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"The book concerns female dress in Roman life and literature. The main focus is on female Roman dress as it may have been worn in daily life in Rome and in a social environment influenced by Roman culture in the time from the beginnings of the Republic until the end of the 2nd century AD. There is, however, a certain surplus as to its contents because many Latin texts also talk about mythical Greek dress and the largely fictional early Roman dress. Altogether, large parts of the history of Roman dress are only known to us through what scholars thought about it in Classical and Late Antiquity. For this reason, this book is not only about real female Roman dress, but also about the ancient pseudo-discourse on early female Roman dress, which has been taken too seriously by modern scholarship. This pseudo-discourse has been mixed together with real facts to produce an ahistorical fabric. It therefore appeared necessary to break with this old tradition and to take a completely new path. The detailed analysis of many texts on female Roman dress is the basis of this new handbook meant for philologists, historians, and archaeologists alike."-- Provided by publisher.

Women's clothing.

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In the 5th-7th centuries AD, members of the female population in Scandinavia frequently wore a costume adorned with conspicuous items of jewellery. Many of the items, such as brooches and clasps, were dress-accessories used to fasten these garments. Some of them, moreover, were popular over an extended area of Europe, and have been found in Scandinavia, Anglo-Saxon England and on the Continent alike. This book provides an analysis of more than 1,800 such items of jewellery from Scandinavia. It explores the contextual and geographical distribution through time of four major types of dress-accessory: cruciform brooches, relief brooches, wrist-clasps and conical brooches. Detailed analysis reveals distribution patterns and variations that provide new insights into the multifaceted reality of the Scandinavian pre-Viking period. The author argues that in a time characterized by social stress and upheaval, women played an important role in the negotiation of identities through the use of costume adorned with dress-accessories. These negotiations were part of a continuous, complex and ever-changing discourse of identity, in which different dimensions of multiple identities were generated, articulated and transformed. In some instances, a common identity is manifest even at a date which precedes by several centuries the unification of much the same areas into single medieval kingdoms, while social and political conditions could equally trigger either the material expression or the disappearance of shared identities at local, regional, and even pan-European levels. This book also offers a more nuanced view of ethnic groupings during the 5th-7th centuries by examining the inter-connectedness of the flexible and mobile 'warrior nations' of the Migration Period, and the territorially rooted, often historically documented 'peoples', who are reflected in the practices of female dress.

Dress accessories. --- Women's clothing.

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At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity. Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs. Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.

Fashion merchandising --- Women's clothing industry --- History --- History --- European history

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"The historiography of the Great War has been significantly renewed in recent years, yet, despite its crucial social, economic, and cultural importance, the role that fashion played in shaping wartime experiences and economies between 1914 and 1918 has not yet been addressed. This collection fills the gap in the literature by examining the impact the Great War had on fashion, its industry, and civilians in a transnational context. With an international, thematic approach, the book discusses the reconfiguration of the fashion industry, wartime style and production, and the reframing of selfhood, gender roles, and national identity through clothing and print culture. Fashion, Society and the First World War provides an extensive overview by leading fashion historians on an industry in the midst of major transformation"--

Fashion --- Women's clothing --- World War, 1914-1918 --- History of fashion --- History --- Social aspects. --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- History, Modern --- Women --- Women's apparel --- Women's wear --- Womenswear --- Clothing and dress --- Dressmaking --- Tailoring (Women's) --- Clothing