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"In July 1905, in Paris, a young Anglo-French woman called Marie Wheeler became the bride of a Swiss emigre, Johannes Schad. Immediately after the wedding, Marie and Johannes moved to London. And there they lived for nineteen years. In 1924, however, something happened to change their lives, and Marie, in many respects, simply disappeared. Paris Bride is an exploration of the lost life of Marie Schad, of whom little is known beyond a few legal papers, a number of letters, some photographs, the diaries of a friend, and her obituary. With so little else known of Marie's life, this book seeks to read her back into existence by drawing on a host of contemporaneous texts -- largely modernist texts, by Virginia Woolf, Franz Kafka, the Paris Surrealists, Stephane Mallarme, Oscar Wilde, Katherine Mansfield, and Walter Benjamin. All of the selected authors are connected with Marie through some coincidence of time, place, or theme. In an attempt to do justice to Marie's in-visibility, or to her un-life, Paris Bride takes as its guide Wilde's declaration that “the true function of criticism is to see the object as in itself it really is not.” In other words, this book seeks to evade the positivist or realist assumptions of conventional literary criticism, and instead pursue a post-critical method with its sources and texts. Paris Bride is not confined to academic discourse but instead draws on a range of literary genres and devices that are more in sympathy with the non-realist character of modernism itself -- devices such as fragmentation, flânerie, textual collage, stream of consciousness, imagism, perspectivism, dream-text, the absurd, etc. Ultimately, Paris Bride is a modernistic experiment in life-writing."

Biography & True Stories --- History (General) --- Paris --- flanerie --- literary criticism --- modernism --- biography --- collage --- surrealism

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Was lässt sich (alles) unter Collage verstehen? Ein geklebtes Papierbild? Eine künstlerische Ausdrucksform? Eine Forschungsmethode? Theorien von Inklusion? Eine kunstpädagogische Haltung? Eine (Künstler:Innen-)Biographie? Dieses Buch? Innerhalb der vorliegenden Arbeit wird die (Kunst-)Geschichte der Collage machtkritisch untersucht; zudem wird Collage als künstlerisches, methodisches, epistemologisches und biographisches Prinzip theoretisiert und mit Fragen nach Differenz und Erfahrungen verbunden. Ausgehend vom theoretischen Gegenstand der Subjektivierung werden im empirischen Teil - mittels bild- und diskursanalytischer Verfahren - Biographie und Leben(swerk) der Berliner Dada-Künstlerin Hannah Höch (1889-1978) in Bezug auf mögliche Differenzerfahrungen untersucht. Somit begibt sich dieses Buch auf eine poststrukturale Spurensuche, um Folgendes zu fragen: Wie zeigen, konkretisieren, perspektivieren, materialisieren sich Differenzerfahrungen? Welche (intersektionalen) Differenzerfahrungen lassen sich in Hannah Höchs biographischen Dokumenten und der Collage "Lebensbild" (1972/73) herausarbeiten?

Diskriminierung --- Grundschulpädagogik --- Inklusion --- Disability Studies --- Differenzerfahrung --- Kunst --- Biographie --- Diversität --- Hannah Höch --- Gender studies --- Othering --- Collagen --- Kunstpädagogik; Collage ; Differenz; Kunstgeschichte; Bildanalyse; Diskursanalyse; Künstlerin; Dadaismus; Inklusion; Gender; Sonderpädagogik; 20. Jahrhundert; Biografie; Biografieforschung; History of art; History of arts; History; Discourse Analysis; Artists; Inclusion; Remedial instruction sciences; Special education for the handicapped; Special needs education; Biographies; Biographical Inventories --- Höch, Hannah, --- Criticism and interpretation.

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Southwestern ceramics have always been admired for their variety and aesthetic beauty. Although ceramics are most often used for placing the peoples who produced them in time, they can also provide important clues to past economic organization. This volume covers nearly one thousand years of southwestern prehistory and history, focusing on ceramic production in a number of environmental and economic contexts. It brings together the best of current research to illustrate the variation in the organization of production evident in this single geographic area.

Materiaux ceramiques --- Keramiek. --- Archeologische vondsten. --- Aufsatzsammlung --- Keramik --- Pueblo pottery --- Pueblo pottery. --- Ethnoarchaeology. --- Ceramic materials --- Antiquities. --- 15.32 prehistoric and protohistoric archaeology. --- Ethnoarcheologie --- Ethnoarchaeology --- Themes, motives. --- Analysis. --- Analyse. --- Indianer. --- USA --- New Southwest. --- États-Unis (Nouveau Sud-Ouest) --- Southwest, New --- Südweststaaten --- Antiquites. --- Pottery, Pueblo --- Pueblo Indians --- Pottery, American --- Ceramic industries --- Ceramics --- Mines and mineral resources --- Ethnic archaeology --- Ethnicity in archaeology --- Ethnology in archaeology --- Archaeology --- Ethnology --- Social archaeology --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Material culture --- Töpfern --- Töpferei --- Beiträge --- Einzelbeiträge --- Sammelwerk --- Céramique (matériau) --- Céramiques (matériaux) --- Industries céramiques --- Composites céramiques-polymères --- Coulage en bande --- Dépôts céramiques --- Biocéramiques --- Aérogels --- Céramiques électroniques --- Céramiques piézoélectriques --- Céramiques renforcées de fibres --- Cermets --- Collage céramique sur métal --- Composites à matrice céramique --- Moteurs à combustion interne --- Sol-gel, Procédé --- Céramique industrielle --- Pottery --- Materials --- Methodology --- Matériaux --- Matériaux céramiques --- United States --- Südwestliche USA --- Südweststaaten --- Südwestliche Vereinigte Staaten --- Céramiques ultra-réfractaires