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Empire Found: Racial Identities and Coloniality in Twenty-First Century Portuguese Popular Cultures examines how the discourses and narratives of Portuguese imperial exceptionalism and Portuguese racial identity, developed during the last centuries of Portuguese settler colonialism continue to inform an array of cultural production and consumption in the four decades since decolonization. By examining a range of contemporary popular cultural production (literature, football, musical production, and celebrity culture) in critical conversation with intellectual production of the nineteenth and twentieth centuries, Empire Found examines how narratives of Portuguese racial hybridity and indeterminacy operate alongside ongoing structures of coloniality and white supremacy in the realms of cultural production. I argue that these implied or overt historical dialogues carried out through cultural production are integral to the very reproduction of the Portuguese nation-state apparatus, as well as its racial structures and claims to whiteness in the wake of decolonization and marginal integration into the European Union.
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Across more than two centuries Afro-America has created a huge and dazzling variety of literary self-expression. Designs of Blackness provides less a narrative literary history than, precisely, a series of mappings—each literary-critical and comparative while at the same time offering cultural and historical context. This carefully re-edited version of the 1998 publication opens with an estimation of earliest African American voice in the names of Phillis Wheatley and her contemporaries. It then takes up the huge span of autobiography from Frederick Douglass through to Maya Angelou. "Harlem on My Mind," which follows, sets out the literary contours of America’s premier black city. Womanism, Alice Walker’s presiding term, is given full due in an analysis of fiction from Harriet E. Wilson to Toni Morrison. Richard Wright is approached not as some regulation "realist" but as a more inward, at times near-surreal, author. Decadology has its risks but the 1940s has rarely been approached as a unique era of war and peace and especially in African American texts. Beat Generation work usually adheres to Ginsberg and Kerouac, but black Beat writing invites its own chapter in the names of Amiri Baraka, Ted Joans and Bob Kaufman. The 1960s has long become a mythic change-decade, and in few greater respects than as a black theatre both of the stage and politics. In Leon Forrest African America had a figure of the postmodern turn: his work is explored in its own right and for how it takes its place in the context of other reflexive black fiction. "African American Fictions of Passing" unpacks the whole deceptive trope of "race" in writing from Williams Wells Brown through to Charles Johnson. The two newly added chapters pursue African American literary achievement into the Obama-Trump century, fiction from Octavia Butler to Darryl Pinkney, poetry from Rita Dove to Kevin Young.
American prose literature --- African American authors --- History and criticism. --- 25th --- Afro --- America --- Anniversary --- Blackness --- Culture --- Designs --- Edition --- Literature --- Mappings
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An expansive volume presenting crip approaches to writing, research, and publishingCrip Authorship: Disability as Method is a comprehensive volume presenting the multidisciplinary methods brought into being by disability studies and activism. Mara Mills and Rebecca Sanchez have convened leading scholars, artists, and activists to explore how disability shapes authorship, transforming cultural production, aesthetics, and media.Starting from the premise that disability is plural and authorship is an ongoing project, this collection of thirty-five compact essays asks how knowledge about disability is produced and shared in disability studies. Crip authorship takes place within and beyond the commodity version of authorship, in books, on social media, and in creative works that will never be published. Crip authorship celebrates people, experiences, and methods that have been obscured; it also involves protest and dismantling. It can mean innovating around accessibility or attending to the false starts, dead ends, and failures resulting from mis-fit and oppression.The chapters draw on the expertise of international researchers and activists in the humanities, social sciences, education, arts, and design. Across five sections-Writing, Research, Genre/Form, Publishing, Media-contributors consider disability as method for creative work: practices of writing and other forms of composition; research methods and collaboration; crip aesthetics; media formats and hacks; and the capital, access, legal standing, and care networks required to publish. Designed to be accessible and engaging for students, Crip Authorship also provides theoretically sophisticated arguments in a condensed form that will make the text a key resource for disability studies scholars.Essays include Mel Y Chen on the temporality of writing with chronic illness; Remi Yergeau on perseveration; La Marr Jurelle Bruce on the wisdom in mad Black rants; Alison Kafer on the reliance of the manifesto genre on conceptualizations of disability; Jaipreet Virdi on public scholarship for disability justice; Ellen Samuels on the importance of disability and illness to autotheory; Xuan Thuy Nguyen on decolonial research methods for disability studies; Emily Lim Rogers on virtual ethnography; Cameron Awkward-Rich on depression and trans reading methods; Robert McRuer on crip theory in translation; Kelsie Acton on plain language writing; and Georgina Kleege on description as an access technique.
