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Chaque mois, la Bibliothèque publique d'information propose, à travers ce cycle, une rencontre avec un écrivain français ou étranger. Des entretiens approfondis suivis de lectures, invitent à une réflexion sur l'acte d'écrire, ses facteurs déclenchants, l'univers de l'auteur, son cheminement personnel et intellectuel, la raison d'être de l'écriture.
Languages & Literatures --- Literature - General --- écrivain --- écriture --- biographie --- récits --- lectures --- entretien --- non-fiction
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Der gebürtige Wiener Wolfgang von Weisl (1896-1974) ist der bedeutendste und radikalste revisionistische Zionist österreichischer Herkunft. Er hat nach dem Ersten Weltkrieg mit enormem, vielfältigem und auch militantem Einsatz als Politiker, Arzt, Offizier, Ökonom, Kolonist, Vortragender, Schriftsteller und Journalist an der Wegbereitung eines unabhängigen jüdischen Staates in Palästina mitgewirkt. Sein Lebenswerk, seine Autobiographie und seine zahlreichen politischen und literarischen Schriften - Zeitungsartikel, orientalische Sach- und Reisebücher, medizinische und religionspsychologische Abhandlungen, Gedichte, erzählende und dramatische Texte - sind bisher noch unerforscht. Diese vom Österreichischen Wissenschaftsfonds (FWF) geförderte, kommentierte und ausführlich monographisch eingeleitete Edition der beiden autobiographischen Texte Wolfgang von Weisls, "Lang ist der Weg ins Vaterland" und "Der Weg nach Latrun", leistet einen ersten grundlegenden Beitrag.
Prose: non-fiction --- History --- 20. Jahrhundert --- Israel --- Zionismus --- Europa --- Geschichte --- Neueste --- Habsburger --- Monarchie --- Weltkrieg
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Non-fiction --- History as a science --- History --- History, Modern --- Philosophy --- Philosophy.
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Composer, pianist, editor, writer and pedagogue Mario Lavista (1943-2021) was a central figure of the cultural and artistic scene in Mexico and one of the leading Ibero-American composers of his generation. Understanding analysis as an affective practice, this study explores the intertextual connections between the multiple texts that are present in Lavista's music.
Composers --- Lavista, Mario, --- Criticism and interpretation. --- Music --- Biography. --- Biography & non-fiction prose. --- History and criticism. --- 1943-2021
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In 1994, at the age of twenty-five, when the “terrible brokenness that comes with sexual assault” was folded deep within her body and thoughts of suicide were always close by, Erin Manning wrote The Perfect Mango at an almost feverish pitch: nineteen chapters in nineteen days, a sort of self-rescue operation, where writing became a form of making (and feeling) life otherwise. Throughout those nineteen days, and although not able to fully articulate it to herself at the time, Manning wrote her way into a “composition that asks how else life might be lived.” And in the rhythms of that composition, which was also a living, Manning was, and is, able to refuse the category and norm and stillness of “victim” (while still understanding the inheritances of violence) in order to follow instead the more-than-I as well as the joy of the “more-than of experience in the making.” Twenty-five years later, Manning allows these earlier writings to find their way back into the world, which is also a way of giving “voice to those moments of messy survival” while also asking us, who share in (and help to bear) those moments as readers, to consider “other ways of listening to the urgency that is living.” To (re)publish the book now is to give it a place in the world in a way that honors its force as something that is always beyond anyone’s claim to it, even Manning’s. In this sense, The Perfect Mango invites us, with Manning, to be in excess of ourselves, and also to consider, in Manning’s words, “how to create conditions for living beyond humanism’s fierce belief that we, the privileged, the neurotypicals, the as-yet-unscathed, the able-bodied, hold the key to all perspectives in the theatre of living.” Ultimately, The Perfect Mango and Manning’s reflections on its composition ask us to consider living “in the fierce celebration of a world invented by those modes of life which tear at the colonial, white, neurotypical fabric of life as we know it.”
Memoirs --- memoir --- sexual abuse --- trauma --- violence --- embodiement --- creative non-fiction --- neurodiversity --- Sexual abuse victims --- Memoirs. --- Victimes d'abus sexuels --- Manning, Erin. --- Autobiographies.
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The reception history of the term autofiction, coined by Serge Doubrovsky in 1977 and strongly polarising since then, shows that autofictional writing has been used by numerous authors in the past decades as a possibility to give explosive insights into their lives on the one hand, but to refer to an indeterminable ""fictional"" part of their work on the other. The underlying interferences between fictional and factual narrative strategies seem to predestine autofiction for the representation and provocation of scandal. This volume brings together contributions that illuminate the relationship between autofiction and scandal from epistemological, literary-historical and reception-aesthetic perspectives and explore ethical questions of the demarcation between public and private space.
