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Depois de ter recuperado para o nosso património vivo obras tão importantes como História do Fado, de Pinto de Carvalho (Tinop), Através dos Campos, de José da Silva Picão, Da Prostituição na Cidade de Lisboa, de Francisco Ignacio dos Santos Cruz, e Contos Populares Portugueses, de Adolfo Coelho, a colecção «Portugal de Perto» orgulha-se de poder agora oferecer aos seus leitores aquela que tem sido considerada a primeira grande obra de conjunto da etnografia portuguesa: O Povo Português nos Seus Costumes, Crenças e Tradições, de Teófilo Braga, publicada em dois volumes em 1885. Como refere Jorge Freitas Branco no esclarecedor prefácio que para esta edição escreveu, volvidos que são cem anos sobre a sua publicação, «não perdeu qualquer interesse relembrá-la pela reedição, rever nela as ideias oitocentistas com o distanciamento crítico do tempo percorrido, repensar a seu propósito o quadro de desenvolvimento de ramos do conhecimento científico em Portugal [...] e, finalmente, facilitar ao público o acesso a um texto cheio de pormenores dum quotidiano para muitos de nós ainda não completamente votado ao esquecimento». Dada a extensão da obra, manteve-se na presente reedição a divisão em dois volumes a que obedeceu a edição original de 1885.
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This collection provides a benchmark that helps secure the position of collaboration between Native American and non-Native American scholars in the forefront of study of Native oral traditions. Seven sets of intercultural authors present Native American oral texts with commentary, exploring dimensions of perspective, discovery, and meaning that emerge through collaborative translation and interpretation. The texts studied all come from the American West but include a rich variety of material, since their tribal sources range from the Yupik in the Arctic to the Yaqui in the Sonoran Desert.This presentation of jointly authored work is timely: it addresses increasing interest in, calls for, and movement toward reflexivity in the relationships between scholars and the Native communities they study, and it responds to the renewed commitment in those communities to asserting more control over representations of their traditions. Although Native and academic communities have long tried to work together in the study of culture and literature, the relationship has been awkward and imbalanced toward the academics. In many cases, the contributions of Native assistants, informants, translators, and field workers to the work of professional ethnographers has been inadequately credited, ignored, or only recently uncovered. Native Americans usually have not participated in planning and writing such projects. Native American Oral Traditions provides models for overcoming such obstacles to interpreting and understanding Native oral literature in relation to the communities and cultures from which it comes.
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This book brings the panorama and perspectives of oral history, drawn by specialists from different countries. The texts discuss various possibilities of using oral history: as a research tool, as a mechanism for organization and social mobilization and as an agent for the construction of identities. It also deals with crucial issues for the understanding of the 20th century, such as the effects of the Second World War and the Cold War and the so-called 'deindustrialization' of the end of the century. The book thus allows to follow the debate around new problems and old questions, fundamental to the development of studies and projects in oral history, in different areas of knowledge.
Oral history. --- History --- Oral biography --- Oral tradition --- Methodology --- história
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This collection brings together newly commissioned and cutting-edge essays on oral text and tradition ranging from the ancient and medieval world to the present day by an international group of leading oral theorists drawn from Europe and North America. Using a range of materials including the Bible, Greek epic, Beowulf, Old Norse, and Old English riddles, and medieval music, the contributors collectively work to refine, challenge, and further advance contemporary Oral Theory, an interdisciplinary school of thought heavily influenced by John Miles Foley, whose work provides the jumping-off point for this volume. The book includes a useful introduction to the history of oral theory, and Foley?s ground-breaking and influential work.
Oral tradition. --- Oral history. --- Foley, John Miles --- Criticism and interpretation.
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Annotation
Folklore. --- Folk beliefs --- Folk-lore --- Traditions --- Ethnology --- Manners and customs --- Material culture --- Mythology --- Oral tradition --- Storytelling
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Oral history. --- Histoire orale --- Oral history --- History --- Oral biography --- Oral tradition --- Methodology --- Guides, manuels, etc
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The Theory of Oral Composition presents the first history of the new field of oral-formulaic theory, which arose from the pioneering research of Milman Parry and Albert Lord on the Homeric poems. From their studies an interdisciplinary field of research and scholarship has emerged that draws on the methods of literary studies, folklore, anthropology, and linguistics. Foley examines the roots of oral-formulaic theory in nineteenth-century philology and anthropology, documents the contributions of Parry and Lord, measures the effect of Lord's comparative extensions through the impact of The Singer of Tales, and considers important recent contributions. A select bibliography of more than 700 items and a subject-author index enhance the scholarly usefulness of this study.
Oral history. --- Histoire orale. --- History --- Oral biography --- Oral tradition --- Methodology --- Folklore, myths & legends
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Tales --- Social Sciences --- Humanities --- Ethnology --- Anthropology --- Oral tradition --- tales --- rituals --- Study and teaching --- Mali
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In essays about communities as varied as Alaskan Native, East Indian, Palestinian, Mexican, and African American, oral historians, folklorists, and anthropologists look at how traditional and historical oral narratives live through re-tellings, gaining meaning and significance in repeated performances, from varying contexts, through cultural and historical knowing, and due to tellers' consciousness of their audiences.
Storytelling. --- Folklore --- Oral tradition. --- Oral history. --- Performance. --- Tradition, Oral --- Performance of folklore --- Story-telling --- Telling of stories --- History --- Oral biography --- Oral tradition --- Oral communication --- Oral history --- Storytelling --- Oral interpretation --- Children's stories --- Oral interpretation of fiction --- Methodology --- Performance
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