People with disabilities --- Identity (Psychology) --- Creative ability. --- Authorship. --- Psychology. --- Aging. --- Blackness. --- Boyhood. --- Care networks. --- Childhood. --- Collaborative research. --- Composition. --- Crip. --- Disability aesthetics. --- Feminism. --- Gender. --- Girlhood. --- Historiography. --- Humanism. --- Humanness. --- Integration. --- Liberalism. --- Manhood. --- Media. --- Minstrelsy. --- Nationalism. --- Neoliberalism. --- Plantation. --- Protest. --- Sentimentalism. --- Slavery. --- Vampires. --- Writing.
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In Bodyminds Reimagined Sami Schalk traces how black women's speculative fiction complicates the understanding of bodyminds—the intertwinement of the mental and the physical—in the context of race, gender, and (dis)ability. Bridging black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations. She reads (dis)ability in neo-slave narratives by Octavia Butler (Kindred) and Phyllis Alesia Perry (Stigmata) not only as representing the literal injuries suffered under slavery, but also as a metaphor for the legacy of racial violence. The fantasy worlds in works by N. K. Jemisin, Shawntelle Madison, and Nalo Hopkinson—where werewolves have obsessive-compulsive-disorder and blind demons can see magic—destabilize social categories and definitions of the human, calling into question the very nature of identity. In these texts, as well as in Butler’s Parable series, able-mindedness and able-bodiedness are socially constructed and upheld through racial and gendered norms. Outlining (dis)ability's centrality to speculative fiction, Schalk shows how these works open new social possibilities while changing conceptualizations of identity and oppression through nonrealist contexts.
American literature --- Speculative fiction --- People with disabilities in literature. --- Race in literature. --- Gender identity in literature. --- Handicapped in literature --- Physically handicapped in literature --- Fiction --- African American authors --- History and criticism. --- Women authors --- Thematology --- Sociology of literature --- Race --- Disability --- Gender --- Writers --- Theory --- Women --- Blackness --- Black feminism
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Reflet des débats actuels dans les champs croisés des Études afro-américaines et des Études diasporiques, ces essais critiques et études de cas explorent l’articulation entre les concepts fluctuants de « race » et de diaspora et les négociations des identités au-delà des différences. Ils étudient tour à tour l’évolution de l’(inter)nationalisme noir au sein de la Diaspora, les nouveaux discours sur la post-racialité et la notion de « postblackness », la conscience raciale chez les soldats afro-américains, l’expatriation et la re-diasporisation. Le constat d’un rejet de l’africanité au sein de sociétés telles que les Émirats, le Maroc ou la République dominicaine entre en relation avec les analyses d’œuvres d’art au prisme d’une conscience diasporique et de textes littéraires qui disent l’internationalisme ou subvertissent la notion de « race ». James Baldwin dialogue alors avec Percival Everett. Reflecting current debates in the intersecting fields of African American Studies and African Diaspora, these critical essays and case studies explore the articulation between the fluctuating concepts of ‘race’ and Diaspora and the negotiations of identities across differences. They examine in turn the developments of diasporic black (inter)nationalism, new discourses on ‘postraciality’ and ‘postblackness’, race consciousness among African American soldiers, expatriation and re-diasporization. The acknowledgement of a rejection of Africanness in societies such as the Emirates, Morocco or the Dominican Republic dialogues with examinations of artwork through the lenses of a diasporic consciousness and analyses of literary texts that celebrate internationalism or subvert the notion of ‘race’. James Baldwin thus converses with Percival Everett.
