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The Paris Salons of the mid-nineteenth century are famous today above all for the paintings that were rejected more than for those that were actually shown. The rejected works form today's canon of art history and are regarded as heralds of a modern age. This book looks to reassess the other side of the art history of the nineteenth century. Salon Painting has often been dismissed as overly academic or staid. Now art historian Norbert Wolf turns back the pages of history as he reintroduces readers to the artistry and excellence of the Salon Painting in Europe, Britain, Russia and the US. In an opulent new book, illustrated throughout with gorgeous reproductions, Wolf looks at Salon painting from a variety of perspectives, such as the rise of the bourgeoisie and Paris's position as Europe's cultural capitol. Wolf examines masterpieces by Cabanel, Manet, Bierstadt, The Pre-Raphaelites, and Sargent, demonstrating how classical subjects gave way to modern concerns.

Salons --- academisme --- Wereldtentoonstellingen --- 19de eeuw --- Målarkonst --- Painting, Modern --- Painting, Modern. --- Salongskultur. --- Salons. --- Historia. --- History --- 1800-1899. --- 1800-talet. --- Painting --- anno 1800-1899 --- academisme. --- Wereldtentoonstellingen. --- 19de eeuw. --- Aparicio, José.

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"Je crois sincèrement que la meilleure critique est celle qui est amusante et poétique non pas celle-ci, froide et algébrique, qui, sous prétexte de tout expliquer, n'a ni haine ni amour, et se dépouille volontairement de toute espèce de tempérament mais, - un beau tableau étant la nature réfléchie par un artiste, - celle qui sera ce tableau réfléchi par un esprit intelligent et sensible. Pour être juste, c'est-à-dire pour avir sa raisn d'être, la critique doit être partiale, passionnée, politique, c'est-à-dire faite à un point de vue exclusif, mais au point de vue qui ouvre le plus d'horizons." Baudelaire, ainsi, est tout entier présent dans ces Ecrits sur l'art qui sont l'autre versant de son oeuvre et, en effet, selon son voeu, ouvrent bien plus d'horizons. Car dans ces pages écrites de 1845 à ses dernières années, ce n'est pas seulement le critique d'art des salons que l'on découvre, mais le théoricien du romantisme et de l'imagination, du beau et du comique dans l'art, et finalement l'écrivain de cette modernité.

Modernité --- Romantisme --- Ecrivain --- Théorie de l'art --- Poète --- Ecrit théorique --- Analyse de l'art --- Baudelaire, Charles --- Salons artistiques --- Art --- France --- 19e siècle

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Art --- anno 1800-1899 --- France --- Art museums --- Painters --- Painting. --- Painting, Belgian --- Painting, French --- Painting, Modern --- Biography. --- Salons 1815 - 1848 --- repertorium --- 1815 - 1848 --- 19de eeuw --- Noord-Frankrijk --- België --- Painting --- Biography --- Dictionaries --- % 9611AR --- 75 <44> --- -Painters --- -Painting --- -Painting, French --- -Painting, Modern --- -Modern painting --- Paintings, Modern --- French painting --- Paintings, French --- Groupe Finistère (Group of artists) --- Belgian painting --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Artists --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Schilderkunst--Frankrijk --- Galleries and museums --- -Schilderkunst--Frankrijk --- 75 <44> Schilderkunst--Frankrijk --- Exhibitions --- -Oil painting --- Modern painting --- 75.035 --- CDL --- Salons (Frankrijk) --- Art museums - France - Nord-Pas-de-Calais - Exhibitions. --- Painters - Biography - Dictionaries --- Painting - Exhibitions --- Painting, Belgian - 19th century - Exhibitions. --- Painting, French - 19th century - Exhibitions. --- Painting, Modern - 19th century - Exhibitions --- Salons (Frankrijk). --- 1815 - 1848. --- 19de eeuw. --- Noord-Frankrijk. --- België.

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061.41 --- 061.41 Wereldtentoonstellingen --- Wereldtentoonstellingen --- Multidisciplinary organizations --- Salons professionnels --- Exhibitions --- Trade shows --- Industrial exhibitions --- Technology --- Trade expositions --- Trade fairs --- Fairs --- Exhibits --- Expos (Exhibitions) --- Expositions --- Industrial arts --- International exhibitions --- World's fairs --- Sales promotion --- History --- anno 1800-1999 --- anno 2000-2009 --- Histoire --- world's fairs --- world's fairs [exhibitions]

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Braque, Georges ; Camoin, Charles ; Cézanne, Paul ; Derain, André ; van Dongen, Kees ; Dufy, Raoul ; Friesz, Émile Othon ; Gauguin, Paul ; van Gogh, Vincent ; Heckel, Erich ; von Jawlensky, Alexej ; Kadinsky, Wassily ; Kirchner, Ernst Ludwig ; Macke, August ; Manguin, Henri ; Marc, Franz ; Marquet, Albert ; Nolde, Emil et al.

expressionisme. --- fauvisme. --- kleuren. --- vrouw. --- modellen (persoon). --- naakt. --- Die Brücke. --- Munch, Edvard. --- Matisse, Henri. --- Marc, Franz. --- Macke, August. --- Munch, Edvard --- Matisse, Henri --- expressionisme --- fauvisme --- kleuren --- vrouw --- modellen (persoon) --- naakt --- Die Brücke --- Marc, Franz --- Macke, August --- Die Brücke (1905-1913). --- Société Nationale des Beaux-Arts (Parijs). --- tentoonstelling Parijs (1894). --- Salon van Parijs (1894). --- Salons de la Société Nationale des Beaux-Arts (Parijs). --- 19de eeuw.