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This book reveals the importance of personal letters in the history of European women between the year 1000 and the advent of the telephone. It explores the changing ways that women used correspondence for self-expression and political mobilization over this period, enabling them to navigate the myriad gendered restrictions that limited women's engagement in the world. Whether written from the medieval cloister, or the renaissance court, or the artisan's workshop, or the drawing room, letters crossed geographical and social distance and were mobile in ways that women themselves could not always be. Women wrote to govern, to argue, to plead, and to demand. They also wrote to express love and intimacy, and in so doing, to explain and to understand themselves. This book argues that the personal letter was a crucial place for European women's self-fashioning, and that exploring the history of their letters offers a profound insight into their subjectivity and agency over time.
Non-fiction --- History of civilization --- History of Europe --- anno 1000-1099 --- anno 1200-1799 --- anno 1100-1199 --- anno 1800-1999 --- Letter writing --- Women --- HISTORY / Medieval. --- History. --- Social conditions
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'Minor Majesties' studies the small ancient kingdom of Pal̲uvūr, a town located on the northern bank of the Kāvēri River, about 30 kilometers north of Tanjavur.
Temples --- Kings and rulers --- Biography. --- Biography & non-fiction prose. --- Religious aspects --- Hinduism. --- Pal̲uvēṭṭaraiyar dynasty, --- Tamil Nadu (India) --- Pal̲uvūr (India) --- History
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This book examines contemporary stories of migration belonging to multiple literary genres such as nonfiction, memoir, novel, and essay, and explores the futures they envision for migrants and their surrounding societies. The primary material ranges from personal experiences of migration for professional purposes and of being undocumented without access to citizenship, to novels that provide fictional representations of migrants and their complex lives. This study asks how migration, as portrayed in contemporary writing, addresses personal, social, and political consequences of being on the move. The book is organised around central themes such as the status of being undocumented, or aspirations and expectations of both migrants themselves as well as their new environs. The material examined has been published from 2016 onwards, addressing the aftermath of the migrant crisis 2015-2016 as well as the Trump administration 2017-2021. Lena Englund is Senior Researcher in the Philosophical Faculty of the University of Eastern Finland, Finland. Her previous books, South African Autobiography as Subjective History: Making Concessions to the Past (2021) and Home and Nation in Anglophone Autobiographies of Africa (2023), were both published by Palgrave Macmillan.
Creative nonfiction. --- Emigration and immigration. --- Literature. --- Literature, Modern --- Non-Fiction Literature. --- Human Migration. --- World Literature. --- Contemporary Literature. --- 20th century. --- 21st century.
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"Em 1994, aos vinte e cinco anos de idade, quando o terrível "despedaçamento que vem com a agressão sexual" dobrou-se profundamente em seu corpo e pensamentos de suicídio estavam sempre por perto, Erin Manning escreveu A Manga Perfeita num estado quase febril: dezenove capítulos em dezenove dias, uma especie de operação de auto-resgate, onde a escrita tornou-se uma maneira de fazer (e sentir) a vida de outra forma. Ao longo desses dezenove dias, e embora não capaz de articular completamente para si mesma na epoca, Manning escreveu-se para dentro "de uma composição que pergunta de que outra forma a vida poderia ser vivida". E nos ritmos dessa composição, que era tambem uma vida, Manning foi e e capaz de recusar a categoria e norma e imobilidade da "vítima" (enquanto ainda compreende as heranças da violência) a fim de seguir em vez disso o mais-que-eu assim como a alegria do "mais-que da experiência no fazer" Vinte e cinco anos depois, Manning permite que esses escritos anteriores encontrem seu caminho de volta ao mundo, o que e uma maneira de dar "voz a esses momentos de sobrevivência confusos" enquanto tambem pede a nós, que compartilhamos (e ajudamos a suportar) tais momentos enquanto leitores, que consideremos "outras formas de escutar a urgência que e viver". Republicar o livro agora e dar-lhe um lugar no mundo de uma maneira que honre sua força como algo que está sempre alem da reivindicação de qualquer um, mesmo de Manning. Nesse sentido, A Manga Perfeita nos convida, com Manning, a estar em excesso de nós mesmos, e tambem a considerarmos, nas palavras de Manning, "como criar condições para viver alem da crença feroz do humanismo de que nós, os privilegiados, os neurotípicos, os ainda incólumes, os corpos-capazes, e que guardamos a chave para todas as perspectivas no teatro da vida". Por fim, A Manga Perfeita e as reflexões de Manning a respeito de sua composição pedem que consideremos "viver na feroz celebração de um mundo inventado por esses modos de vida que rasgam o tecido colonial, branco, neurotípico da vida como a conhecemos.""
Memoirs --- Memoirs. --- Sexual abuse. --- Violence. --- Violent behavior --- Social psychology --- Abuse, Sexual --- Sex offenses --- Sexual abuse --- Sexual crimes --- Sexual delinquency --- Sexual offenses --- Sexual violence --- Crime --- Prostitution --- memoir --- sexual abuse --- trauma --- violence --- embodiment --- creative non-fiction --- neurodiversity --- Sex crimes.
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