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This volume presents the critical edition of Cammino di Dante, the first topo-chronographic summary of Dante's Comedy, written by the Florentine notary, ser Piero Bonaccorsi (1410-1477), for the friar of Santa Croce, Romolo de' Medici. The edition of the text is opened by a bio-bibliographical introduction on the author, that hightlights some new aspects of his notarial career, his literary activity and his relationship with notable figures of his age. The text then presents the seven manuscripts that handed down the Cammino, including four original manuscripts by Bonaccorsi, and analyses their textual relations. The edition offers a critical text based on the codex Riccardiano 1122, the last complete autograph edition, whose unreleased appendix is also published.
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This book offers a collection of South African university students' written responses to the Commedia and scholars' commentary on them. The students' collection includes writings of all genres and subjects: prose, poetry, personal reflection, dialogue, non-fiction based on the first two cantiche of the Commedia. Some are autobiographical and others are fictional stories, but they all have in common a very personal (and South African) approach to Dante's text. The scholarly essays of the second part are concerned with the unusual way in which Dante is appreciated by our youth: not as a remote figure only encountered in the hallways of the literature department, but as an intimate presence, a guide, a friend whose language is familiar and invites a response.
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Originally published in 1977. This book contains four essays by Professor Charles Singleton: "Allegory," "Symbolism," "The Pattern at the Center," and "The Substance of Things Seen." These four essays treat four dimensions of meaning essential to understanding the substance and special texture of the poetry of the Divine Comedy. One might speak of "facets" or "aspects" of meaning if such terms did not suggest surface reflections dependent on the way a work (as a jewel) is turned for inspection. But for Singleton, each dimension has a depth that reaches to the core and substance of Dante's poetry, so they are, in Singleton's view, elements of its structure.
Technique. --- Rhetoric, Medieval. --- Dante Alighieri, --- Divina commedia (Dante Alighieri) --- Cumégia (Dante Alighieri) --- Divine comedy (Dante Alighieri) --- Divina comedia (Dante Alighieri) --- Commedia (Dante Alighieri) --- Comedy (Dante Alighieri) --- Poema sacro (Dante Alighieri) --- Comedia (Dante Alighieri) --- Literary studies: poetry & poets
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Elemento centrale della vita delle società umane nell'età medievale, le "selve oscure" di dantesca memoria potevano essere usate come potenti metafore letterarie, ma rappresentavano anche spazi ecologici, nicchie di biodiversità, risorse economiche e oggetti di tutela giuridica. Per questo si propongono quale luogo per eccellenza di dialogo interdisciplinare. Le ricerche qui raccolte presentano alcuni dei molteplici approcci possibili allo studio dei boschi nell'Italia dei secoli XIII e XIV, coinvolgendo storici e storiche della letteratura e dell'arte, della cultura e della società, dell'economia e delle istituzioni, nonché studiosi e studiose di botanica, archeologia e paleobotanica.
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The book wishes to bridge the divide between academic literature and popular culture. This is reflected in its style of presentation. The purpose of the book is threefold: 1. Provision of an Afrikaans translation of Dante's Purgatorio from the original Italian, true to Dante's original intentions, and expressed in idiomatic Afrikaans prose of acceptable aesthetic quality, giving the reader a sense of the beauty and subtlety of Dante's superb literary achievement. 2. Provision of sufficient historical, linguistic and other important information, enabling readers who are not necessarily specialized in the field, to understand the background, context and intentional structure of the great text. Such information is mainly provided in the general introduction, the introduction to each canto, and the endnotes to each of the 33. However, the introduction and endnotes also contain a considerable degree of interpretation of the author's subjective intentions and the conditions of the time, in the larger context of the development of the notion of purgatory in the Western Church, and the place of Dante's work and thinking in the overall historical development of Western Christian theology, which at the time of the poet's supreme synthesis of classical culture and European Christianity and of Church and State, started to demonstrate symptoms of unraveling and decline. 3. Provision of a wide, inclusive theoretical framework of mysticism, enabling an understanding and appreciation of the tendentional drift of Dante's achievement towards an ultimate horizon of silence, not necessarily consciously intended by the poet. In that context the third part of the book (the postscript) proceeds with a comparison of Dante's style and the substance of his thinking, with that of the Therav?da Buddhist master Buddhaghosa. The purpose of this section is to clear a path towards a true pax fidei, beyond mutual indifference or schiedlich-friedlich religious apartheid. The research methodology applied consists of three major components: 1. A historical hermeneutic endeavouring to understand and interpret the interplay between the subjective intentions of actors (including Dante) and objective processes and outcomes, often involving an element of tragedy. 2. A comparative procedure, enabling the simultaneous appreciation of more than one religion (in this case, Medieval Christianity and Buddhism). 3. An investigation of points (1) and (2) in an ultimately de-absolutizing, relativizing yet loving, accommodating framework sub specie horizontis.
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Originally published in 1977. This volume recovers the allegory in Dante's Divine Comedy and presumes that readers' deficient knowledge of or interest in allegory have led to misinterpretations of Dante's poem. None of the dozens of commentaries on the Comedy published in the first half of the twentieth century was concerned with allegory more than sporadically, says Singleton, and so these treatments directed readers' attention to the merest disjecta membra of that continuous dimension of the poem. From Singleton's perspective, the allegory of the Comedy is an imitation of Biblical allegory, which was acknowledged by thinkers in the Middle Ages but not by intellectuals during and following the Renaissance. Singleton attempts to restore the allegorical elements to the foreground of interpreting the Comedy.
