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In this volume, Thierry Lenain charts the changing status of art forgery from the time of its appearance in the Renaissance--when it was initially hailed as a true artistic feat--to its condemnation as the art crime par excellence. Rather than suggesting new methods of detection, it offers a genealogy of faking, along with an examination of the anxious, even neurotic reactions triggered in the modern world by its occurrence

History of civilization --- Art --- Criminology. Victimology --- Pictures --- Illustrations, images, etc. --- Forgeries --- History. --- Copying --- History --- Expertising. --- Faux --- Histoire --- Reproduction --- Expertise --- 7.061 --- Etische aspecten van de kunst: vervalsingen; imitaties; plagiaat; namaak --- Vervalsing. --- Vervalsing / gtt. --- Kunstfälschung. --- Geschichte 1800-2000. --- 7.061 Etische aspecten van de kunst: vervalsingen; imitaties; plagiaat; namaak