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Igor' Stravinskijs Sacre du printemps gilt als Meilenstein der Musik- und Tanzgeschichte. Gleichwohl hat die Wissenschaft einen Schlüsselaspekt zum Verständnis des Werkes bislang übersehen: die ,Theaterreform um 1900'. Leila Zickgraf zeigt erstmals, dass Stravinskij mit dem Sacre sein höchst eigenes ,Theater der Zukunft' verwirklichte - gemeinsam mit dem Choreografen Vaclav Nižinskij und inspiriert von Georg Fuchs sowie Edward Gordon Craig. Durch die Rhythmen seiner Komposition versetzte er nämlich Tänzer wie Publikum in einen körperlich erfahrbaren Rausch, wodurch er die Zuschauer ins Bühnengeschehen integrierte. Die Ballets Russes nahmen damals - 1913 - eine mechanistische Ästhetik vorweg, die in Musik, Tanz und Theater merklich erst in den 1920er Jahren in Erscheinung treten sollte. Mit seiner interdisziplinären Ausrichtung zwischen Tanz-, Kultur-, Theater- und Musikwissenschaft sowie seiner umfassenden, auch russischsprachigen Quellenerschließung leistet das Buch einen wichtigen Forschungsbeitrag zu einem nicht wenig untersuchten, aber - wie sich zeigt - in zentralen Aspekten noch immer ungenügend ausgeleuchteten Meisterwerk.
Musicology. --- Music --- Musical research --- Research, Musical --- Popular music --- Research --- Historiography --- Choreografie --- Theater --- Ballett --- Tanz --- Marionette --- Hypnose --- Kontrolle --- Rausch --- Mechanik --- Alexandre Benois --- Edward Gordon Craig --- Georg Fuchs --- Primitivismus --- Ballets Russes --- Diaghilev --- Strawinsky --- Gesamtkunstwerk --- Pétrouchka --- The Rite of Spring --- Theatre Reform --- Dance --- Choreography --- Ballet --- Primitivism --- Stravinsky --- puppet --- Nijinsky --- mechanical --- Petrushka --- Theatre studies --- Stravinsky, Igor, --- Rite of spring (Choreographic work) --- Vesna svi︠a︡shchennai︠a︡ (Stravinsky, Igor) --- 1900-1999 --- Stravinskiĭ, Igorʹ Fedorovich, --- Sacre du printemps (Stravinskiĭ, Igorʹ Fedorovich) --- Rite of spring (Stravinsky, Igor) --- Sacre du printemps (Stravinsky, Igor) --- Frühlingsweihe (Stravinsky, Igor) --- Sagra della primavera (Stravinsky, Igor) --- Pictures of pagan Russia (Stravinsky, Igor) --- Frühlingsopfer (Stravinsky, Igor) --- Pictures from pagan Russia (Stravinsky, Igor) --- Tableaux de la Russie païenne (Stravinsky, Igor) --- Vesna svyashchennaya (Stravinsky, Igor) --- Scenes of pagan Russia (Stravinsky, Igor) --- Sacred spring (Stravinsky, Igor) --- Sacre du printemps (Choreographic work) --- Sagra della primavera (Choreographic work) --- Vesna svi︠a︡shchennai︠a︡ (Choreographic work)
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The book provides a contemporary view on different aspects of the deductive systems in various types of logics including term logics, propositional logics, logics of refutation, non-Fregean logics, higher order logics and arithmetic.
quine --- logic --- ontology --- multiple conclusion rule --- disjunction property --- metadisjunction --- axiomatizations of arithmetic of natural and integers numbers --- second-order theories --- Peano’s axioms --- Wilkosz’s axioms --- axioms of integer arithmetic modeled on Peano and Wilkosz axioms --- equivalent axiomatizations --- metalogic --- categoricity --- independence --- consistency --- logic of typical and atypical instances (LTA) --- logic of determination of objects (LDO) --- quasi topology structure (QTS) --- concept --- object --- typical object --- atypical object --- lattice --- filter --- ideal --- discussive logics --- the smallest discussive logic --- discussive operators --- seriality --- accessibility relation --- Kotas’ method --- modal logic --- deontic logic --- ontology of situations --- semantics of law --- formal theory of law --- Wittgenstein --- Wolniewicz --- non-Fregean logic --- identity connective --- sentential calculus with identity --- situational semantics --- deduction --- (dual) tableau --- Gentzen system --- deductive refutability --- refutation systems --- hybrid deduction–refutation rules --- derivative hybrid rules --- soundness --- completeness --- natural deduction --- meta-proof theory --- synthetic tableaux --- principle of bivalence --- cut --- first-order theory --- universal axiom --- Peano’s axiomatics of natural numbers --- Leśniewski’s elementary ontology --- Frege’s predication scheme --- Frege’s Zahl-Anzahl distinction --- term logic --- Franz Brentano --- Lewis Carroll --- logic trees --- logic diagrams --- paraconsistent logic --- paraconsistency --- Sette’s calculus --- the law of explosion --- the principle of ex contradictione sequitur quodlibet --- semantic tree --- distribution --- Aristotle’s logic --- syllogistic --- Jan Łukasiewicz --- axiomatic system --- axiomatic refutation --- temporal logic --- intuitionistic logic --- minimal system --- knowledge --- sequent-type calculi --- nonmonotonic logics --- default logic --- rejection systems --- Kripke models --- logics of evidence and truth --- n/a --- Peano's axioms --- Wilkosz's axioms --- Kotas' method --- hybrid deduction-refutation rules --- Peano's axiomatics of natural numbers --- Leśniewski's elementary ontology --- Frege's predication scheme --- Frege's Zahl-Anzahl distinction --- Sette's calculus --- Aristotle's logic
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