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Un livre qui produit des expériences sensorielles tout en faisant ressortir le concept d'expérience lui-même en tant que sujet de critique et objet de contemplation. Experience offre une expérience de lecture incomparable. Une couverture thermosensible d’Olafur Eliasson révèle des mots, des couleurs et un dessin lorsque vous la touchez à la main. Les pages de garde conçues par Carsten Höller sont imprimées à l’encre contenant des quantités soigneusement calibrées de phéromones humaines synthétisées, estratétraénol et androstadiénone, évoquant la suggestibilité du désir humain. Les marges et les bords du livre sont conçus par Tauba Auerbach dans des couleurs complémentaires qui créent un effet de décalage dynamique lorsque le livre est déplacé ou fermé. Lorsque le livre est ouvert, des signets se détachent du centre-ville, sortant des impressions en toile d'araignée de Tomás Saraceno. L’expérience produit de l’expérience en mettant en évidence le concept lui-même en tant qu’objet de contemplation. L'expérience sensorielle du livre en tant qu'objet physique résonne avec l'expérience intellectuelle du livre en tant que contenant d'idées. Experience met en contact des artistes, musiciens, philosophes, anthropologues, historiens et neuroscientifiques, chacun explorant des aspects de l'expérience des domaines sensoriel et culturel. Les textes comprennent de nouveaux essais écrits pour ce volume et des textes classiques écrits par des personnalités telles que William James et Michel Foucault. La première publication du Centre pour l'art, la science et la technologie du MIT, Experience, aborde le sujet selon plusieurs modes. Conception de la publication de Kimberly Varella avec Becca Lofchie, Studio de conception d'objets de contenu. Concept de couverture par Olafur Eliasson en collaboration avec Kimberly Varella (Objet de contenu). Collaborateurs Tauba Auerbach, Bevil Conway, John Dewey, Olafur Eliasson, Michel Foucault, Adam Frank, Vittorio Gallese, Renée Green, Stefan Helmreich, Carsten Höller, Edmund Husserl, William James, Caroline A. Jones, Douglas Kahn, Douglas Kahn, Brian Kane, Leah Kelly , Bruno Latour, Alvin Lucier, David Mather, Mara Mills, Alva Noë, Jacques Rancière, Michael Rossi, Tomás Saraceno, Natasha Schüll, Joan W.Scott, Tino Sehgal, Alma Steingart, Josh Tenenbaum, Rebecca Uchill. Experience offers a reading experience like no other. A heat-sensitive cover by Olafur Eliasson reveals words, colors, and a drawing when touched by human hands. Endpapers designed by Carsten Holler are printed in ink containing carefully calibrated quantities of the synthesized human pheromones estratetraenol and androstadienone, evoking the suggestibility of human desire. The margins and edges of the book are designed by Tauba Auerbach in complementary colors that create a dynamically shifting effect when the book is shifted or closed. When the book is opened, bookmarks cascade from the center, emerging from spider web prints by Tomas Saraceno. Experience produces experience while bringing the concept itself into relief as an object of contemplation. The sensory experience of the book as a physical object resonates with the intellectual experience of the book as a container of ideas. Experience convenes a conversation with artists, musicians, philosophers, anthropologists, historians, and neuroscientists, each of whom explores aspects of sensorial and cultural realms of experience. The texts include new essays written for this volume and classic texts by such figures as William James and Michel Foucault -- Provided by the publisher.

Experience --- Senses and sensation --- Art and popular culture --- Art --- Artists' books --- Livre d'artiste --- Perception --- Perception de l'art --- Sociologie de la culture --- Esthétique --- Livre-objet --- Philosophy --- Art - Philosophy

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Artists and writers reconsider the relationship between the body and electronic technology in the twenty-first century through essays, artworks, and an encyclopedic "Abecedarius of the New Sensorium."The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in Sensorium―which accompanies an exhibition at the MIT List Visual Arts Center―captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of Sensorium, scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.

82:7 --- 7.02 --- 7.039 --- 7.01 --- (069) --- Kunst en technologie --- Lichaam en technologie --- Technologie en sociologie --- Briand, Mathieu --- Cardiff, Janet & George Bures Miller --- Sadr Haghighian, Natascha --- Ikeda, Ryoji --- Jankowski, Christian --- Nauman, Bruce --- Roche, François en R&Sie(n) --- Sala, Anri --- Tolaas, Sissel --- Beeldende kunst 2000-2006 --- 82:7 Literatuur en kunst --- Literatuur en kunst --- Kunst technieken --- Kunstgeschiedenis 2000 - 2050 --- Kunst theorie, filosofie, esthetica --- (Musea. Collecties) --- Exhibitions --- Beeldende kunst ; 2000-2006 --- Kunst ; technieken --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst ; theorie, filosofie, esthetica --- Art and technology --- Art, Modern --- Technology --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Technology and art --- Social aspects --- History --- Art and technology. --- Perception sensible --- Technologie --- Cybernétique --- Art et technologie --- Sciences et arts