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Auditive Texte haben Konjunktur: Hörspiele, Lesungen, Podcasts, Audioguides und elektroakustische Experimente zeigen die Vielfalt gehörter Geschichten. Die Beiträge systematisieren die unterschiedlichen Gegenstände hinsichtlich der Genrefrage oder modellieren theoretisch-methodische Zugänge, die in konkreten Analysen medienspezifisch exemplifiziert werden. Semiotische Zugänge stehen dabei neben kulturwissenschaftlichen und didaktischen Perspektiven. Hinweis zu Tr. 1 bis Tr. 12 der Audiodateien: "Die drei ?" ist eine Marke der Franckh-Kosmos Verlags GmbH & Co.KG. Mit freundlicher Genehmigung der SONY MUSIC Entertainment Germany GmbH.

Radio plays.

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El presente estudio es una propuesta de lectura de algunas novelas del argentino Roberto Arlt (1900-1942): Los siete locos (1929) y su continuación, Los lanzallamas (1931). En ellas Arlt se aventura en otras dimensiones de la realidad y explora el mundo de la obsesión, del suelo de los abismos y de la conciencia en que peligra la identidad.

Arlt, Roberto --- Arlt, Roberto, --- Literary studies: plays & playwrights

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For eighteenth century readers, the contents of a novel were often perceived as part of reality. The first part of this study on the results of this view of literature is concerned both with the relevant German, French, and English criticism of the novel and the use of literature as a frame of reference in the poetry, drama, and prose writings of the day. The second part analyzes seven novels (among them Goethe's Werther and Meister) whose heroes were profoundly influenced by literature. The final section sketches the continuous presence of related themes, motifs, and narrative techniques in later novels with particular emphasis on Mann's Zauberberg.

Fiction --- German fiction --- History and criticism. --- Literary studies: plays & playwrights

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Some of theater's most powerful works in the past thirty years fall into the category of "verbatim theater," socially engaged performances whose texts rely on word-for-word testimony. Performances such as Fires in the Mirror, The Laramie Project, and The Vagina Monologues have at their best demonstrated how to hold hard conversations about explosive subjects in a liberal democracy. But in this moment of what author Ryan Claycomb terms the "rightward lurch" of western democracies, does this idealized space of democratic deliberation remain effective? In the Lurch asks that question in a pointed and self-reflexive way, tracing the history of this branch of documentary theater with particular attention to the political outcomes and stances these performances seem to seek. But this is not just a disinterested history--Claycomb reflects on his own participation in that political fantasy, including earlier scholarly writing that articulated with breathless hopefulness the potential of verbatim theater, and on his own theatrical attendance, imbued with a belief that witnessing this idealized public sphere was a substitute for actual public participation. In the Lurch also recounts the bumpy path towards its completion, two years marked by presidential impeachments, an insurrection, a national reckoning with racism, and a global pandemic. At the heart of the book is a central question: is verbatim theater any longer an effective cultural response to what can look like the possible end of democracy?

Criticism, interpretation, etc. --- Historical drama. --- Historical drama --- Political aspects. --- Claycomb, Ryan M., --- Criticism, Textual. --- Chronicle histories (Drama) --- Chronicle history (Drama) --- Chronicle plays --- Docudrama --- Documentary plays --- Historical plays --- History --- Verbatim plays --- Drama --- Theatre studies --- History and criticism.

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The aim of the author's research was to study 1) the thematic elements and the composition of the plays (lelampahan wayang), and 2) their religious and cultural background. She concentrates on one particular play: the story of Bima Swarga. The study is based mainly on fieldwork carried out in Bali over the period 1972-1976, when materials were collected from oral and written sources.

Wayang --- Shadow shows --- Music, Dance, Drama & Film --- Drama --- Chinese shadows --- Gallanty-shows --- Shadow pantomimes and plays --- Shadow plays --- Shadow puppet plays --- Shadow puppetry --- Shadow theater --- Wajang --- Wayang plays. --- Puppet plays --- Puppet theater --- Puppets and puppet-plays --- Indonesian drama --- Javanese drama --- Wayang. --- Shadow shows. --- Indonesia --- indonesia --- Bali --- Balinese language --- Bima --- Dalang (puppeteer) --- Gendèr --- Holy water --- Javanese people --- Lakon language --- Pandu