Social Issues --- race --- études afro-américaines --- diaspora noire --- afrique noire --- post-racialité --- postblackness --- identité afro-américaine --- identité noire --- expatriation --- afro-américaine --- internationalisme noir --- African-American studies --- Black diaspora --- Black Africa --- post-raciality --- post-blackness --- African-American identity --- Black identity --- African-American --- Black internationalism
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Coeditado por Rosa Luxemburg Stiftung. Leer a Fanon, medio siglo después es una invitación a conocer la obra de Frantz Fanon, un pensador del Caribe y de África, de los pueblos del Sur global, que vivió con toda intensidad el proceso de descolonización del Tercer Mundo y creó herramientas que permiten descubrirla realidad velada por siglos de colonización y dominación moderna occidental, en particular por la existencia dada a conocer como "negritud", que es el ser otro de la "civilización moderna" o su anverso, sumergido y silenciado. Las ideas de Frantz Fanon fueron una crítica incisiva al proyecto moderno, a Europa y sus facsímiles, que hicieron girar la atención hacia los sujetos del Sur en tiempos de un protagonismo esencial durante complejos proyectos de independencia, descolonización y emancipación humana de los vetustos mecanismos de la dominación, inaugurados tras el encuentro de Europa con el "Nuevo Mundo".
Anti-imperialist movements. --- Black people --- Race identity. --- Black identity --- Blackness (Race identity) --- Negritude --- Race identity of Black people --- Racial identity of Black people --- Ethnicity --- Race awareness --- Anti-colonialism --- Antiimperialist movements --- Social movements --- Imperialism --- National liberation movements --- Fanon, Frantz, --- Fānūn, Frānz, --- פנון, פרנץ, --- فانون، فرانتس --- فانون، فرانز --- فانون، فرانس --- Faanon, Faraanz,
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In Ontological Terror Calvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy by positing that the "Negro question" is intimately imbricated with questions of Being. Warren uses the figure of the antebellum free black as a philosophical paradigm for thinking through the tensions between blackness and Being. He illustrates how blacks embody a metaphysical nothing. This nothingness serves as a destabilizing presence and force as well as that which whiteness defines itself against. Thus, the function of blackness as giving form to nothing presents a terrifying problem for whites: they need blacks to affirm their existence, even as they despise the nothingness they represent. By pointing out how all humanism is based on investing blackness with nonbeing - a logic which reproduces antiblack violence and precludes any realization of equality, justice, and recognition for blacks - Warren urges the removal of the human from its metaphysical pedestal and the exploration of ways of existing that are not predicated on a grounding in being.
Race --- Racism. --- Race awareness. --- Blacks --- Nihilism (Philosophy) --- Ontology. --- Political aspects. --- Race identity. --- Being --- Philosophy --- Metaphysics --- Necessity (Philosophy) --- Substance (Philosophy) --- Black identity --- Blackness (Race identity) --- Negritude --- Race identity of blacks --- Racial identity of blacks --- Ethnicity --- Race awareness --- Awareness --- Ethnopsychology --- Ethnic attitudes --- Bias, Racial --- Race bias --- Race prejudice --- Racial bias --- Prejudices --- Anti-racism --- Race relations --- Physical anthropology --- Critical race theory --- Race identity of Black people --- Racial identity of Black people --- Black persons --- Negroes --- Ethnology --- Black people --- awareness --- philosophy --- ontology --- race --- race identity --- racism --- political aspects --- nihilism --- blacks --- Free Negro --- Humanism --- Martin Heidegger --- Negro
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This book analyses the social and ethical implications of the globalization of emerging skin-whitening and anti-ageing biotechnology. Using an intersectional theoretical framework and a content analysis methodology drawn from cultural studies, the sociology of knowledge, the history of colonial medicine and critical race theory, it examines technical reports, as well as print and on-line advertisements from pharmaceutical and cosmetics companies for skin-whitening products. With close attention to the promises of ‘ageless beauty’, ‘brightened’, youthful skin and solutions to ‘pigmentation problems’ for non-white women, the author reveals the dynamics of racialization and biomedicalization at work. A study of a significant sector of the globalised health and wellness industries, Wellness in Whiteness will appeal to social scientists with interests in gender, race and ethnicity, biotechnology and embodiment.
