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Gioiello della narrativa breve rinascimentale, capostipite del racconto moresco e uno dei maggiori esempî di "maurofilia" letteraria, "El Abencerraje y la hermosa Xarifa" è una novella di stile italianeggiante, ambientata sulla frontiera quattrocentesca tra i regni cristiani e quello di Granada: si racconta una vicenda di elevato tenore morale, venata di stoicismo e di senechismo: il giovane moro Abindarráez, appartenente alla nobile e infelice famiglia granadina degli Abencerrajes, va a trovare l'amata Xarifa per unirsi a lei in matrimonio, ma nel viaggio è catturato dal famoso castellano Rodrigo de Narváez, il quale però, udita la sua storia, lo lascia temporaneamente libero d'andare a sposarsi, vincolandolo alla promessa di tornare subito dopo a consegnarsi. Dalla virtus militare alla virtù morale, una gara di generosità e lealtà cementa l'amicizia fra il cavaliere cristiano e la coppia di nobili mori, mostrando la via del reciproco riconoscimento fondato su alti valori umani. Negli anni Cinquanta-Sessanta del XVI secolo questa vicenda ha conosciuto tre riscritture (d'autori diversi), le cui relazioni filologiche sono estremamente complesse: il libro discute le principali teorie al riguardo, proponendo una nuova visione, si spera meno ipotetica delle altre, degl'intrecci della tradizione e accompagna lo studio con una nuova edizione, più vicina alle mises en page originali, di tutti i testi cinquecenteschi coinvolti.
Novelle --- History and criticism. --- Abencerraje --- Criticism, Textual.
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Claudius Claudianus (ca. 370-404 n. Chr.) galt lange vor allem als panegyrischer Chronist des weströmischen Kaiserhofs ab 395 n. Chr. Auch die wohl nach seinem Tod unter dem Titel Carmina minora gesammelten kürzeren Gedichte lassen den Panegyriker Claudian erkennen, zeigen jedoch gleichzeitig einen Dichter, der besonders anhand der Beschreibung von Naturmirabilia weitere Facetten seines poetischen Programms präsentiert. Dieses Programm zeichnet sich einerseits durch eine intensive intratextuelle Bezogenheit aus, die unterschiedliche Aspekte eines ausgeprägten ars-natura-Diskurses aufzeigt, in dessen Rahmen die Erzeugnisse einer natura artifex vom poeta artifex Claudian ekphrastisch höchst raffiniert inszeniert werden. Andererseits verdeutlichen intertextuelle Bezüge zu zahlreichen griechischen und lateinischen Dichtern die Einbindung einer Tradition, die ergänzt durch typische Gestaltungsmittel spätantiker Dichtung die programmatische Bedeutung der concordia discors offenbart. Genannte Bestandteile des poetischen Programms Claudians betrachtet die vorliegende Publikation anhand detaillierter Textanalysen und leistet so einen wertvollen Beitrag zur weiteren philologischen Erschließung der Carmina minora.
Latin poetry --- Criticism, Textual. --- History and criticism.
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Carlo Marsuppini (1398-1453) is a well known professor at the Studio Fiorentino, Chancellor of the Republic, friend of Cosimo de' Medici and tutor of his children, translator of Homeric and pseudo-homeric works, author of private and, above all, public letters. His activity as a poet is less known: his writings in vernacular were so far entrusted to a handful of poems published in the collection Carmina illustrium poetarum italorum (1720). This book offers for the first time a rigorous critical edition of the humanist's poetic production, based on the analysis of the vast vast known manuscript tradition, and a broad commentary on the individual poems, of which a translation into Italian is also offered.
Marsuppini, Carlo, --- Poetic works. --- Criticism, Textual.
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The volume contains the transcription of the reports presented at the International Conference held in Florence on 14th and 15th June 2012: there are 15 original essays, written (upon request) by authoritative scholars of various Italian and foreign universities, on the important contributions made by their papyrus finds over more than a century to the knowledge of the lost works by Aeschylus and Sophocles, as well as on the value of the papyri for the constitution of the text of their preserved tragedies. The essays are equally divided between Aeschylus and Sophocles, and touch on all the major questions which the study of papyrology has raised for the philological and literary research on the two great tragedy writers. Both for the prestige of the authors and for the variety of the topics addressed, the volume offers an interesting and authoritative picture of the 'state of the art' of the studies in this regard, in light of the interrelationships between papyrology and Greek literature.
Manuscripts, Greek (Papyri) --- Sophocles --- Aeschylus --- Criticism, Textual
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This timely volume focuses on the period of decolonization and the Cold War as the backdrop to the emergence of new and diverse literary aesthetics that accompanied anti-imperialist commitments and Afro-Asian solidarity. Competing internationalist frameworks produced a flurry of writings that made Asian, African and other world literatures visible to each other for the first time. The book's essays examine a host of print culture formats (magazines, newspapers, manifestos, conference proceedings, ephemera, etc.) and modes of cultural mediation and transnational exchange that enabled the construction of a variously inflected Third-World culture which played a determining role throughout the Cold War.