Symbolism. --- Grace (Theology) in literature. --- Dante Alighieri, --- Divina commedia (Dante Alighieri) --- Representation, Symbolic --- Symbolic representation --- Mythology --- Emblems --- Signs and symbols --- Cumégia (Dante Alighieri) --- Divine comedy (Dante Alighieri) --- Divina comedia (Dante Alighieri) --- Commedia (Dante Alighieri) --- Comedy (Dante Alighieri) --- Poema sacro (Dante Alighieri) --- Comedia (Dante Alighieri) --- Literary studies: poetry & poets
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The sestina is a form in which words repeat regularly, intricately, appearing and reappearing in new contexts with new meanings. Sam Lohmann’s Unless As Stone Is emerged from a few years of living with Dante’s sestina, “Al poco giorno e al gran cerchio d’ombra.” He allowed the text to appear in its own new — if irregularly scheduled — contexts. New translations, new scenery, new meanings; new phrases entered the poem (from García Lorca, from Sappho, from strangers and from loved ones) and found their own patterns. What resulted is a serial poem in seven movements, incorporating several strategies of reincorporation. “Quandunque i colli fanno più nera ombra” — “All our oddity operates / on changing verity.”
English literature. --- poetry --- Dante --- sestina --- adaptation
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La letteratura in laboratorio raccoglie 12 Pamphlet pubblicati dal Literary Lab dell'Università di Stanford sotto la direzione del suo fondatore, Franco Moretti, dal 2011 al 2017. Con i suoi lavori, già tradotti in diverse lingue, il Literary Lab di Moretti ha aperto un nuovo capitolo nel rapporto tra gli studi letterari e le risorse digitali dando vita a un nuovo approccio critico i testi. Moretti e il suo gruppo di co-autori hanno messo al centro dei loro esperimenti la letteratura nella materia da cui è costituita, il linguaggio, e hanno condotto approfondite indagini su banche dati esistenti e su corpus creati in modo autonomo. Franco Moretti ha arricchito gli studi letterari dando vita sia a un metodo teorico sia a una precisa procedura tecnica applicata alla letteratura. I saggi che compongono questa raccolta spaziano dalla dimensione microlinguistica a quella delle forme e dei generi attraverso una serie di analisi quantitative che permettono di accrescere, migliorare e rendere più precisa la comprensione della storia e della teoria della letteratura.
Malebolge --- Comedy --- Dante --- Hell --- Language arts
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Theater --- History --- Dante Alighieri, --- Adaptations. --- Influence.
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In a celebratory moment of the Paradiso, Dante has Thomas go round the circle of sage spirits identifying each in turn in point of proper calling and confirming how it is that self is everywhere present to the other-than-self as a co-efficient of being in the endless and endlessly varied instantiation of that being. The image, at once perfectly Dantean and perfectly resplendent, underlies and informs these conversations of mine with Kenelm; for if in reading and rereading the cherished text, I have from time to time felt the need to enter a qualification, it is a matter here, as in the high consistory of paradise, of otherness as both contained and as authorized by sameness, as conditioned and set free by it for a life of its own. Never, in other words, is it a question in what follows of the stark alternativism of the sed contra, but instead a matter of formed friendship, of the kind of friendship which, conceived in love, makes for a sweet choreography of the spirit.
Theology in literature. --- Foster, Kenelm. --- Dante Alighieri, --- Dante Alighieri --- Alighieri, Dante --- Dante, Alighieri --- Alih'eri, Dante --- Theology. --- Hermeneutics --- Religious aspects --- Christianity. --- Christian theology --- Theology --- Theology, Christian --- Christianity --- Religion --- Religion. --- Divina commedia (Dante Alighieri) --- Ailígiéirí, Dainté, --- Alaghieri, Dante, --- Aldigeri, Dante, --- Aligeri, Dante, --- Aligerius, Dantes, --- Aligheri, Dante, --- Alighieri, Dante, --- Alighieri, Danthe, --- Aligīeri, Dant, --- Alig'i͡eri, Dante, --- Alihii͡eri, Dante, --- Alikiyari, Tāntē, --- Alīyīrī, Dāntī, --- Alleghieri, Dante, --- Allighieri, Dante, --- Danding, --- Dant Aligīeri, --- Dante, --- Dante Alig'i͡eri, --- Dānté ʼAligiyéri, --- Dantė Aligjeris, --- Dante Alih'i͡eri, --- Danthe Alighieri, --- Dāntī Alījyīrī, --- Dantis Alagherius, --- Dantte, --- Durante Alighieri, --- Makākavi Tāntē, --- Tan-ting, --- Tāntē Alikiyari, --- Tantte, --- Cumégia (Dante Alighieri) --- Divine comedy (Dante Alighieri) --- Divina comedia (Dante Alighieri) --- Commedia (Dante Alighieri) --- Comedy (Dante Alighieri) --- Poema sacro (Dante Alighieri) --- Comedia (Dante Alighieri) --- Alihii︠e︡ri, Dante, --- Dante Alih'i︠e︡ri, --- Dante Alig'i︠e︡ri, --- Alig'i︠e︡ri, Dante, --- אליגיירי דנטי --- אליגירי, דנטי --- דאנטי אליגיירי --- דאנטי אליגיירי, --- דאנט, --- דנטה אליגיירי, --- דנטה אליגירי, --- דנטי אליגיארי, --- דנטי אליגירי, --- دانتى ألغييري --- دانتي أليجيري،, --- ダンテ, --- Данте Аліґгіері, --- Alighieri, Durante, --- Alighieri, Durante degli, --- Degli Alighieri, Durante, --- Durante degli Alighieri,
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