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Pioneering study exploring a major filmmaker's creative vision of Germany's troubled national identity.

Motion pictures --- History. --- Fassbinder, Rainer Werner, --- Criticism and interpretation. --- Fassbinder, R. W. --- 791.471 FASSBINDER --- Duitsland --- fascisme --- Fassbinder Rainer Werner --- film --- film en politiek --- History, Identity, Subject / Thomas Elsaesser --- kunst en politiek --- nazisme --- History --- CINEMA --- FASSBINDER, RAINER WERNER (1945-1982) --- FASSBINDER (RAINER WERNER), 1945-1982 --- ALLEMAGNE --- HISTOIRE --- JEUNE CINEMA ALLEMAND

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culture --- sociology --- cultural centers [buildings] --- kunst --- art [fine art] --- Sociology of cultural policy --- museology --- cultuurorganisatie --- Iconography --- cultuursociologie --- Museology --- Art --- interactive art --- cultuurmanagement --- instellingen --- Flanders --- #SBIB:316.7C313 --- #SBIB:316.7C320 --- #SBIB:35H436 --- Cultuurbeleid: regionaal --- Culturele infrastructuur: algemeen --- Beleidssectoren: welzijn, volksgezondheid en cultuur --- kunsttheorie --- 30 --- 7.01 --- 130.2 --- cultuurbeleid --- cultuurfilosofie --- België --- sociologie --- kunst en sociologe --- Vlaamse Gemeenschap --- kunst en politiek --- België --- art [discipline] --- culture [concept] --- publiekswerking --- cultuurparticipatie

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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson.Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice". Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada ; the Situationist International ; Happenings in Eastern Europe, Argentina and Paris ; the 1970s Community Arts Movement ; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Paweł Althamer and Paul Chan.Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.

hedendaagse kunst --- art theory --- museology --- Iconography --- art appreciation --- Museology --- Art --- performance art --- interactive art --- Contemporary [style of art] --- politieke kunst --- Breton, André --- Althamer, Paweł --- Weiner, Lawrence --- Kaprow, Allan --- Beuys, Joseph --- Bruguera, Tania --- Abramovic, Marina --- Hirschhorn, Thomas --- Deller, Jeremy --- Cage, John --- anno 2000-2099 --- anno 1900-1999 --- 7.01 --- 82:7 --- Kunsttheorie ; interactieve kunstpraktijk --- Beeldende kunst ; participatie van de toeschouwer --- kunst --- kunsttheorie --- kunst en politiek --- activisme --- performances --- socialisme --- sociologie --- kunst en sociologie --- esthetica --- participatorische esthetica --- relationele esthetica --- Kunst ; theorie, filosofie, esthetica --- Literatuur en kunst --- Interactive art. --- Art interactif --- 82:7 Literatuur en kunst --- Interactive art --- Participatory art --- Performance art --- Social practice (Art) --- Art interactif. --- cultuurparticipatie

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Vlaanderen ligt in het centrum van Europa, maar bevindt zich in de periferie van de beeldende-kunstenwereld. Die vaststelling is voor Pascal Gielen en Rudi Laermans de opmaat tot het toekomstscenario dat ze in opdracht van Initiatief Beeldende Kunsten (IBK) formuleerden. Een omgeving voor actuele kunst stoffeert de lopende discussie over de Vlaamse beeldende-kunstensector met een schat aan feitenmateriaal. De auteurs staan eerst uitvoerig stil bij het gevoerde overheidsbeleid en de relatieve benadeling van de beeldende kunsten in vergelijking met de podiumkunsten. Vervolgens detecteren ze een drietal algemene spanningen binnen 'de sector' : tussen tonen en collectioneren, tussen de eigen profilering van instellingen en netwerkvorming, en tussen private en publieke initiatieven. In het slotgedeelte brengen Gielen en Laermans hun voornaamste bevindingen eerst samen aan de hand van een handig diagram. Afrondend bepleiten ze voor de Vlaamse beeldende-kunstensector een ontwikkelingsgericht beleid op maat van de 'centrumperifere' positie van onze regio.

art [fine art] --- museology --- Business policy --- Museology --- Art --- patronage --- Service industry --- anno 1900-1999 --- anno 2000-2099 --- Belgium --- Flanders --- #SBIB:316.7C313 --- #SBIB:35H436 --- #SBIB:35H6015 --- Kunsttheorie ; 21ste eeuw ; de toekomst van de kunst in Vlaanderen --- Initiatief Beeldende Kunsten (IBK) --- 7.01 --- Pascal Gielen & Rudi Laermans --- kunst --- kunsttheorie --- kunst en politiek --- kunst en maatschappij --- twintigste eeuw --- België --- kunstwereld --- cultuursociologie --- sociologie --- kunst en sociologie --- musea --- galeries --- receptie-esthetica --- kunstbeleid --- Cultuurbeleid: regionaal --- Beleidssectoren: welzijn, volksgezondheid en cultuur --- Bestuur en beleid: nationale en regionale studies: Vlaanderen --- Kunst ; theorie, filosofie, esthetica --- Kunsten --- Overheidsbeleid --- Kunst --- België --- Art, Modern --- Art criticism --- 7.036 --- 7.036 Moderne kunststijlen --- Moderne kunststijlen --- art [discipline]

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Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty.The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true?This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis.

kunst --- twintigste eeuw --- economie --- kunst en economie --- kunsttheorie --- esthetica --- cultuurfilosofie --- kunstenaarsstatuut --- kunstmarkt --- subsidies --- mecenaat --- politiek --- kunst en politiek --- 7.01 --- kunstenaarschap --- -#SBIB:316.7C333 --- 621 Kunstbeleid --- 623 Kunstenaars --- artists --- Socioeconomic status --- 7 --- Art --- -Artists --- #SBIB:316.7C310 --- #SBIB:35H436 --- #A0212A --- 7 Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Economic aspects --- Economic conditions --- Kunstenaars --- Cultuurbeleid: algemeen --- Beleidssectoren: welzijn, volksgezondheid en cultuur --- Theses --- Artists --- #SBIB:316.7C333 --- art criticism --- cultuursociologie --- kunstbeschouwing --- Business policy --- Service industry --- Economic aspects. --- Economic conditions. --- Artistes --- Social conditions --- Aspect économique --- Conditions sociales --- arts --- economics --- Economic theory --- Arts --- Social sciences --- History. --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Political economy --- Economic man --- culture and instituten --- kunst en kunstgeschiedenis --- culture and institutions --- historical treatment of fine and decorative arts