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Rap, techno, électro, house, jungle, trip hop... ces styles musicaux se sont installés dans le paysage discographique français depuis la fin des années 1990. À travers les succès commerciaux retentissants ou les coups d’éclat de leurs animateurs, ils sont apparus comme des fenêtres ouvertes sur les plaisirs, les désirs et les maux de la jeunesse. « Jeunes », les musiques rap et électroniques le sont en effet à double titre : filles d’esthétiques postmodernes et de bricolages technologiques dernier cri, elles sont aussi sociologiquement attachées à l’adolescence et à l’entrée dans la vie adulte. En montrant ces « nouveaux »musiciens au travail, l’auteur entraîne le lecteur loin des clichés réducteurs associant ces cultures musicales à une « perte de repères » ou à une mauvaise humeur à la mode. L’articulation entre création artistique et critique sociale, l’invention et la diffusion de modèles d’organisation alternatifs en matière de production discographique sont mises au jour. Dans cet univers professionnel très actuel, la banalisation des « home-studios » et l’extension des responsabilités de l’artiste permettent en effet aux individus de faire carrière en multipliant les projets (de disques et de labels) et les casquettes (de musicien et de manager). Peinture vivante des relations de travail et au travail dans un milieu artistique fondé sur la mobilité, cet ouvrage permet enfin de comprendre les évolutions récentes du monde du disque vers une réactivité et une souplesse toujours plus grandes.
Rap (Music) --- Techno music --- History and criticism. --- Social aspects. --- 78.34.3 --- 78.80 --- Rap (Music) - History and criticism. --- Techno music - History and criticism. --- Rap (Music) - Social aspects. --- Techno music - Social aspects. --- Detroit techno (Music) --- Electronic dance music --- musique --- jeunesse --- sociologie des arts --- rap --- techno (musique) --- musicien (métier) --- musique électroacoustique --- sociologie --- Rap --- Techno (musique) --- Musique électroacoustique --- Musique --- Sociologie --- Aspect social
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Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literature—this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities.Contributors. Lisa Barg, Georgina Born, David Brackett, Nicholas Cook, Marion Froger, Susan Kozel, Eric Lewis, George E. Lewis, Ingrid Monson, Tracey Nicholls, Winfried Siemerling, Will Straw, Zoë Svendsen, Darren Wershler
Improvisation (Music) --- Music --- Aesthetics --- Arts and society. --- Social aspects. --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Music and society --- Extemporization (Music) --- Social aspects --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Performance --- Improvisation. --- Musiksoziologie. --- Musikästhetik. --- Arts and society --- Radio broadcasting Aesthetics --- Improvisation (Music) - Social aspects --- Music - Social aspects --- Aesthetics - Social aspects --- Association for the Advancement of Creative Musicians --- Improvisation --- Jazz --- Social relation
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The song books are a tangible reminder of the lively seventeenth-century song culture. Young and old, poor and rich: everyone sang, from the cradle to the grave. Natascha Veldhorst shows the diversity and originality of the genre. In addition, the book contains many surprising illustrations that underline how much singing and songbooks were integrated into daily life at the time. Songbooks were very popular with the Dutch population for a long time. The genre was invented in the 16th century, but remained popular for centuries afterward. The Golden Age in particular experienced an impressive growth, with hundreds of collections in various formats, prices and designs. The Dutch situation was unique in quantity and quality. Nowhere in Europe were songbooks produced and purchased with so much energy and enthusiasm. Singing through life is devoted to this fascinating cultural-historical phenomenon. The book elaborates on the design and content of the songbooks, the relationship between newly composed and existing music, the influence of publishers and printers, the connections between song culture and theatre, the popularity of amorous songbooks with youth, and religious resistance to the compelling influence of music. Thematic chapters alternate with twelve short interludes about separate songbooks, which show the great diversity and originality of the genre. Surprising illustrations emphasize how integrated the songbooks were in daily life. Songbooks, paintings and prints are a tangible reminder of our lively seventeenth-century song culture. Young and old, poor and rich: everyone sang, from the cradle to the grave.
Music --Social aspects --Netherlands --History --17th century. --- Songbooks, Dutch --Netherlands --17th century --History and criticism. --- Vocal music --Netherlands --17th century --History and criticism. --- Music --- Songbooks, Dutch --- History and criticism. --- Dutch songbooks --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- muziek --- music --- geschiedenis --- history, geography, and auxiliary disciplines
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This book explores several types of cultural practices involving the remembrance and restoration of past sounds. At the same time, it theorizes the cultural meaning of collecting, recycling, reciting, and remembering sound and music.
Music and technology. --- Music --Psychological aspects. --- Music --Social aspects --History --20th century. --- Sound --Recording and reproducing --Social aspects. --- Sound recordings. --- Technology --Social aspects --History --20th century. --- Sound --- Music and technology --- Sound recordings --- Music --- Technology --- Electrical Engineering --- Electrical & Computer Engineering --- Engineering & Applied Sciences --- Recording and reproducing --- Social aspects --- Psychological aspects --- History --- Social aspects. --- Technology and music --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music psychology --- Recording and reproducing&delete& --- Psychology --- muziek --- ipod --- digital sound --- popular science --- philips --- basf --- wetenschap algemeen --- music --- kunst en kunstgeschiedenis --- historical treatment of fine and decorative arts --- sound
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