography. --- Movement, Aesthetics of. --- Art et danse --- Danse --- Danse moderne --- Chorégraphie --- Mouvement, Esthétique du --- Art and dance --- Dance --- Modern dance --- Choreography --- Movement, Aesthetics of --- Mouvement (esthétique) --- 7.049 --- Beeldende kunst ; dans in de hedendaagse kunst --- Thema's in de kunst ; dans ; choreografie --- Beeldende kunst ; 20ste en 21ste eeuw --- Aesthetics --- Movement, Psychology of --- Rhythm --- Interpretive dancing --- Modern dancing --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Art and dancing --- Dance and art --- Iconografie ; verschillende onderwerpen --- Chorégraphie --- Mouvement, Esthétique du --- Iconographie --- Art contemporain --- Performance --- Processus de création --- Création artistique --- Art éphemère --- Happening --- Corps, thème --- Art militant --- Art et politique --- kunst --- 130.2 --- kunst en dans --- 7.039 --- 7.01 --- 792 --- danstheorie --- economie --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- dans --- Art et danse. --- Danse moderne. --- Chorégraphie. --- Roy, Le, Xavier --- Corps humain, thème --- Plíšková, Naděžda --- 793.01 --- Dans ; theorie, filosofie, esthetica --- art [discipline] --- Activité motrice --- Performance-art --- Arts du spectacle --- Chorégraphie. --- Mouvement (esthétique)