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This work aims to promote a broad critical reflection on the birth and evolution of writing and of book publishing throughout the ages, highlighting the main supports and techniques, from the scroll of papyrus to the parchment codex, from the book on paper to the digital book. The articles in this volume deal with various themes concerning the History of the Book and the Publishing Industry from antiquity to present-day. They are the culmination of a project which is intended to be continued, thus renewing our attempt to disseminate the Arts of the Book.

Publishing --- History of the book --- Books --- Manuscripts --- History --- Codices --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers

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Les différents articles présentés dans cet ouvrage mettent en lumière la dimension corporelle du livre. Toutefois, les analyses développées dans Le Livre au corps ne se contentent pas de l’analogie qui associe le corps à l’objet-livre à travers les mots d’un vocabulaire commun à l’instar de ceux de tête, pied, dos, nerfs… Loin d’un anthropomorphisme manifeste, aisément repérable et vite accessible, le projet de ce livre est surtout de mettre au jour la profondeur de liens sensibles et l’articulation de rapports visibles et invisibles entre le livre et le corps dans l’histoire - au Moyen Âge, à la Renaissance - mais aussi dans leur propre production et reproduction artistique autonome. Qu’il soit un objet investi d’esprit ou immédiatement un corps selon Edmund Husserl ou une modalité de notre être selon Emmanuel Lévinas, le livre n’est rien sans son lecteur dont il révèle la corporéité sensible, le livre étant lui-même une forme d’incarnation de l’œœuvre et une mise en œœuvre du corps dans l’acte de lecture. Avec Henri Michaux, Saint-John Perse ou encore Wols, Le Livre au corps montre que le corps comme le livre sont saisis par une poétique de leur génération ou de leur engendrement réciproque.

Books --- Books and reading --- Human body in literature --- Education --- Social Sciences --- Book Studies & Arts --- History --- Philosophy --- Body, Human, in literature --- Human figure in literature --- Appraisal of books --- Choice of books --- Evaluation of literature --- Literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Appraisal --- Evaluation --- Reading --- Reading interests --- Reading promotion --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- philosophie --- livre d'artiste --- corps humain --- symbolique --- lecture --- livre

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Schrifttragende Artefakte sind einer Vielzahl von Praktiken ausgesetzt, durch die sie in der einen oder anderen Form beschädigt werden. Dabei können die Absichten, Hintergründe und Kontexte dieser Praktiken stark variieren, sodass durch die Zeiten hindurch in verschiedenen kulturellen Kontexten, Situationen und Diskursen vielfältige Ausprägungen zu beobachten sind. Solche Fälle sind keineswegs darauf beschränkt, Missbilligung gegenüber Inhalten oder Autoren auszudrücken oder das Andenken an Personen auszulöschen. Anhand von detailliert aufgearbeiteten Fallbeispielen, die vom antiken Ägypten, Mesopotamien und dem Mittelmeerraum über das alte China, das europäische Mittelalter und die Neuzeit sowie islamische Traditionen bis zum heutigen Bali reichen, werden verschiedene Facetten der unterschiedlichen Praktiken und ihrer Motivationen erarbeitet und eine übergreifende Systematik entwickelt. Ziel ist es, eine an praxeologischen Kriterien orientierte Phänomenologie von Schriftzerstörung aufzustellen. Das Hauptaugenmerk liegt auf Praktiken in non-typographischen Gesellschaften, also in Kulturen, in denen Schriftdokumente nicht mittels Buchdruck und vergleichbaren Verfahren fast beliebig vervielfältigt, sondern von Hand einzeln angefertigt wurden.

Writing --- Paleography --- Written communication --- Books --- Legal documents --- Language and languages --- History. --- Mutilation, defacement, etc. --- Destruction and reconstruction --- Orthography and spelling --- Manuscripts --- Documents --- Documents, Legal --- Authentication --- Commercial documents --- Legal instruments --- Legalization --- Codices --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Transmission of texts --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Bücherverbrennung. --- Damnatio Memoriae. --- Schluckbilder. --- Urkundenvernichtung. --- Book burning --- damnatio memoriae --- document destruction --- swallowing pictures

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As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics.Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.

Poetry --- Old French literature --- 840 "12/13" --- Books --- -French poetry --- -Manuscripts, French --- -Manuscripts, Medieval --- -Narrative poetry, French --- -Poetry --- -Scriptoria --- -Songs, French --- -French songs --- Copying rooms --- Writing rooms --- Rooms --- Illumination of books and manuscripts --- Manuscripts --- Monasteries --- Monastic libraries --- Poems --- Verses (Poetry) --- Literature --- French narrative poetry --- French poetry --- Medieval manuscripts --- French manuscripts --- French literature --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Franse literatuur--?"12/13" --- History --- -History and criticism --- History and criticism --- Editing --- Reproduction --- Philosophy --- Manuscripts, French --- Manuscripts, Medieval --- Narrative poetry, French --- Scriptoria --- Songs, French --- History and criticism. --- Manuscripts. --- History. --- Editing. --- -Franse literatuur--?"12/13" --- 840 "12/13" Franse literatuur--?"12/13"

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Books --- Emergency management --- Libraries --- Manuscripts --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Codices --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- Documentation --- Public institutions --- Librarians --- Consequence management (Emergency management) --- Disaster planning --- Disaster preparedness --- Disaster prevention --- Disaster relief --- Disasters --- Emergencies --- Emergency planning --- Emergency preparedness --- Management --- Public safety --- First responders --- Conservation and restoration --- Planning --- Preparedness --- Prevention --- Herzogin Anna Amalia Bibliothek --- Herzogin Anna Amalia Bibliothek Weimar --- Herzogin Anna Amalia Bibliothek zu Weimar --- Nationale Forschungs- und Gedenkstätten der Klassischen Deutschen Literatur in Weimar. --- Stiftung Weimarer Klassik. --- Duchess Anna Amalia Library --- Anna Amalia Library --- Anna Amalia Bibliothek --- Klassik Stiftung Weimar. --- HAAB --- Zentralbibliothek der Deutschen Klassik --- Fire, 2004.