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This Open Access book explores the concept of digital epistemology. In this context, the digital will not be understood as merely something that is linked to specific tools and objects, but rather as different modes of thought. For example, the digital within the humanities is not just databases and big data, topic modelling and speculative visualizations; nor are the objects limited to computer games, other electronic works, or to literature and art that explicitly relate to computerization or other digital aspects. In what way do digital tools and expressions in the 1960s differ to the ubiquitous systems of our time? What kind of artistic effects does this generate? Is the present theoretical fascination for materiality an effect or a reaction to a digitization? Above all: how can early modern forms such as the cabinets of curiosity, emblem books and the archival principle of pertinence contribute to the analyses of contemporary digital forms?
Media studies --- Literature: history & criticism --- digital humanities --- media archeology --- media history --- early modern aesthetics --- digital culture --- aesthetic history --- Open Access
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World Literature and Dissent reconsiders the role of dissent in contemporary global literature. Bringing together scholars of world and postcolonial literatures, the contributors explore the aesthetics of resistance through concepts including the epistemology of ignorance, the rhetoric of innocence, the subversion of paying attention, and the radical potential of everydayness. Addressing a broad range of examples, from the Maghrebian humanist Ibn Khaldn to India's Facebook poets and examining writers such as Langston Hughes, Ben Okri, Sara Uribe, and Merle Collins, this highly relevant book reframes the field of world literature in relation to dissenting politics and aesthetic. It asks the urgent question: how critical practice might cultivate radical thought, further social justice, and value human expression?
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Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely figure in recent work on the emergence of aesthetics as a branch of philosophy over the course the eighteenth century. This book addresses that gap, elaborating the extent to which artworks and practices of the fifteenth through the eighteenth centuries were accompanied by an immense range of discussions about the arts and their relation to one another. Rather than take art as a stand-in for or reflection of some other historical event or social phenomenon, this book treats art as a phenomenon in itself. The contributors suggest ways in which artworks and practices of the early modern period make aesthetic experience central to philosophical reflection, while also showing art’s need for philosophy.
Art --- Aesthetics, Modern. --- Modern aesthetics --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy. --- Analysis, interpretation, appreciation --- Aesthetics. --- Art. --- Early Modern. --- German. --- Renaissance. --- Aesthetics, Modern --- Philosophy
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Marc Redfield maintains that the literary genre of the Bildungsroman brings into sharp focus the contradictions of aesthetics, and also that aesthetics exemplifies what is called ideology. He combines a wide-ranging account of the history and theory of aesthetics with close readings of novels by Goethe, George Eliot, and Gustave Flaubert. For Redfield, these fictions of character formation demonstrate the paradoxical relation between aesthetics and literature: the notion of the Bildungsroman may be expanded to apply to any text that can be figured as a subject producing itself in history, which is to say any text whatsoever. At the same time, the category may be contracted to include only a handful of novels, (or even none at all), a paradox that has led critics to denigrate the Bildungsroman as a phantom genre.
Aesthetics [Modern ] --- Bildungsroman --- Esthetica (Moderne filosofie) --- Esthetica [Moderne ] --- Esthétique (Philosophie moderne) --- Esthétique moderne --- Modern aesthetics --- Moderne esthetica --- Roman éducatif --- Aesthetics, Modern. --- Bildungsromans --- European fiction --- German fiction --- History and criticism. --- Aesthetics, Modern --- History and criticism --- 19th century --- Literature: history & criticism
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Karl Philipp Moritz (d. 1793) was one of the most innovative writers of the late Enlightenment in Germany. A novelist, travel writer, editor, and teacher he is probably best known today for his autobiographical novel Anton Reiser (1785-90) and for his treatises on aesthetics, foremost among them Über die bildende Nachahmung des Schönen (On the Formative Imitation of the Beautiful), published in 1788. In this treatise, Moritz develops the concept of aesthetic autonomy, which became widely known after Goethe included a lengthy excerpt of it in his own Italian Journey (1816-17). It was one of the foundational texts of Weimar classicism, and it became pivotal for the development of early Romanticism.In The Topography of Modernity, Elliott Schreiber gives Moritz the credit he deserves as an important thinker beyond his contributions to aesthetic theory. Indeed, he sees Moritz as an incisive early observer and theorist of modernity. Considering a wide range of Moritz's work including his novels, his writings on mythology, prosody, and pedagogy, and his political philosophy and psychology, Schreiber shows how Moritz's thinking developed in response to the intellectual climate of the Enlightenment and paved the way for later social theorists to conceive of modern society as differentiated into multiple, competing value spheres.
LITERARY CRITICISM --- European / German --- Aesthetics, Modern --- German literature --- Arts, Modern --- Languages & Literatures --- Germanic Literature --- History and criticism --- Philosophy --- Moritz, Karl Philipp, --- Aesthetics. --- Modern arts --- Modern aesthetics --- Moriz, Karl Philipp, --- Moritzen, Karl Philipp, --- Moritz, Karl Phillip, --- Moritz, Charles Philip, --- Moritz, Carl Philipp, --- Morit︠s︡, Karl Filipp, --- Moritz, K. Ph. --- Literature: history & criticism
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Offering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche.
Subjectiviteit --- Subjectivity --- Subjectivité --- Aesthetics, German. --- Aesthetics, German - 18th century. --- Aesthetics, Modern. --- Subjectivity. --- Aesthetics, German --- Aesthetics, Modern --- Aesthetics --- Philosophy --- Philosophy & Religion --- Subjectivism --- History --- 7.01 <43> "17/18" --- -Aesthetics, German --- -Subjectivity --- Modern aesthetics --- German aesthetics --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Duitsland voor 1945 en na 1989--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- 7.01 <43> "17/18" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Duitsland voor 1945 en na 1989--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Knowledge, Theory of --- Relativity --- Aesthetics [German ] --- 18th century --- 19th century --- Aesthetics [Modern ] --- philosophy --- germany --- aesthetics --- Friedrich Nietzsche --- Friedrich Schleiermacher --- Friedrich Wilhelm Joseph Schelling --- Georg Wilhelm Friedrich Hegel --- Immanuel Kant --- Johann Gottlieb Fichte --- Metaphysics --- Modernity --- Critique of Judgement. --- Critique of Practical Reason. --- Critique of Pure Reason. --- Friedrich Schleiermacher. --- German politico-philosophical manifesto. --- Romantic thought. --- STI. --- aesthetic theory. --- conceptions of language. --- hermeneutics. --- human subject. --- modern philosophy. --- music. --- post-Kantian history. --- post-structuralism. --- pragmatism.
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