Transmission of texts. --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts
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Stemmatology studies aspects of textual criticism that use genealogical methods to analyse a set of copies of a text whose autograph has been lost. This handbook is the first to cover the entire field, encompassing both theoretical and practical aspects of traditional as well as modern digital methods and their history. As an art (ars), stemmatology's main goal is editing and thus presenting to the reader a historical text in the most satisfactory way. As a more abstract discipline (scientia), it is interested in the general principles of how texts change in the process of being copied. Thirty eight experts from all of the fields involved have joined forces to write this handbook, whose eight chapters cover material aspects of text traditions, the genesis and methods of traditional "Lachmannian" textual criticism and the objections raised against it, as well as modern digital methods used in the field. The two concluding chapters take a closer look at how this approach towards texts and textual criticism has developed in some disciplines of textual scholarship and compare methods used in other fields that deal with "descent with modification". The handbook thus serves as an introduction to this interdisciplinary field.
Transmission of texts --- Criticism, Textual --- Literary transmission --- Manuscript transmission --- Textual transmission --- Editions --- Manuscripts --- Textual criticism --- Editing --- Lachmann's method. --- Textual criticism. --- descent with modification. --- stemmatology. --- Paleography --- Data processing. --- Electronic information resources. --- Research --- Methodology. --- Epic poetry, Greek Criticism, Textual --- Manuscripts - Data processing. --- Manuscripts - Electronic information resources. --- Paleography - Data processing. --- Criticism, Textual - Data processing. --- Manuscripts - Research - Methodology. --- Transmission of texts. --- Criticism, Textual.
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Beaucoup de poètes montrent leur écriture manuscrite. Plus rares sont ceux qui consentent à montrer leurs brouillons. Plus rares encore ceux qui, comme Francis Ponge, sont allés jusqu’à publier, tels quels, les moments ou minutes de leur travail, les états successifs de leurs avancées, de leurs « scrupules », que ceux-ci aient abouti, ou non, à ce que l’on appelle un « poème ». De La Crevette « dans tous ses états » au Carnet du Bois de Pins, de La Fabrique du Pré à l’établi de La Figue ou de la Table, Francis Ponge substitue sous nos yeux à l’illusion du Poème comme nécessité absolue la réalité littérale d’une expérience. Le monument fait place au document, la parole de Vérité aux multiples « tentatives » d’un homme en proie à ce qu’il nomme la rage de l’expression. C’est à précisément décrire les événements de cette partition en progrès que s’attache Actes ou Textes, de la variation sur un mot à la constitution progressive d’un Livre, toujours « à venir », en avant de lui-même. La critique génétique, Ponge ne saurait en être simplement l’objet : il s’agit de son écriture même.
Ponge, Francis --- -Mars, Roland --- Ponge, F. --- Criticism, Textual --- Mars, Roland --- Criticism, Textual. --- Poetry --- Literature (General) --- écriture --- critique --- genèse --- Ponge, Francis - Criticism, Textual
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Most contemporary digital studies are interested in distant-reading paradigms for large-scale literary history. This book asks what happens when such telescopic techniques function as a microscope instead. The first monograph to bring a range of computational methods to bear on a single novel in a sustained fashion, it focuses on the award-winning and genre-bending Cloud Atlas (2004). Published in two very different versions worldwide without anyone taking much notice, David Mitchell's novel is ideal fodder for a textual-genetic publishing history, reflections on micro-tectonic shifts in language by authors who move between genres, and explorations of how we imagine people wrote in bygone eras. Though Close Reading with Computers focuses on but one novel, it has a crucial exemplary function: author Martin Paul Eve demonstrates a set of methods and provides open-source software tools that others can use in their own literary-critical practices. In this way, the project serves as a bridge between users of digital methods and those engaged in more traditional literary-critical endeavors.
Mathematical linguistics --- Mitchell, David --- Criticism, Textual --- Digital humanities --- Computational linguistics --- Humanities --- Epic poetry, Greek Criticism, Textual --- Methodology --- Computer programs. --- Research --- Methodology. --- Criticism, Textual. --- Close reading. --- Cloud Atlas. --- David Mitchell. --- critique. --- digital humanities. --- distant reading. --- historical fiction. --- publishing. --- textual scholarship.
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In Reciprocity, Truth, and Gender in Pindar and Aeschylus, author Arum Park explores two notoriously difficult ancient Greek poets and seeks to articulate the complex relationship between them. Although Pindar and Aeschylus were contemporaries, previous scholarship has often treated them as representatives of contrasting worldviews. Park’s comparative study offers the alternative perspective of understanding them as complements instead. By examining these poets together through the concepts of reciprocity, truth, and gender, this book establishes a relationship between Pindar and Aeschylus that challenges previous conceptions of their dissimilarity. The book accomplishes three aims: first, it shows that Pindar and Aeschylus frame their poetry using similar principles of reciprocity; second, it demonstrates that each poet depicts truth in a way that is specific to those reciprocity principles; and finally, it illustrates how their depictions of gender are shaped by this intertwining of truth and reciprocity. By demonstrating their complementarity, the book situates Pindar and Aeschylus in the same poetic ecosystem, which has implications for how we understand ancient Greek poetry more broadly: using Pindar and Aeschylus as case studies, the book provides a window into their dynamic and interactive poetic world, a world in which ostensibly dissimilar poets and genres actually have much more in common than we might think.
Greek poetry --- History and criticism --- Pindar. --- Pindar --- Criticism, Textual
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