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Moving the chronology a bit, it is possible to trace with these pieces by Miguel Castro Caldas (MCC) a narrative arc of conjugality: the first steps of a couple in the epilogue of The Killers (2011), the marriage proposal in Coal On Canvas (2012), infidelity in the Restoration of Conjugal Society (2010), life with children in Wilderness (2016), again infidelity in If I lived you would die (2016), loneliness (widowhood?) of I don't usually talk to you (2017). Why this interest in the institution of marriage? Perhaps it is precisely because it is such a conventional situation that even subversion (or betrayal) is commonplace: from "boy meets girl" to "happily ever after" or not at all, between getting married and getting tired, this is a tired subject from which all variations have been experienced. [...] Marriage is a narrative formula that MCC uses less to dismantle its ideology than to dispense with the need for a narrative itself-and so use time in another way. MCC's writing practices a certain disrespect for institutions, starting with its own writing.

Performing arts. --- Show business --- Arts --- Performance art

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Frente a una era plagada de imágenes vía satélite, esta obra busca atraer la mirada de un círculo de lectores más amplio sobre las herencias culturales y recursos escénicos alternativos de Asia y África. Las creencias, los ritos y las tradiciones de países aparentemente tan lejanos como Cuba, Brasil, México, Japón, Indonesia, China e India, representan no sólo una rica pluralidad de las manifestaciones artísticas, sino además significa la posibilidad de generar reacciones en cadena en cuanto a encuentros interculturales se refiere.

Performing arts --- Congresses. --- Show business --- Arts --- Performance art --- African history

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Le présent ouvrage apporte une contribution à l’histoire des arts du spectacle à Rome entre l’avènement en 1644 du pape Innocent X, issu de la famille des Pamphilj, et la mort du cardinal mécène Pietro Ottoboni en 1740, qui marqua la fin de l’époque du népotisme. Les innombrables spectacles organisés à l’époque par les familles de la haute aristocratie ont laissé des traces de leur exécution et de leur appréciation par le public dans des archives encore peu exploitées. En analysant, sous l’angle du concept de performance, l’événement spectaculaire dans toutes ses dimensions (mécénat, financement, livrets, partitions, enjeux socio-politiques, collaborations artistiques, exécution singulière ou réitérée, réception par le public, mémorialisation), il devient possible de resituer ces entreprises artistiques dans le cadre d’une histoire sociale et culturelle de l’époque. À partir de l’exploration des archives de plusieurs grandes familles aristocratiques de Rome, des actes notariés et des archives institutionnelles, comme celles des académies, des établissements d’enseignement ou des théâtres, une vingtaine de spécialistes appartenant à des disciplines diverses s’interrogent sur l’existence, à l’époque, d’un modèle d’organisation commun aux différentes familles en matière d’arts du spectacle, un modèle qui est le signe d’une culture collective ainsi que d’un système de normes et de valeurs largement partagé.

Theater --- Performance art --- History --- Nobility --- Performance art. --- Theater. --- Rome (Italy) --- Italy --- Civilization --- Theater - Italy - Rome - History - Congresses --- Performance art - Italy - Rome - History - Congresses --- Art --- 18th century --- 17th century --- performance studies --- musique --- patronage --- théatre --- archives familiales --- 78

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This book brings together essays by an international group of scholars and artists, focusing on live performance inspired by living in exile, or created by exiled artists. Bringing together a range of perspectives to examine the full impact of political, socio-economic or psychological experiences of exile, Performing Exile: Foreign Bodies presents an inclusive mix of established and emerging voices from varied cultural and geographic affiliations. Chapters blend close critical analysis and autoethnography to document and interrogate performances and the political, religious, economic and cultural contexts that inform them. With a foreword by Yana Meerzon, and featuring essays on artists of Mexican, Korean-American, Lebanese-Quebecois, Spanish, Azerbaijani and Canadian Aboriginal origin, to name a few, Performing Exile is truly diverse.

Expatriate authors. --- Authors --- Authors, Exiled --- Performance art --- Arts --- exile --- performance --- exiled artists --- live performance --- Jaffa

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Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period settings, ruthless Madison Avenue advertising culture, and arresting characters at the center of its 1960s fictional world. Mad Men, Mad World is a comprehensive analysis of this groundbreaking TV series. Scholars from across the humanities consider the AMC drama from a fascinating array of perspectives, including fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format, as well as through theoretical frames such as critical race theory, gender, queer theory, global studies, and psychoanalysis. In the introduction, the editors explore the show's popularity; its controversial representations of race, class, and gender; its powerful influence on aesthetics and style; and its unique use of period historicism and advertising as a way of speaking to our neoliberal moment. Mad Men, Mad World also includes an interview with Phil Abraham, an award-winning Mad Men director and cinematographer. Taken together, the essays demonstrate that understanding Mad Men means engaging the show not only as a reflection of the 1960s but also as a commentary on the present day. Contributors. Michael Bérubé, Alexander Doty, Lauren M. E. Goodlad, Jim Hansen, Dianne Harris, Lynne Joyrich, Lilya Kaganovsky, Clarence Lang, Caroline Levine, Kent Ono, Dana Polan, Leslie Reagan, Mabel Rosenheck, Robert A. Rushing, Irene Small, Michael Szalay, Jeremy Varon

Performing Arts / Television / History & Criticism --- Performing arts --- Show business --- Arts --- Performance art