Body image. --- Body image in women. --- Beauty, personal. --- Blacks --- Whites --- Skin --- Race identity. --- Bleaching --- Psychological aspects. --- Cutis --- Integument (Skin) --- Beauty, Personal --- Body covering (Anatomy) --- Race identity of whites --- Racial identity of whites --- Whiteness (Race identity) --- Race awareness --- Black identity --- Blackness (Race identity) --- Negritude --- Race identity of blacks --- Racial identity of blacks --- Ethnicity --- Beauty --- Complexion --- Grooming, Personal --- Grooming for women --- Personal beauty --- Personal grooming --- Toilet (Grooming) --- Hygiene --- Beauty culture --- Beauty shops --- Cosmetics --- Women --- Image, Body --- Imagery (Psychology) --- Mind and body --- Person schemas --- Personality --- Self-perception --- Human body --- Ethnic identity --- Psychology --- Race identity of white people --- Racial identity of white people --- White people --- Race identity of Black people --- Racial identity of Black people --- White persons --- Ethnology --- Caucasian race --- Black persons --- Negroes --- Black people
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Unrest gripped Ferguson, Missouri, after Mike Brown, an unarmed black teenager, was shot and killed by Officer Darren Wilson in August 2014. Many black Americans turned to their digital and social media networks to circulate information, cultivate solidarity, and organize during that tumultuous moment. While Ferguson and the subsequent protests made black digital networks visible to mainstream media, these networks did not coalesce overnight. They were built and maintained over years through common, everyday use. Beyond Hashtags explores these everyday practices and their relationship to larger social issues through an in-depth analysis of a trans-platform network of black American digital and social media users and content creators. In the crucial years leading up to the emergence of the Movement for Black Lives, black Americans used digital networks not only to cope with day-to-day experiences of racism, but also as an incubator for the debates that have since exploded onto the national stage. Beyond Hashtags tells the story of an influential subsection of these networks, an assemblage of podcasting, independent media, Instagram, Vine, Facebook, and the network of Twitter users that has come to be known as "Black Twitter." Florini looks at how black Americans use these technologies often simultaneously to create a space to reassert their racial identities, forge community, organize politically, and create alternative media representations and news sources. Beyond Hashtags demonstrates how much insight marginalized users have into technology. --
African Americans and mass media. --- African American mass media. --- Race in mass media. --- Mass media --- Afro-American mass media --- Mass media, African American --- Ethnic mass media --- Afro-Americans and mass media --- Mass media and African Americans --- 2016 US presidential election. --- Black Lives Matter. --- Black Twitter. --- Black cultural production. --- Black enclaves. --- Black innovation. --- Black social spaces. --- Ferguson. --- Martin Luther King Jr. --- Mike Brown. --- This Week in Blackness. --- Trayvon Martin. --- Zimmerman. --- affordances. --- alternative media production. --- anti-Black racism. --- citizen journalism. --- collective grieving. --- colorblindness. --- counterpublics. --- digital technology. --- historical narrative. --- independent media production. --- mainstream legacy media. --- media narratives. --- monetization. --- neoliberal. --- neoliberalism. --- oscillating networked publics. --- podcasts. --- police brutality. --- political engagement. --- political establishment. --- racial discourse. --- racial landscape. --- racial oppression. --- social justice. --- solidarity. --- transplatform. --- white supremacy. --- Race dans les médias. --- Médias noirs américains. --- Noirs américains et médias.
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