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Art --- anno 1900-1999 --- Art, Modern --- Art brut --- 72.049 --- Architectuur en kunst ; literatuur ; poëzie --- Tentoonstellingscatalogi ; Rijsel ; LaM ; Lille Métropole Musée d'art moderne, d'art contemporain et d'art brut --- Art Brut --- Outsider Art --- Wilson, Ian --- Walther, Franz Erhard --- Walser, Robert --- Kerouac, Jack --- Deligny, Fernand --- Van Genk, Willem --- Michaux, Henri --- Reimann, Helene --- Rizzoli, A.G. --- Facteur Cheval --- Cheval, Ferdinand --- Hubard, Séverine --- Ehrmann, Gilles --- Prévost, Claude en Clovis --- Follies --- Absalon --- Architectuur ; verschillende onderwerpen --- Exhibitions --- Exhibitions. --- Expositions --- Rizzoli, A.G --- Brut, Art --- Psychiatric art --- Psychotic art --- Raw art --- 7.036 --- 7.036 Moderne kunststijlen --- Moderne kunststijlen --- Art - 20e siècle - Exposition

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Pane, Gina, --- Pane, Gina --- Art --- paintings [visual works] --- drawings [visual works] --- found objects --- installations [visual works] --- body art [visual works, performance] --- Conceptual

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Allouche, Dove

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Certain to become the definitive book on Noguchi's multidisciplinary career, this publication accompanies the first major touring European exhibition on the Japanese-American artist in twenty years, which will travel from London's Barbican Art Gallery to Cologne's Museum Ludwig and the Zentrum Paul Klee in Bern. It encompasses the entirety of the artist's work in sculpture, ceramics, photography, architecture, design, as well as his playscapes, gardens and stage sets for modern dance and theatre performance. This survey explores his creative process and lesser-known aspects of his practice, his engagement with a wide range of mediums and cultures, and his innovative achievements over six decades. Brimming with stunning imagery and contributions from an international range of authors, this book helps readers grasp the diversity and patterns of Noguchi's work both in situ and in galleries. Archival photographs of the artist's studios offer glimpses into his experimental attitude towards sculpture. Themes of harmony and dissonance, which were central to Noguchi's practice, are explored in a series of essays that consider the artist's dual heritage, the Japanese American experience, his worldwide travel and his many influences. The book examines the cultural diversity of Noguchi's practice as he addresses themes such as identity, history, and politics. It also pays tribute to Noguchi's fruitful collaborations with creatives from a range of industries, such as R. Buckminster Fuller, Martha Graham and Louis Kahn. Throughout the monograph Noguchi's own words provide a critical backdrop towards understanding an artist who embraced many schools of thought, and whose entire life and career set an example for partnership and cooperation across artistic, political and cultural boundaries.

Art --- photographs --- sculpture [visual works] --- earthworks [sculpture] --- politics --- harmony [artistic concept] --- public art --- flats [theater elements] --- studio ceramics --- gardens [open spaces] --- identity --- interactive art --- monumental sculpture --- Noguchi, Isamu --- Beeldhouwkunst ; meubelbeeldhouwkunst ; pseudo-meubelen --- Beelden buiten ; beeldhouwkunst in de publieke ruimte --- Architectuur ; scenografie ; design --- Speeltuigen ; Meubels voor kinderen --- Buckminster Fuller, Richard 1895-1983 (°Milton, Massachusetts, Verenigde Staten) --- Beeldhouwkunst ; 20ste eeuw ; Isamu Noguchi en tijdgenoten --- Isamu Noguchi 1904-1988 (° Los Angeles, Cal., VS) --- 73.07 --- Beeldhouwkunst ; beeldhouwers A - Z --- Noguchi, Isamu 1904-1988 (°Los Angeles, Verenigde Staten)